The year that made the musical: 1924 and the glamour of musical theatre
Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive - so special - was the way it brought together the old and the new, the venerated and the innovative, and the traditional and t...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive - so special - was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works - and their leading artists - now unpredictably defying genres. The author demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new productions even as youthful talents such as Florence Mills, Fred and Adele Astaire, Gertrude Lawrence and George Gershwin now started to make their mark |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 26 Sep 2024) From one year to the next. Legacies ; Transnational connections ; Playing on the past ; Getting ready for 1924 -- From winter to spring. A new year begins ; A tale of two operettas ; The coming of spring ; The resplendence of the revue -- From summer to autumn. Summertime frolics ; September sensibilities ; An abundant autumn ; November pairings -- From December onward. The first day of the last month of 1924 ; In the days and weeks that followed ; Legacies of 1924 |
| Beschreibung: | 1 Online-Ressource (xxvii ,238 Seiten) |
| ISBN: | 9781009316545 |
| DOI: | 10.1017/9781009316545 |
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| 520 | |a Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive - so special - was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works - and their leading artists - now unpredictably defying genres. The author demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new productions even as youthful talents such as Florence Mills, Fred and Adele Astaire, Gertrude Lawrence and George Gershwin now started to make their mark | ||
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Datensatz im Suchindex
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| dewey-full | 782.1/409 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/409 |
| dewey-search | 782.1/409 |
| dewey-sort | 3782.1 3409 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781009316545 |
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| id | DE-604.BV050035345 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-20T13:01:44Z |
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| isbn | 9781009316545 |
| language | English |
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| spelling | Everett, William A. 1962- (DE-588)136525830 aut The year that made the musical 1924 and the glamour of musical theatre William A. Everett Cambridge Cambridge University Press 2024 1 Online-Ressource (xxvii ,238 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 26 Sep 2024) From one year to the next. Legacies ; Transnational connections ; Playing on the past ; Getting ready for 1924 -- From winter to spring. A new year begins ; A tale of two operettas ; The coming of spring ; The resplendence of the revue -- From summer to autumn. Summertime frolics ; September sensibilities ; An abundant autumn ; November pairings -- From December onward. The first day of the last month of 1924 ; In the days and weeks that followed ; Legacies of 1924 Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive - so special - was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works - and their leading artists - now unpredictably defying genres. The author demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new productions even as youthful talents such as Florence Mills, Fred and Adele Astaire, Gertrude Lawrence and George Gershwin now started to make their mark Musicals / History and criticism Erscheint auch als Druck-Ausgabe 9781009316514 Erscheint auch als Druck-Ausgabe 9781009316538 https://doi.org/10.1017/9781009316545?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Everett, William A. 1962- The year that made the musical 1924 and the glamour of musical theatre Musicals / History and criticism |
| title | The year that made the musical 1924 and the glamour of musical theatre |
| title_auth | The year that made the musical 1924 and the glamour of musical theatre |
| title_exact_search | The year that made the musical 1924 and the glamour of musical theatre |
| title_full | The year that made the musical 1924 and the glamour of musical theatre William A. Everett |
| title_fullStr | The year that made the musical 1924 and the glamour of musical theatre William A. Everett |
| title_full_unstemmed | The year that made the musical 1924 and the glamour of musical theatre William A. Everett |
| title_short | The year that made the musical |
| title_sort | the year that made the musical 1924 and the glamour of musical theatre |
| title_sub | 1924 and the glamour of musical theatre |
| topic | Musicals / History and criticism |
| topic_facet | Musicals / History and criticism |
| url | https://doi.org/10.1017/9781009316545?locatt=mode:legacy |
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