Modern tragedy:
"What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? The first chapter of this book is motivated by the urgency of our...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York
Methuen Drama
2023
|
Schriftenreihe: | Forms of drama
|
Schlagworte: | |
Online-Zugang: | DE-20 URL des Erstveröffentlichers |
Zusammenfassung: | "What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? The first chapter of this book is motivated by the urgency of our current situation in an age of ecocidal crisis. It focuses upon John Millington Synge's Riders to the Sea (1904), and shows how environmental awareness might be expressed through tragic drama. The second chapter takes a detailed look at Brecht's reworking of Synge's drama in the 1937 play Señora Carrar's Rifles. Examining Brecht's script in the light of his broader ideas about tragedy, this study notes that Brecht felt earlier tragedies tended to leave their audiences emotionally stimulated but stunted in terms of political understanding and response. This chapter highlights how Brecht's ideas of tragedy were informed by Hegel and Marx, and contrasts Brecht's approach with the Schopenhauerian thinking of Samuel Beckett. The third chapter examines theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. This part of the book looks at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961). It explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of non-white authors and audiences"-- |
Beschreibung: | 1 Online-Ressource (x, 172 Seiten) |
ISBN: | 9781350139817 9781350139800 9781350139794 |
DOI: | 10.5040/9781350139817 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
---|---|---|---|
001 | BV050072842 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 241206s2023 xx ob||| 00||| eng d | ||
020 | |a 9781350139817 |9 978-1-3501-3981-7 | ||
020 | |a 9781350139800 |c ePDF |9 978-1-3501-3980-0 | ||
020 | |a 9781350139794 |c epub |9 978-1-3501-3979-4 | ||
024 | 7 | |a 10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections |2 doi | |
035 | |a (OCoLC)1477603643 | ||
035 | |a (DE-599)BVBBV050072842 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-20 | ||
084 | |a EC 7506 |0 (DE-625)20820:13514 |2 rvk | ||
084 | |a EC 7507 |0 (DE-625)20820:13515 |2 rvk | ||
100 | 1 | |a Moran, James |d 1978- |e Verfasser |0 (DE-588)104169959X |4 aut | |
245 | 1 | 0 | |a Modern tragedy |c James Moran |
264 | 1 | |a London ; New York |b Methuen Drama |c 2023 | |
300 | |a 1 Online-Ressource (x, 172 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Forms of drama | |
505 | 8 | |a From 1904: Synge and the nature elegy -- From 1937: Brecht and political engagement -- From 1954: Walcott, Clark and the postcolonial -- Conclusion | |
520 | 3 | |a "What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? The first chapter of this book is motivated by the urgency of our current situation in an age of ecocidal crisis. It focuses upon John Millington Synge's Riders to the Sea (1904), and shows how environmental awareness might be expressed through tragic drama. The second chapter takes a detailed look at Brecht's reworking of Synge's drama in the 1937 play Señora Carrar's Rifles. Examining Brecht's script in the light of his broader ideas about tragedy, this study notes that Brecht felt earlier tragedies tended to leave their audiences emotionally stimulated but stunted in terms of political understanding and response. This chapter highlights how Brecht's ideas of tragedy were informed by Hegel and Marx, and contrasts Brecht's approach with the Schopenhauerian thinking of Samuel Beckett. The third chapter examines theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. This part of the book looks at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961). It explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of non-white authors and audiences"-- | |
648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Tragödie |0 (DE-588)4060591-7 |2 gnd |9 rswk-swf |
653 | 0 | |a Tragedy / History and criticism | |
653 | 0 | |a Drama / History and criticism | |
653 | 0 | |a Drama | |
653 | 0 | |a Tragedy | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Tragödie |0 (DE-588)4060591-7 |D s |
689 | 0 | 1 | |a Geschichte 1900-2000 |A z |
689 | 0 | |5 DE-604 | |
775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |z 978-1-3501-3978-7 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 1-3501-3977-7 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-3501-3977-0 |
856 | 4 | 0 | |u https://doi.org/10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-162-BCC | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035410227 | |
966 | e | |u https://doi.org/10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections |l DE-20 |p ZDB-162-BCC |q UBW_Paketkauf |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1822490744548491264 |
---|---|
adam_text | |
any_adam_object | |
author | Moran, James 1978- |
author_GND | (DE-588)104169959X |
author_facet | Moran, James 1978- |
author_role | aut |
author_sort | Moran, James 1978- |
author_variant | j m jm |
building | Verbundindex |
bvnumber | BV050072842 |
classification_rvk | EC 7506 EC 7507 |
collection | ZDB-162-BCC |
contents | From 1904: Synge and the nature elegy -- From 1937: Brecht and political engagement -- From 1954: Walcott, Clark and the postcolonial -- Conclusion |
ctrlnum | (OCoLC)1477603643 (DE-599)BVBBV050072842 |
discipline | Literaturwissenschaft |
doi_str_mv | 10.5040/9781350139817 |
era | Geschichte 1900-2000 gnd |
