Revolutionary Horizons: Art and Polemics in 1950s Cuba
"Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the cou...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Haven
Yale University Press
[2016]
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Schlagworte: | |
Online-Zugang: | DE-255 Volltext |
Zusammenfassung: | "Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country's cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art's capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas. |
Beschreibung: | 1 Online-Ressource (viii, 264 Seiten) 120 Illustrationen (some color), Karte, Pläne |
ISBN: | 0300246994 9780300246995 |
DOI: | 10.37862/aaeportal.00104 |
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520 | |a "Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country's cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art's capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas. | ||
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Datensatz im Suchindex
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author | McEwen, Abigail 1980- |
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institution | BVB |
isbn | 0300246994 9780300246995 |
language | English |
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physical | 1 Online-Ressource (viii, 264 Seiten) 120 Illustrationen (some color), Karte, Pläne |
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spelling | McEwen, Abigail 1980- Verfasser aut Revolutionary Horizons Art and Polemics in 1950s Cuba Abigail McEwen Art and polemics in 1950s Cuba New Haven Yale University Press [2016] ©2016 1 Online-Ressource (viii, 264 Seiten) 120 Illustrationen (some color), Karte, Pläne txt rdacontent c rdamedia cr rdacarrier "Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country's cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art's capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas. 1900-1999 fast Geschichte 1950-1960 gnd rswk-swf Art, Abstract fast Grupo Los Once (Artists' group) fast Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Kunst (DE-588)4114333-4 gnd rswk-swf Kuba (DE-588)4033340-1 gnd rswk-swf Kuba (DE-588)4033340-1 g Kunst (DE-588)4114333-4 s Geschichte 1950-1960 z DE-604 Erscheint auch als Druck-Ausgabe 9780300216813 https://doi.org/10.37862/aaeportal.00104 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | McEwen, Abigail 1980- Revolutionary Horizons Art and Polemics in 1950s Cuba Art, Abstract fast Grupo Los Once (Artists' group) fast Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4033340-1 |
title | Revolutionary Horizons Art and Polemics in 1950s Cuba |
title_alt | Art and polemics in 1950s Cuba |
title_auth | Revolutionary Horizons Art and Polemics in 1950s Cuba |
title_exact_search | Revolutionary Horizons Art and Polemics in 1950s Cuba |
title_full | Revolutionary Horizons Art and Polemics in 1950s Cuba Abigail McEwen |
title_fullStr | Revolutionary Horizons Art and Polemics in 1950s Cuba Abigail McEwen |
title_full_unstemmed | Revolutionary Horizons Art and Polemics in 1950s Cuba Abigail McEwen |
title_short | Revolutionary Horizons |
title_sort | revolutionary horizons art and polemics in 1950s cuba |
title_sub | Art and Polemics in 1950s Cuba |
topic | Art, Abstract fast Grupo Los Once (Artists' group) fast Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Kunst (DE-588)4114333-4 gnd |
topic_facet | Art, Abstract Grupo Los Once (Artists' group) Art, Abstract / Cuba / History / 20th century Kunst Kuba |
url | https://doi.org/10.37862/aaeportal.00104 |
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