Visualizing Russia in early modern Europe:
In early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | In early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the visual shaped a dual understanding of these lands: Russia and Russians were portrayed as familiar, but the steppe and forest frontiers were seen as forbidding and exotic. As these images were reproduced and plagiarized in new formats, so too were their meanings - the idea of Russia was one which constantly shifted across genres, usages, and audiences. Nancy Kollmann examines the techniques harnessed by artists and publishers to suggest the authenticity of their publications, and explores in turn how these complex depictions of Russia contributed to Europeans' understanding of themselves |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 04 Jun 2024) Imagery in an ocularcentric society -- Humanism encounters Russia -- Rerum Moscoviticarum commentarii (1549) as humanist chorography -- Herberstein's use of the visual portraits -- The Muscovy Company as knowledge network -- Map as chorography -- Visuality explodes : Russians in turn of the century sources -- Adam Olearius : eyewitness extraordinaire -- Olearius : text and image order the world |
| Beschreibung: | 1 Online-Ressource (xvi, 323 Seiten) |
| ISBN: | 9781009418690 |
| DOI: | 10.1017/9781009418690 |
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| 500 | |a Imagery in an ocularcentric society -- Humanism encounters Russia -- Rerum Moscoviticarum commentarii (1549) as humanist chorography -- Herberstein's use of the visual portraits -- The Muscovy Company as knowledge network -- Map as chorography -- Visuality explodes : Russians in turn of the century sources -- Adam Olearius : eyewitness extraordinaire -- Olearius : text and image order the world | ||
| 520 | |a In early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the visual shaped a dual understanding of these lands: Russia and Russians were portrayed as familiar, but the steppe and forest frontiers were seen as forbidding and exotic. As these images were reproduced and plagiarized in new formats, so too were their meanings - the idea of Russia was one which constantly shifted across genres, usages, and audiences. Nancy Kollmann examines the techniques harnessed by artists and publishers to suggest the authenticity of their publications, and explores in turn how these complex depictions of Russia contributed to Europeans' understanding of themselves | ||
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| 650 | 4 | |a Prints, European / 17th century / Themes, motives | |
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Datensatz im Suchindex
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| author | Kollmann, Nancy Shields 1950- |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 769 - Prints |
| dewey-raw | 769.9409/031 |
| dewey-search | 769.9409/031 |
| dewey-sort | 3769.9409 231 |
| dewey-tens | 760 - Printmaking & prints |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1017/9781009418690 |
| format | Electronic eBook |
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| geographic | Russia / In art Russia / In popular culture |
| geographic_facet | Russia / In art Russia / In popular culture |
| id | DE-604.BV050035493 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-20T15:00:48Z |
| institution | BVB |
| isbn | 9781009418690 |
| language | English |
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| physical | 1 Online-Ressource (xvi, 323 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Kollmann, Nancy Shields 1950- (DE-588)133308715 aut Visualizing Russia in early modern Europe Nancy S. Kollmann Cambridge Cambridge University Press 2024 1 Online-Ressource (xvi, 323 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 04 Jun 2024) Imagery in an ocularcentric society -- Humanism encounters Russia -- Rerum Moscoviticarum commentarii (1549) as humanist chorography -- Herberstein's use of the visual portraits -- The Muscovy Company as knowledge network -- Map as chorography -- Visuality explodes : Russians in turn of the century sources -- Adam Olearius : eyewitness extraordinaire -- Olearius : text and image order the world In early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the visual shaped a dual understanding of these lands: Russia and Russians were portrayed as familiar, but the steppe and forest frontiers were seen as forbidding and exotic. As these images were reproduced and plagiarized in new formats, so too were their meanings - the idea of Russia was one which constantly shifted across genres, usages, and audiences. Nancy Kollmann examines the techniques harnessed by artists and publishers to suggest the authenticity of their publications, and explores in turn how these complex depictions of Russia contributed to Europeans' understanding of themselves Prints, European / 16th century / Themes, motives Prints, European / 17th century / Themes, motives Art and society / Europe / History / 16th century Art and society / Europe / History / 17th century Russia / In art Russia / In popular culture Erscheint auch als Druck-Ausgabe 9781009418683 Erscheint auch als Druck-Ausgabe 9781009418706 https://doi.org/10.1017/9781009418690?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kollmann, Nancy Shields 1950- Visualizing Russia in early modern Europe Prints, European / 16th century / Themes, motives Prints, European / 17th century / Themes, motives Art and society / Europe / History / 16th century Art and society / Europe / History / 17th century |
| title | Visualizing Russia in early modern Europe |
| title_auth | Visualizing Russia in early modern Europe |
| title_exact_search | Visualizing Russia in early modern Europe |
| title_full | Visualizing Russia in early modern Europe Nancy S. Kollmann |
| title_fullStr | Visualizing Russia in early modern Europe Nancy S. Kollmann |
| title_full_unstemmed | Visualizing Russia in early modern Europe Nancy S. Kollmann |
| title_short | Visualizing Russia in early modern Europe |
| title_sort | visualizing russia in early modern europe |
| topic | Prints, European / 16th century / Themes, motives Prints, European / 17th century / Themes, motives Art and society / Europe / History / 16th century Art and society / Europe / History / 17th century |
| topic_facet | Prints, European / 16th century / Themes, motives Prints, European / 17th century / Themes, motives Art and society / Europe / History / 16th century Art and society / Europe / History / 17th century Russia / In art Russia / In popular culture |
| url | https://doi.org/10.1017/9781009418690?locatt=mode:legacy |
| work_keys_str_mv | AT kollmannnancyshields visualizingrussiainearlymoderneurope |