Seeing through paintings: physical examination in art historical studies
"This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven
Yale University Press
[2000]
|
| Schriftenreihe: | Materials and meaning in the fine arts
vol. 1 |
| Schlagworte: | |
| Online-Zugang: | DE-255 Volltext |
| Zusammenfassung: | "This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition. The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock. The extensive illustrations are drawn from more than forty-five international museums; the artists represented range from a Byzantine master and a Mexican colonial painter to living artists, including Helen Frankenthaler, Jacob Lawrence, and Robert Ryman. The book will fascinate and benefit beginning or advanced students of art history and their teachers, as well as painters, collectors, museum docents, and conservators. Those who have known paintings primarily from books, slides, and photographic reproductions will be exposed to a new dimension of their study"--Publisher's description |
| Beschreibung: | 1 Online-Ressource (xvi, 328 Seiten) 268 Illustrationen, Porträts |
| ISBN: | 0300230028 9780300230024 |
| DOI: | 10.37862/aaeportal.00110 |
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Datensatz im Suchindex
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| adam_text | |
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| author | Kirsh, Andrea |
| author_facet | Kirsh, Andrea |
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| bvnumber | BV050035234 |
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| collection | ZDB-338-YAA |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.37862/aaeportal.00110 |
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| id | DE-604.BV050035234 |
| illustrated | Illustrated |
| indexdate | 2025-01-28T11:07:04Z |
| institution | BVB |
| isbn | 0300230028 9780300230024 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035373096 |
| oclc_num | 1477598282 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 1 Online-Ressource (xvi, 328 Seiten) 268 Illustrationen, Porträts |
| psigel | ZDB-338-YAA KUBA2_ZDB-338-YAA_2024 ZDB-338-YAA BZI |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Yale University Press |
| record_format | marc |
| series2 | Materials and meaning in the fine arts |
| spelling | Kirsh, Andrea Verfasser aut Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson New Haven Yale University Press [2000] ©2000 1 Online-Ressource (xvi, 328 Seiten) 268 Illustrationen, Porträts txt rdacontent c rdamedia cr rdacarrier Materials and meaning in the fine arts vol. 1 "This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition. The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock. The extensive illustrations are drawn from more than forty-five international museums; the artists represented range from a Byzantine master and a Mexican colonial painter to living artists, including Helen Frankenthaler, Jacob Lawrence, and Robert Ryman. The book will fascinate and benefit beginning or advanced students of art history and their teachers, as well as painters, collectors, museum docents, and conservators. Those who have known paintings primarily from books, slides, and photographic reproductions will be exposed to a new dimension of their study"--Publisher's description Painting / Expertising fast Painting, American fast Painting, European fast Painting / Expertising Painting, American Painting, European Malmaterial (DE-588)4168721-8 gnd rswk-swf Gemäldeuntersuchung (DE-588)4156470-4 gnd rswk-swf Maltechnik (DE-588)4125812-5 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Geschichte (DE-588)4020517-4 s Maltechnik (DE-588)4125812-5 s DE-604 Malmaterial (DE-588)4168721-8 s Gemäldeuntersuchung (DE-588)4156470-4 s Levenson, Rustin S. 1947- Sonstige oth Erscheint auch als Druck-Ausgabe 9780300080469 https://doi.org/10.37862/aaeportal.00110 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kirsh, Andrea Seeing through paintings physical examination in art historical studies Painting / Expertising fast Painting, American fast Painting, European fast Painting / Expertising Painting, American Painting, European Malmaterial (DE-588)4168721-8 gnd Gemäldeuntersuchung (DE-588)4156470-4 gnd Maltechnik (DE-588)4125812-5 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4168721-8 (DE-588)4156470-4 (DE-588)4125812-5 (DE-588)4020517-4 |
| title | Seeing through paintings physical examination in art historical studies |
| title_auth | Seeing through paintings physical examination in art historical studies |
| title_exact_search | Seeing through paintings physical examination in art historical studies |
| title_full | Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson |
| title_fullStr | Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson |
| title_full_unstemmed | Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson |
| title_short | Seeing through paintings |
| title_sort | seeing through paintings physical examination in art historical studies |
| title_sub | physical examination in art historical studies |
| topic | Painting / Expertising fast Painting, American fast Painting, European fast Painting / Expertising Painting, American Painting, European Malmaterial (DE-588)4168721-8 gnd Gemäldeuntersuchung (DE-588)4156470-4 gnd Maltechnik (DE-588)4125812-5 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Painting / Expertising Painting, American Painting, European Malmaterial Gemäldeuntersuchung Maltechnik Geschichte |
| url | https://doi.org/10.37862/aaeportal.00110 |
| work_keys_str_mv | AT kirshandrea seeingthroughpaintingsphysicalexaminationinarthistoricalstudies AT levensonrustins seeingthroughpaintingsphysicalexaminationinarthistoricalstudies |