The transformation of Athens: painted pottery and the creation of classical Greece
"Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, New Jersey
Princeton University Press
[2018]
|
Schriftenreihe: | Martin classical lectures
|
Schlagworte: | |
Online-Zugang: | DE-255 URL des Erstveröffentlichers |
Zusammenfassung: | "Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or did they come to see the world differently? ... Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world"--Publisher's description |
Beschreibung: | Description based on print version record and online resource (A&AePortal, viewed on May 29, 2023) |
Beschreibung: | 1 Online-Ressource (xx, 285 Seiten, 16 unnumbered Seiten of plates) 179 Illustrationen (some color) |
ISBN: | 0300273932 1400889936 9780300273939 9781400889938 |
DOI: | 10.37862/aaeportal.00355 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV050035254 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 241120s2018 xx a||| o|||| 00||| eng d | ||
020 | |a 0300273932 |9 0-300-27393-2 | ||
020 | |a 1400889936 |9 1-4008-8993-6 | ||
020 | |a 9780300273939 |9 978-0-300-27393-9 | ||
020 | |a 9781400889938 |9 978-1-4008-8993-8 | ||
024 | 7 | |a 10.37862/aaeportal.00355 |2 doi | |
035 | |a (ZDB-338-YAA)1015674779 | ||
035 | |a (OCoLC)1477611836 | ||
035 | |a (DE-599)BVBBV050035254 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Osborne, Robin |d 1957- |e Verfasser |4 aut | |
245 | 1 | 0 | |a The transformation of Athens |b painted pottery and the creation of classical Greece |c Robin Osborne |
264 | 1 | |a Princeton, New Jersey |b Princeton University Press |c [2018] | |
300 | |a 1 Online-Ressource (xx, 285 Seiten, 16 unnumbered Seiten of plates) |b 179 Illustrationen (some color) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Martin classical lectures | |
500 | |a Description based on print version record and online resource (A&AePortal, viewed on May 29, 2023) | ||
520 | |a "Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or did they come to see the world differently? ... Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world"--Publisher's description | ||
650 | 4 | |a Art and society / Greece / Athens / History / To 1500 | |
650 | 4 | |a Painted pottery / Greece / Athens / History | |
650 | 4 | |a Vase-painting, Greek | |
650 | 4 | |a Vases, Red-figured / Greece / Athens | |
710 | 2 | |a Princeton University Press |e Sonstige |4 oth | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9780691177670 |
856 | 4 | 0 | |u https://doi.org/10.37862/aaeportal.00355 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-338-YAA | ||
940 | 1 | |q KUBA2_ZDB-338-YAA_2024 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035373117 | |
966 | e | |u https://doi.org/10.37862/aaeportal.00355 |l DE-255 |p ZDB-338-YAA |q BZI |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1822490545432297472 |
---|---|
adam_text | |
any_adam_object | |
author | Osborne, Robin 1957- |
author_facet | Osborne, Robin 1957- |
author_role | aut |
author_sort | Osborne, Robin 1957- |
author_variant | r o ro |
building | Verbundindex |
bvnumber | BV050035254 |
collection | ZDB-338-YAA |
ctrlnum | (ZDB-338-YAA)1015674779 (OCoLC)1477611836 (DE-599)BVBBV050035254 |
doi_str_mv | 10.37862/aaeportal.00355 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV050035254</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241120s2018 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0300273932</subfield><subfield code="9">0-300-27393-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1400889936</subfield><subfield code="9">1-4008-8993-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300273939</subfield><subfield code="9">978-0-300-27393-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781400889938</subfield><subfield code="9">978-1-4008-8993-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.37862/aaeportal.00355</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-338-YAA)1015674779</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1477611836</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050035254</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Osborne, Robin</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The transformation of Athens</subfield><subfield code="b">painted pottery and the creation of classical Greece</subfield><subfield code="c">Robin Osborne</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, New Jersey</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xx, 285 Seiten, 16 unnumbered Seiten of plates)</subfield><subfield code="b">179 Illustrationen (some color)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Martin classical lectures</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on print version record and online resource (A&AePortal, viewed on May 29, 2023)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or did they come to see the world differently? ... Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world"--Publisher's description</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and society / Greece / Athens / History / To 1500</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painted pottery / Greece / Athens / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vase-painting, Greek</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vases, Red-figured / Greece / Athens</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Princeton University Press</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780691177670</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.37862/aaeportal.00355</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-338-YAA</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2_ZDB-338-YAA_2024</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035373117</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.37862/aaeportal.00355</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-338-YAA</subfield><subfield code="q">BZI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV050035254 |
illustrated | Illustrated |
indexdate | 2025-01-28T11:07:04Z |
institution | BVB |
isbn | 0300273932 1400889936 9780300273939 9781400889938 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035373117 |
oclc_num | 1477611836 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 1 Online-Ressource (xx, 285 Seiten, 16 unnumbered Seiten of plates) 179 Illustrationen (some color) |
psigel | ZDB-338-YAA KUBA2_ZDB-338-YAA_2024 ZDB-338-YAA BZI |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Princeton University Press |
record_format | marc |
series2 | Martin classical lectures |
spelling | Osborne, Robin 1957- Verfasser aut The transformation of Athens painted pottery and the creation of classical Greece Robin Osborne Princeton, New Jersey Princeton University Press [2018] 1 Online-Ressource (xx, 285 Seiten, 16 unnumbered Seiten of plates) 179 Illustrationen (some color) txt rdacontent c rdamedia cr rdacarrier Martin classical lectures Description based on print version record and online resource (A&AePortal, viewed on May 29, 2023) "Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or did they come to see the world differently? ... Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world"--Publisher's description Art and society / Greece / Athens / History / To 1500 Painted pottery / Greece / Athens / History Vase-painting, Greek Vases, Red-figured / Greece / Athens Princeton University Press Sonstige oth Erscheint auch als Druck-Ausgabe 9780691177670 https://doi.org/10.37862/aaeportal.00355 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Osborne, Robin 1957- The transformation of Athens painted pottery and the creation of classical Greece Art and society / Greece / Athens / History / To 1500 Painted pottery / Greece / Athens / History Vase-painting, Greek Vases, Red-figured / Greece / Athens |
title | The transformation of Athens painted pottery and the creation of classical Greece |
title_auth | The transformation of Athens painted pottery and the creation of classical Greece |
title_exact_search | The transformation of Athens painted pottery and the creation of classical Greece |
title_full | The transformation of Athens painted pottery and the creation of classical Greece Robin Osborne |
title_fullStr | The transformation of Athens painted pottery and the creation of classical Greece Robin Osborne |
title_full_unstemmed | The transformation of Athens painted pottery and the creation of classical Greece Robin Osborne |
title_short | The transformation of Athens |
title_sort | the transformation of athens painted pottery and the creation of classical greece |
title_sub | painted pottery and the creation of classical Greece |
topic | Art and society / Greece / Athens / History / To 1500 Painted pottery / Greece / Athens / History Vase-painting, Greek Vases, Red-figured / Greece / Athens |
topic_facet | Art and society / Greece / Athens / History / To 1500 Painted pottery / Greece / Athens / History Vase-painting, Greek Vases, Red-figured / Greece / Athens |
url | https://doi.org/10.37862/aaeportal.00355 |
work_keys_str_mv | AT osbornerobin thetransformationofathenspaintedpotteryandthecreationofclassicalgreece AT princetonuniversitypress thetransformationofathenspaintedpotteryandthecreationofclassicalgreece |