Women as creators and subjects across disciplines and cultures:
This book crosses multiple world cultures as the chapters highlight both women as creators (by) and women as subjects (about). Chapter topics address widely varying socio-cultural facets of multi-cultures from various historical, sociological, artistic and literary perspectives. The title, Women as...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2024
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| Schlagworte: | |
| Zusammenfassung: | This book crosses multiple world cultures as the chapters highlight both women as creators (by) and women as subjects (about). Chapter topics address widely varying socio-cultural facets of multi-cultures from various historical, sociological, artistic and literary perspectives. The title, Women as Creators and Subjects, in that order, summarizes the content of the book, which begins with commentary on women as creators and moves to elucidating about women to establish a framework. Themes range from power and politics in regards to Aztec women's bodies, roles of historical indigenous, Spanish, Latin America, and Latinx women, and female participation in development efforts in the Global South of studio art, i.e., visual representations of women by women, as well as of female muses for male artists―and critical articles about all manner of works and genres literally by a litany of women artists and writers, both in literature and film, as well as women as represented in works by males, all from across the Middle East, Global South, Europe and the Americas |
| Beschreibung: | xvii, 220 pages illustrations 22 cm |
| ISBN: | 1036400417 9781036400415 |
Internformat
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| 245 | 1 | 0 | |a Women as creators and subjects across disciplines and cultures |c edited by Debra D. Andrist |
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| 505 | 8 | 0 | |t Preface -- |t Women as creators |t Introduction to original works created by women: essay and short story |t The metamorphosis of exile: generations of women |r Rose Mary Salum, translated from Spanish by Debra D. Andrist |t That's how simple it is |r Rose Mary Salum, translated by Debra D. Andrist |t The pigeon lady |r Gwendolyn Díaz-Ridgeway |t Introduction to literary critique of works by women creating as authors: film, prose: novel and short story, and poetry |t On legends of the ordinary: Gloria Rolando's early films |r Haiqing Sun |t The collective conscience in two works by Isabel Allende: from The house of the spirits/La casa de los espíritus to Violet/Violeta |r Elizabeth White Coscio |t Concha Urquiza (1910-1944): mystic, erotic, and rebel poetry in the framework of the dissonances of the poet's life |r Jorge Chavarro |t Women as creators and subjects |t Introduction to studio art and the visual representation of women: subjects and/or muses and the literary representation of women |t Picasso's feminine other: Olga, Marie-Thérèse and Dora |r Enrique Mallén |t From the harpy to the heroine: evolution of a feminist trend in the works of the Syrian dramatist Sadallah Wannous |r Samar Zahrawi |t Introduction to the power: roles and perceptions of women in politics, religion, and energy/ecology/economics |t Female bodies and the rise of Huitzilopochtli in the Aztec world |r Jeanne Gillespie |t Comparing and contrasting the notions of plurality and intercultural intersections in Hannah Arendt and Gloria Anzaldúa |r John Francis Burke |
| 505 | 8 | 0 | |t An analysis of power in gender, energy and sustainable development (GED) framework |r Aritra Chakrabarty |t Conclusions and reflections |
| 520 | 3 | |a This book crosses multiple world cultures as the chapters highlight both women as creators (by) and women as subjects (about). Chapter topics address widely varying socio-cultural facets of multi-cultures from various historical, sociological, artistic and literary perspectives. The title, Women as Creators and Subjects, in that order, summarizes the content of the book, which begins with commentary on women as creators and moves to elucidating about women to establish a framework. Themes range from power and politics in regards to Aztec women's bodies, roles of historical indigenous, Spanish, Latin America, and Latinx women, and female participation in development efforts in the Global South of studio art, i.e., visual representations of women by women, as well as of female muses for male artists―and critical articles about all manner of works and genres literally by a litany of women artists and writers, both in literature and film, as well as women as represented in works by males, all from across the Middle East, Global South, Europe and the Americas | |