era_facet | Geschichte 1900-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000008c 4500</leader><controlfield tag="001">BV050072842</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241206s2023 xx ob||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350139817</subfield><subfield code="9">978-1-3501-3981-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350139800</subfield><subfield code="c">ePDF</subfield><subfield code="9">978-1-3501-3980-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350139794</subfield><subfield code="c">epub</subfield><subfield code="9">978-1-3501-3979-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1477603643</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050072842</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 7506</subfield><subfield code="0">(DE-625)20820:13514</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 7507</subfield><subfield code="0">(DE-625)20820:13515</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moran, James</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)104169959X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Modern tragedy</subfield><subfield code="c">James Moran</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Methuen Drama</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 172 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Forms of drama</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">From 1904: Synge and the nature elegy -- From 1937: Brecht and political engagement -- From 1954: Walcott, Clark and the postcolonial -- Conclusion</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? The first chapter of this book is motivated by the urgency of our current situation in an age of ecocidal crisis. It focuses upon John Millington Synge's Riders to the Sea (1904), and shows how environmental awareness might be expressed through tragic drama. The second chapter takes a detailed look at Brecht's reworking of Synge's drama in the 1937 play Señora Carrar's Rifles. Examining Brecht's script in the light of his broader ideas about tragedy, this study notes that Brecht felt earlier tragedies tended to leave their audiences emotionally stimulated but stunted in terms of political understanding and response. This chapter highlights how Brecht's ideas of tragedy were informed by Hegel and Marx, and contrasts Brecht's approach with the Schopenhauerian thinking of Samuel Beckett. The third chapter examines theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. This part of the book looks at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961). It explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of non-white authors and audiences"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tragödie</subfield><subfield code="0">(DE-588)4060591-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Tragedy / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drama / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drama</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Tragedy</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Tragödie</subfield><subfield code="0">(DE-588)4060591-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-3501-3978-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">1-3501-3977-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-3501-3977-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BCC</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035410227</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-20</subfield><subfield code="p">ZDB-162-BCC</subfield><subfield code="q">UBW_Paketkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV050072842 |
illustrated | Not Illustrated |
indexdate | 2025-01-28T11:10:14Z |
institution | BVB |
isbn | 9781350139817 9781350139800 9781350139794 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035410227 |
oclc_num | 1477603643 |
open_access_boolean | |
owner | DE-20 |
owner_facet | DE-20 |
physical | 1 Online-Ressource (x, 172 Seiten) |
psigel | ZDB-162-BCC ZDB-162-BCC UBW_Paketkauf |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Methuen Drama |
record_format | marc |
series2 | Forms of drama |
spelling | Moran, James 1978- Verfasser (DE-588)104169959X aut Modern tragedy James Moran London ; New York Methuen Drama 2023 1 Online-Ressource (x, 172 Seiten) txt rdacontent c rdamedia cr rdacarrier Forms of drama From 1904: Synge and the nature elegy -- From 1937: Brecht and political engagement -- From 1954: Walcott, Clark and the postcolonial -- Conclusion "What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? The first chapter of this book is motivated by the urgency of our current situation in an age of ecocidal crisis. It focuses upon John Millington Synge's Riders to the Sea (1904), and shows how environmental awareness might be expressed through tragic drama. The second chapter takes a detailed look at Brecht's reworking of Synge's drama in the 1937 play Señora Carrar's Rifles. Examining Brecht's script in the light of his broader ideas about tragedy, this study notes that Brecht felt earlier tragedies tended to leave their audiences emotionally stimulated but stunted in terms of political understanding and response. This chapter highlights how Brecht's ideas of tragedy were informed by Hegel and Marx, and contrasts Brecht's approach with the Schopenhauerian thinking of Samuel Beckett. The third chapter examines theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge's Riders to the Sea to postcolonial contexts. This part of the book looks at Derek Walcott's The Sea at Dauphin (1954), and J.P. Clark's The Goat (1961). It explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of non-white authors and audiences"-- Geschichte 1900-2000 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Tragedy / History and criticism Drama / History and criticism Drama Tragedy Criticism, interpretation, etc Tragödie (DE-588)4060591-7 s Geschichte 1900-2000 z DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-3501-3978-7 Erscheint auch als Druck-Ausgabe 1-3501-3977-7 Erscheint auch als Druck-Ausgabe 978-1-3501-3977-0 https://doi.org/10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Moran, James 1978- Modern tragedy From 1904: Synge and the nature elegy -- From 1937: Brecht and political engagement -- From 1954: Walcott, Clark and the postcolonial -- Conclusion Tragödie (DE-588)4060591-7 gnd |
subject_GND | (DE-588)4060591-7 |
title | Modern tragedy |
title_auth | Modern tragedy |
title_exact_search | Modern tragedy |
title_full | Modern tragedy James Moran |
title_fullStr | Modern tragedy James Moran |
title_full_unstemmed | Modern tragedy James Moran |
title_short | Modern tragedy |
title_sort | modern tragedy |
topic | Tragödie (DE-588)4060591-7 gnd |
topic_facet | Tragödie |
url | https://doi.org/10.5040/9781350139817?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT moranjames moderntragedy |