The theatre of Paula Vogel: practice, pedagogy, and influences
"By the time Paula Vogel made her Broadway debut with her 2017 Rebecca Taichman collaboration Indecent, she was already an accomplished playwright, with a Pulitzer Prize for How I Learned to Drive (1998) and two Obie Awards. She had also enjoyed a brilliant career as a professor at Brown and Ya...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Methuen Drama
2023
|
Schriftenreihe: | Methuen drama critical companions
|
Schlagworte: | |
Online-Zugang: | DE-20 Volltext |
Zusammenfassung: | "By the time Paula Vogel made her Broadway debut with her 2017 Rebecca Taichman collaboration Indecent, she was already an accomplished playwright, with a Pulitzer Prize for How I Learned to Drive (1998) and two Obie Awards. She had also enjoyed a brilliant career as a professor at Brown and Yale with students such as Sarah Ruhl, a MacArthur "Genius" Grant winner, Pulitzer Prize winners Nilo Cruz, Quiara Alegria Hudes, and the only woman to win two Pulitzers for Drama, Lynn Nottage. Vogel's theatre draws upon Russian Formalist Viktor Skhlovsky and uses devices such as "defamiliarization" and "negative empathy" to challenge conventional definitions of protagonists and antagonists. In this volume, Lee Brewer Jones examines Vogel as both a playwright and renowned teacher, analyzing texts and early reviews of Vogel's major plays-including Indecent, Desdemona, How I Learned to Drive and The Baltimore Waltz-before turning attention to her influence upon other major American playwrights, including Sarah Ruhl, Lynn Nottage, and Quiara Alegria Hudes. Chapters explore Vogel's plays in chronological order, consider her early influences and offer detailed accounts of her work in performance. Enriched by essays from scholars Ana Fernández-Caparrós and Amy Muse, and an interview with Lynn Nottage, this is a vibrant exploration of Paula Vogel as a major American playwright" |
Beschreibung: | Includes bibliographical references |
Beschreibung: | 1 Online-Ressource (x, 194 Seiten) |
ISBN: | 9781350251748 9781350251731 9781350251724 |
DOI: | 10.5040/9781350251748 |
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520 | 3 | |a "By the time Paula Vogel made her Broadway debut with her 2017 Rebecca Taichman collaboration Indecent, she was already an accomplished playwright, with a Pulitzer Prize for How I Learned to Drive (1998) and two Obie Awards. She had also enjoyed a brilliant career as a professor at Brown and Yale with students such as Sarah Ruhl, a MacArthur "Genius" Grant winner, Pulitzer Prize winners Nilo Cruz, Quiara Alegria Hudes, and the only woman to win two Pulitzers for Drama, Lynn Nottage. Vogel's theatre draws upon Russian Formalist Viktor Skhlovsky and uses devices such as "defamiliarization" and "negative empathy" to challenge conventional definitions of protagonists and antagonists. In this volume, Lee Brewer Jones examines Vogel as both a playwright and renowned teacher, analyzing texts and early reviews of Vogel's major plays-including Indecent, Desdemona, How I Learned to Drive and The Baltimore Waltz-before turning attention to her influence upon other major American playwrights, including Sarah Ruhl, Lynn Nottage, and Quiara Alegria Hudes. Chapters explore Vogel's plays in chronological order, consider her early influences and offer detailed accounts of her work in performance. Enriched by essays from scholars Ana Fernández-Caparrós and Amy Muse, and an interview with Lynn Nottage, this is a vibrant exploration of Paula Vogel as a major American playwright" | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Jones, Lee Brewer |
author_GND | (DE-588)1313528412 |
author_facet | Jones, Lee Brewer |
author_role | aut |
author_sort | Jones, Lee Brewer |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812/.54 |
dewey-search | 812/.54 |
dewey-sort | 3812 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.5040/9781350251748 |
era | Geschichte 1951-2023 gnd |
era_facet | Geschichte 1951-2023 |
format | Electronic eBook |
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id | DE-604.BV050072787 |
illustrated | Not Illustrated |
indexdate | 2025-03-06T11:01:33Z |
institution | BVB |
isbn | 9781350251748 9781350251731 9781350251724 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035410171 |
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spelling | Jones, Lee Brewer Verfasser (DE-588)1313528412 aut The theatre of Paula Vogel practice, pedagogy, and influences Lee Brewer Jones theater London ; New York ; Oxford ; New Delhi ; Sydney Methuen Drama 2023 1 Online-Ressource (x, 194 Seiten) txt rdacontent c rdamedia cr rdacarrier Methuen drama critical companions Includes bibliographical references "By the time Paula Vogel made her Broadway debut with her 2017 Rebecca Taichman collaboration Indecent, she was already an accomplished playwright, with a Pulitzer Prize for How I Learned to Drive (1998) and two Obie Awards. She had also enjoyed a brilliant career as a professor at Brown and Yale with students such as Sarah Ruhl, a MacArthur "Genius" Grant winner, Pulitzer Prize winners Nilo Cruz, Quiara Alegria Hudes, and the only woman to win two Pulitzers for Drama, Lynn Nottage. Vogel's theatre draws upon Russian Formalist Viktor Skhlovsky and uses devices such as "defamiliarization" and "negative empathy" to challenge conventional definitions of protagonists and antagonists. In this volume, Lee Brewer Jones examines Vogel as both a playwright and renowned teacher, analyzing texts and early reviews of Vogel's major plays-including Indecent, Desdemona, How I Learned to Drive and The Baltimore Waltz-before turning attention to her influence upon other major American playwrights, including Sarah Ruhl, Lynn Nottage, and Quiara Alegria Hudes. Chapters explore Vogel's plays in chronological order, consider her early influences and offer detailed accounts of her work in performance. Enriched by essays from scholars Ana Fernández-Caparrós and Amy Muse, and an interview with Lynn Nottage, this is a vibrant exploration of Paula Vogel as a major American playwright" Vogel, Paula 1951- (DE-588)13338036X gnd rswk-swf Vogel, Paula / Criticism and interpretation Vogel, Paula / Influence American drama / 20th century / History and criticism American drama / 21st century / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Vogel, Paula 1951- (DE-588)13338036X p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-25171-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-350-25175-5 https://doi.org/10.5040/9781350251748?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Jones, Lee Brewer The theatre of Paula Vogel practice, pedagogy, and influences Vogel, Paula 1951- (DE-588)13338036X gnd |
subject_GND | (DE-588)13338036X (DE-588)4143413-4 |
title | The theatre of Paula Vogel practice, pedagogy, and influences |
title_alt | theater |
title_auth | The theatre of Paula Vogel practice, pedagogy, and influences |
title_exact_search | The theatre of Paula Vogel practice, pedagogy, and influences |
title_full | The theatre of Paula Vogel practice, pedagogy, and influences Lee Brewer Jones |
title_fullStr | The theatre of Paula Vogel practice, pedagogy, and influences Lee Brewer Jones |
title_full_unstemmed | The theatre of Paula Vogel practice, pedagogy, and influences Lee Brewer Jones |
title_short | The theatre of Paula Vogel |
title_sort | the theatre of paula vogel practice pedagogy and influences |
title_sub | practice, pedagogy, and influences |
topic | Vogel, Paula 1951- (DE-588)13338036X gnd |
topic_facet | Vogel, Paula 1951- Aufsatzsammlung |
url | https://doi.org/10.5040/9781350251748?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT jonesleebrewer thetheatreofpaulavogelpracticepedagogyandinfluences AT jonesleebrewer theater |