| 653 | 0 | |a Women and the arts | |
| 653 | 0 | |a Women in art | |
| 653 | 6 | |a Literary criticism | |
| 653 | 6 | |a Film criticism | |
| 700 | 1 | |a Andrist, Debra D. |d 1950- |4 edt | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035381190 | |
Datensatz im Suchindex
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| author2 | Andrist, Debra D. 1950- |
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| author_additional | Rose Mary Salum, translated from Spanish by Debra D. Andrist Rose Mary Salum, translated by Debra D. Andrist Gwendolyn Díaz-Ridgeway Haiqing Sun Elizabeth White Coscio Jorge Chavarro Enrique Mallén Samar Zahrawi Jeanne Gillespie John Francis Burke Aritra Chakrabarty |
| author_facet | Andrist, Debra D. 1950- |
| building | Verbundindex |
| bvnumber | BV050043495 |
| contents | Preface -- Women as creators Introduction to original works created by women: essay and short story The metamorphosis of exile: generations of women That's how simple it is The pigeon lady Introduction to literary critique of works by women creating as authors: film, prose: novel and short story, and poetry On legends of the ordinary: Gloria Rolando's early films The collective conscience in two works by Isabel Allende: from The house of the spirits/La casa de los espíritus to Violet/Violeta Concha Urquiza (1910-1944): mystic, erotic, and rebel poetry in the framework of the dissonances of the poet's life Women as creators and subjects Introduction to studio art and the visual representation of women: subjects and/or muses and the literary representation of women Picasso's feminine other: Olga, Marie-Thérèse and Dora From the harpy to the heroine: evolution of a feminist trend in the works of the Syrian dramatist Sadallah Wannous Introduction to the power: roles and perceptions of women in politics, religion, and energy/ecology/economics Female bodies and the rise of Huitzilopochtli in the Aztec world Comparing and contrasting the notions of plurality and intercultural intersections in Hannah Arendt and Gloria Anzaldúa An analysis of power in gender, energy and sustainable development (GED) framework Conclusions and reflections |
| ctrlnum | (DE-599)BVBBV050043495 |
| format | Book |
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| id | DE-604.BV050043495 |
| illustrated | Illustrated |
| indexdate | 2024-11-26T11:00:57Z |
| institution | BVB |
| isbn | 1036400417 9781036400415 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035381190 |
| open_access_boolean | |
| owner | DE-Y2 |
| owner_facet | DE-Y2 |
| physical | xvii, 220 pages illustrations 22 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Cambridge Scholars Publishing |
| record_format | marc |
| spelling | Women as creators and subjects across disciplines and cultures edited by Debra D. Andrist Newcastle upon Tyne Cambridge Scholars Publishing 2024 xvii, 220 pages illustrations 22 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Preface -- Women as creators Introduction to original works created by women: essay and short story The metamorphosis of exile: generations of women Rose Mary Salum, translated from Spanish by Debra D. Andrist That's how simple it is Rose Mary Salum, translated by Debra D. Andrist The pigeon lady Gwendolyn Díaz-Ridgeway Introduction to literary critique of works by women creating as authors: film, prose: novel and short story, and poetry On legends of the ordinary: Gloria Rolando's early films Haiqing Sun The collective conscience in two works by Isabel Allende: from The house of the spirits/La casa de los espíritus to Violet/Violeta Elizabeth White Coscio Concha Urquiza (1910-1944): mystic, erotic, and rebel poetry in the framework of the dissonances of the poet's life Jorge Chavarro Women as creators and subjects Introduction to studio art and the visual representation of women: subjects and/or muses and the literary representation of women Picasso's feminine other: Olga, Marie-Thérèse and Dora Enrique Mallén From the harpy to the heroine: evolution of a feminist trend in the works of the Syrian dramatist Sadallah Wannous Samar Zahrawi Introduction to the power: roles and perceptions of women in politics, religion, and energy/ecology/economics Female bodies and the rise of Huitzilopochtli in the Aztec world Jeanne Gillespie Comparing and contrasting the notions of plurality and intercultural intersections in Hannah Arendt and Gloria Anzaldúa John Francis Burke An analysis of power in gender, energy and sustainable development (GED) framework Aritra Chakrabarty Conclusions and reflections This book crosses multiple world cultures as the chapters