The language of twentieth-century art: a conceptual history
"Recent theory has tended to understand the meaning of art primarily as a function of original contexts of production and reception or in its relation to fashionable notions of gender, multiculturalism, and 'scopic regimes.' These approaches, however, fail to negotiate adequately art&...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven
Yale University Press
[1997]
|
| Schlagworte: | |
| Online-Zugang: | DE-255 Volltext |
| Zusammenfassung: | "Recent theory has tended to understand the meaning of art primarily as a function of original contexts of production and reception or in its relation to fashionable notions of gender, multiculturalism, and 'scopic regimes.' These approaches, however, fail to negotiate adequately art's transhistorical and transcultural significance, a shortcoming that is particularly serious in relation to twentieth-century works because it confines their significance to contexts that are regulated by the specialist interests of a narrow managerial class of curators, critics, and historians. In this important book, Paul Crowther provides a radical reinterpretation of key phases and figures in twentieth-century art, focusing on the way artists and critics negotiate philosophically significant ideas. Crowther begins by discussing how and why form is significant. Using Derrida's notion of 'iterability'-- a sign's capacity to be used across different contexts-- he links this possibility to key reciprocal cognitive relations that are the structural basis of self-consciousness. He then argues that while such relations are necessarily involved in any pictorial work, they are especially manifest in aesthetically valuable representation, and even more so in those twentieth-century works that radically transform or abandon conventional modes of representation. The involvement of key reciprocal relations gives such works a transhistorical and transcultural significance. To show this, Crowther investigates the theory and practice of important artists such as Malevich, Pollock, Mondrian, and Newman, and major tendencies such as Futurism, Surrealism, and Conceptual Art. By linking them to reciprocal relations, he is able to illuminate a language of twentieth-century art that cuts across those boundaries set out by such conventional notions as modern, avant-garde, and postmodern"--Publisher's description |
| Beschreibung: | 1 Online-Ressource (xi, 251 Seiten) 50 Illustrationen |
| ISBN: | 0300233558 9780300233551 |
| DOI: | 10.37862/aaeportal.00150 |
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Datensatz im Suchindex
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| illustrated | Illustrated |
| indexdate | 2025-01-28T11:06:50Z |
| institution | BVB |
| isbn | 0300233558 9780300233551 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035372998 |
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| spelling | Crowther, Paul Verfasser aut The language of twentieth-century art a conceptual history Paul Crowther Language of 20th-century art New Haven Yale University Press [1997] 1 Online-Ressource (xi, 251 Seiten) 50 Illustrationen txt rdacontent c rdamedia cr rdacarrier "Recent theory has tended to understand the meaning of art primarily as a function of original contexts of production and reception or in its relation to fashionable notions of gender, multiculturalism, and 'scopic regimes.' These approaches, however, fail to negotiate adequately art's transhistorical and transcultural significance, a shortcoming that is particularly serious in relation to twentieth-century works because it confines their significance to contexts that are regulated by the specialist interests of a narrow managerial class of curators, critics, and historians. In this important book, Paul Crowther provides a radical reinterpretation of key phases and figures in twentieth-century art, focusing on the way artists and critics negotiate philosophically significant ideas. Crowther begins by discussing how and why form is significant. Using Derrida's notion of 'iterability'-- a sign's capacity to be used across different contexts-- he links this possibility to key reciprocal cognitive relations that are the structural basis of self-consciousness. He then argues that while such relations are necessarily involved in any pictorial work, they are especially manifest in aesthetically valuable representation, and even more so in those twentieth-century works that radically transform or abandon conventional modes of representation. The involvement of key reciprocal relations gives such works a transhistorical and transcultural significance. To show this, Crowther investigates the theory and practice of important artists such as Malevich, Pollock, Mondrian, and Newman, and major tendencies such as Futurism, Surrealism, and Conceptual Art. By linking them to reciprocal relations, he is able to illuminate a language of twentieth-century art that cuts across those boundaries set out by such conventional notions as modern, avant-garde, and postmodern"--Publisher's description 1900-1999 fast Geschichte 1900-1997 gnd rswk-swf Geschichte 1900-1995 gnd rswk-swf Art, Modern fast Art, Modern / 20th century Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunst (DE-588)4114333-4 s Geschichte 1900-1997 z DE-604 Ästhetik (DE-588)4000626-8 s Geschichte 1900-1995 z Erscheint auch als Druck-Ausgabe 9780300072419 https://doi.org/10.37862/aaeportal.00150 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Crowther, Paul The language of twentieth-century art a conceptual history Art, Modern fast Art, Modern / 20th century Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4000626-8 |
| title | The language of twentieth-century art a conceptual history |
| title_alt | Language of 20th-century art |
| title_auth | The language of twentieth-century art a conceptual history |
| title_exact_search | The language of twentieth-century art a conceptual history |
| title_full | The language of twentieth-century art a conceptual history Paul Crowther |
| title_fullStr | The language of twentieth-century art a conceptual history Paul Crowther |
| title_full_unstemmed | The language of twentieth-century art a conceptual history Paul Crowther |
| title_short | The language of twentieth-century art |
| title_sort | the language of twentieth century art a conceptual history |
| title_sub | a conceptual history |
| topic | Art, Modern fast Art, Modern / 20th century Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Art, Modern Art, Modern / 20th century Kunst Ästhetik |
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