Plaster monuments: architecture and the power of reproduction
"We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of buil...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton
Princeton University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | DE-255 Volltext |
| Zusammenfassung: | "We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963"--Publisher's description |
| Beschreibung: | Description based on print record and online resource (A&AePortal, viewed on June 21, 2022) |
| Beschreibung: | 1 Online-Ressource (xi, 283 Seiten) 122 Illustrationen (some color) |
| ISBN: | 0300268181 0691239622 9780300268188 9780691239620 |
| DOI: | 10.37862/aaeportal.00311 |
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| id | DE-604.BV050035199 |
| illustrated | Illustrated |
| indexdate | 2024-12-17T13:06:33Z |
| institution | BVB |
| isbn | 0300268181 0691239622 9780300268188 9780691239620 |
| language | English |
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| physical | 1 Online-Ressource (xi, 283 Seiten) 122 Illustrationen (some color) |
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| publishDate | 2017 |
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| publisher | Princeton University Press |
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| spelling | Lending, Mari 1969- Verfasser aut Plaster monuments architecture and the power of reproduction Mari Lending Princeton Princeton University Press [2017] 1 Online-Ressource (xi, 283 Seiten) 122 Illustrationen (some color) txt rdacontent c rdamedia cr rdacarrier Description based on print record and online resource (A&AePortal, viewed on June 21, 2022) "We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963"--Publisher's description Architectural casts fast Architectural casts Art / Reproduction / Social aspects Princeton University Press Sonstige oth Erscheint auch als Druck-Ausgabe 9780691177144 https://doi.org/10.37862/aaeportal.00311 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lending, Mari 1969- Plaster monuments architecture and the power of reproduction Architectural casts fast Architectural casts Art / Reproduction / Social aspects |
| title | Plaster monuments architecture and the power of reproduction |
| title_auth | Plaster monuments architecture and the power of reproduction |
| title_exact_search | Plaster monuments architecture and the power of reproduction |
| title_full | Plaster monuments architecture and the power of reproduction Mari Lending |
| title_fullStr | Plaster monuments architecture and the power of reproduction Mari Lending |
| title_full_unstemmed | Plaster monuments architecture and the power of reproduction Mari Lending |
| title_short | Plaster monuments |
| title_sort | plaster monuments architecture and the power of reproduction |
| title_sub | architecture and the power of reproduction |
| topic | Architectural casts fast Architectural casts Art / Reproduction / Social aspects |
| topic_facet | Architectural casts Art / Reproduction / Social aspects |
| url | https://doi.org/10.37862/aaeportal.00311 |
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