highlight both women as creators (by) and women as subjects (about). Chapter topics address widely varying socio-cultural facets of multi-cultures from various historical, sociological, artistic and literary perspectives. The title, Women as Creators and Subjects, in that order, summarizes the content of the book, which begins with commentary on women as creators and moves to elucidating about women to establish a framework. Themes range from power and politics in regards to Aztec women's bodies, roles of historical indigenous, Spanish, Latin America, and Latinx women, and female participation in development efforts in the Global South of studio art, i.e., visual representations of women by women, as well as of female muses for male artists―and critical articles about all manner of works and genres literally by a litany of women artists and writers, both in literature and film, as well as women as represented in works by males, all from across the Middle East, Global South, Europe and the Americas Women and the arts Women in art Literary criticism Film criticism Andrist, Debra D. 1950- edt |
| spellingShingle | Women as creators and subjects across disciplines and cultures Preface -- Women as creators Introduction to original works created by women: essay and short story The metamorphosis of exile: generations of women That's how simple it is The pigeon lady Introduction to literary critique of works by women creating as authors: film, prose: novel and short story, and poetry On legends of the ordinary: Gloria Rolando's early films The collective conscience in two works by Isabel Allende: from The house of the spirits/La casa de los espíritus to Violet/Violeta Concha Urquiza (1910-1944): mystic, erotic, and rebel poetry in the framework of the dissonances of the poet's life Women as creators and subjects Introduction to studio art and the visual representation of women: subjects and/or muses and the literary representation of women Picasso's feminine other: Olga, Marie-Thérèse and Dora From the harpy to the heroine: evolution of a feminist trend in the works of the Syrian dramatist Sadallah Wannous Introduction to the power: roles and perceptions of women in politics, religion, and energy/ecology/economics Female bodies and the rise of Huitzilopochtli in the Aztec world Comparing and contrasting the notions of plurality and intercultural intersections in Hannah Arendt and Gloria Anzaldúa An analysis of power in gender, energy and sustainable development (GED) framework Conclusions and reflections |
| title | Women as creators and subjects across disciplines and cultures |
| title_alt | Preface -- Women as creators Introduction to original works created by women: essay and short story The metamorphosis of exile: generations of women That's how simple it is The pigeon lady Introduction to literary critique of works by women creating as authors: film, prose: novel and short story, and poetry On legends of the ordinary: Gloria Rolando's early films The collective conscience in two works by Isabel Allende: from The house of the spirits/La casa de los espíritus to Violet/Violeta Concha Urquiza (1910-1944): mystic, erotic, and rebel poetry in the framework of the dissonances of the poet's life Women as creators and subjects Introduction to studio art and the visual representation of women: subjects and/or muses and the literary representation of women Picasso's feminine other: Olga, Marie-Thérèse and Dora From the harpy to the heroine: evolution of a feminist trend in the works of the Syrian dramatist Sadallah Wannous Introduction to the power: roles and perceptions of women in politics, religion, and energy/ecology/economics Female bodies and the rise of Huitzilopochtli in the Aztec world Comparing and contrasting the notions of plurality and intercultural intersections in Hannah Arendt and Gloria Anzaldúa An analysis of power in gender, energy and sustainable development (GED) framework Conclusions and reflections |
| title_auth | Women as creators and subjects across disciplines and cultures |
| title_exact_search | Women as creators and subjects across disciplines and cultures |
| title_full | Women as creators and subjects across disciplines and cultures edited by Debra D. Andrist |
| title_fullStr | Women as creators and subjects across disciplines and cultures edited by Debra D. Andrist |
| title_full_unstemmed | Women as creators and subjects across disciplines and cultures edited by Debra D. Andrist |
| title_short | Women as creators and subjects across disciplines and cultures |
| title_sort | women as creators and subjects across disciplines and cultures |
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