Allegory in Iranian cinema: the aesthetics of poetry and resistance
"Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for ma...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms."--Bloomsbury Publishing |
| Beschreibung: | Literaturverzeichnis Seite [260]-267 |
| Beschreibung: | xiii, 278 Seiten Illustrationen 24 cm |
| ISBN: | 9781350194250 |
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Datensatz im Suchindex
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Contents Figures viii Acknowledgements xii Note on Transliteration xiv Introduction - Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance 1 1 Locating Allegory in Pre-Revolutionary Iranian Cinema 13 2 The Allegorical Children of Iranian Cinema 61 3 Allegory and the Aesthetics of Becoming-Woman 105 4 Allegories of Love: The Cinematic Ghazal 135 5 Tending the Wounds of the Nation: Gender in Iranian War Cinema 169 6 Between Laughter and Mourning: About Elly as Trauerspiel of a Generation 193 Coda: Allegory Spills into the Streets 235 Notes 239 Bibliography 260 Index 268 |
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| author | Langford, Michelle 1969- |
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| spelling | Langford, Michelle 1969- Verfasser (DE-588)1057857769 aut Allegory in Iranian cinema the aesthetics of poetry and resistance Michelle Langford Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 © 2019 xiii, 278 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite [260]-267 "Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms."--Bloomsbury Publishing Geschichte gnd rswk-swf Filmzensur (DE-588)4154386-5 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Allegorie (DE-588)4001236-0 gnd rswk-swf Iran (DE-588)4027653-3 gnd rswk-swf Motion pictures / Iran Allegory Motion pictures Iran Iran (DE-588)4027653-3 g Film (DE-588)4017102-4 s Allegorie (DE-588)4001236-0 s Filmzensur (DE-588)4154386-5 s Geschichte z DE-604 Kino (DE-588)4129654-0 s Äquivalent Druck-Ausgabe, Hardcover 978-1-7807-6298-2 Erscheint auch als Online-Ausgabe 978-1-350-11633-7 Erscheint auch als Online-Ausgabe 978-1-350-11327-5 Erscheint auch als Online-Ausgabe 978-1-350-11326-8 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035397041&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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