Essays in Russian Literary and Musical Culture:
The volume contains essays and reviews written over thirty years, linked loosely by three themes. First is the global resonance of Mikhail Bakhtin as moral philosopher, theorist of dialogue, and cultural totem. How does his worldview complement that of his friendly rivals the formalists (and later s...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | Russian |
| Veröffentlicht: |
Boston, MA
Academic Studies Press
[2019]
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| Schriftenreihe: | Contemporary Western Rusistika
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | The volume contains essays and reviews written over thirty years, linked loosely by three themes. First is the global resonance of Mikhail Bakhtin as moral philosopher, theorist of dialogue, and cultural totem. How does his worldview complement that of his friendly rivals the formalists (and later semioticians), and which aspects of his value-system have been most cogently criticized? Second is an application of Bakhtinian principles of transposition to successive musicalized Russian classics (among them Pushkin's and Meyerhold's Boris Godunov, Tchaikovsky's and Prokofiev's Eugene Onegin, Prokofiev's War and Peace, Shostakovich's Lady Macbeth of Mtsensk District, Pushkin's and Dargomyzhsky's Rusalka). A final theme is the creative-or capricious-reading of one literary master by another master, much later in time: Tolstoy's reading of Shakespeare, Nabokov's reading of Pushkin's Eugene Onegin, Krzhizhanovsky's reading of Shakespeare and Bernard Shaw. Great writers, like great composers, absorb and transform earlier greatness into a new synthesis, and it is this activity that is commemorated in this volume |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9781644699218 |
| DOI: | 10.1515/9781644699218 |
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| 520 | |a The volume contains essays and reviews written over thirty years, linked loosely by three themes. First is the global resonance of Mikhail Bakhtin as moral philosopher, theorist of dialogue, and cultural totem. How does his worldview complement that of his friendly rivals the formalists (and later semioticians), and which aspects of his value-system have been most cogently criticized? Second is an application of Bakhtinian principles of transposition to successive musicalized Russian classics (among them Pushkin's and Meyerhold's Boris Godunov, Tchaikovsky's and Prokofiev's Eugene Onegin, Prokofiev's War and Peace, Shostakovich's Lady Macbeth of Mtsensk District, Pushkin's and Dargomyzhsky's Rusalka). A final theme is the creative-or capricious-reading of one literary master by another master, much later in time: Tolstoy's reading of Shakespeare, Nabokov's reading of Pushkin's Eugene Onegin, Krzhizhanovsky's reading of Shakespeare and Bernard Shaw. Great writers, like great composers, absorb and transform earlier greatness into a new synthesis, and it is this activity that is commemorated in this volume | ||
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| language | Russian |
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| spelling | Emerson, Caryl Verfasser aut Essays in Russian Literary and Musical Culture Caryl Emerson Boston, MA Academic Studies Press [2019] 2019 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Contemporary Western Rusistika Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) The volume contains essays and reviews written over thirty years, linked loosely by three themes. First is the global resonance of Mikhail Bakhtin as moral philosopher, theorist of dialogue, and cultural totem. How does his worldview complement that of his friendly rivals the formalists (and later semioticians), and which aspects of his value-system have been most cogently criticized? Second is an application of Bakhtinian principles of transposition to successive musicalized Russian classics (among them Pushkin's and Meyerhold's Boris Godunov, Tchaikovsky's and Prokofiev's Eugene Onegin, Prokofiev's War and Peace, Shostakovich's Lady Macbeth of Mtsensk District, Pushkin's and Dargomyzhsky's Rusalka). A final theme is the creative-or capricious-reading of one literary master by another master, much later in time: Tolstoy's reading of Shakespeare, Nabokov's reading of Pushkin's Eugene Onegin, Krzhizhanovsky's reading of Shakespeare and Bernard Shaw. Great writers, like great composers, absorb and transform earlier greatness into a new synthesis, and it is this activity that is commemorated in this volume In Russian LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Razin, Andrei Sonstige oth Эмерсон, Кэрил Sonstige oth https://doi.org/10.1515/9781644699218?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Emerson, Caryl Essays in Russian Literary and Musical Culture LITERARY CRITICISM / Russian & Former Soviet Union bisacsh |
| title | Essays in Russian Literary and Musical Culture |
| title_auth | Essays in Russian Literary and Musical Culture |
| title_exact_search | Essays in Russian Literary and Musical Culture |
| title_full | Essays in Russian Literary and Musical Culture Caryl Emerson |
| title_fullStr | Essays in Russian Literary and Musical Culture Caryl Emerson |
| title_full_unstemmed | Essays in Russian Literary and Musical Culture Caryl Emerson |
| title_short | Essays in Russian Literary and Musical Culture |
| title_sort | essays in russian literary and musical culture |
| topic | LITERARY CRITICISM / Russian & Former Soviet Union bisacsh |
| topic_facet | LITERARY CRITICISM / Russian & Former Soviet Union |
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