The image of the Black in African and Asian art:
The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an art...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass.
The Belknap Press of Harvard University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | DE-255 Volltext |
| Zusammenfassung: | The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.-- |
| Beschreibung: | "This book is a companion volume to the series The Image of the Black in Western Art, which was completed in five volumes (ten books) between 2010 and 2014, the last volume being on the twentieth century"--Preface |
| Beschreibung: | 1 Online-Ressource (x, 434 Seiten) 265 Illustrationen (chiefly color), Karten |
| ISBN: | 0300244738 9780300244731 |
| DOI: | 10.37862/aaeportal.00136 |
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| 245 | 1 | 0 | |a The image of the Black in African and Asian art |c David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor |
| 264 | 1 | |a Cambridge, Mass. |b The Belknap Press of Harvard University Press |c [2017] | |
| 300 | |a 1 Online-Ressource (x, 434 Seiten) |b 265 Illustrationen (chiefly color), Karten | ||
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| 500 | |a "This book is a companion volume to the series The Image of the Black in Western Art, which was completed in five volumes (ten books) between 2010 and 2014, the last volume being on the twentieth century"--Preface | ||
| 520 | |a The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.-- | ||
| 650 | 7 | |a Art and race |2 fast | |
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| id | DE-604.BV050035102 |
| illustrated | Illustrated |
| indexdate | 2024-12-17T13:06:33Z |
| institution | BVB |
| isbn | 0300244738 9780300244731 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035372965 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 1 Online-Ressource (x, 434 Seiten) 265 Illustrationen (chiefly color), Karten |
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| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | The Belknap Press of Harvard University Press |
| record_format | marc |
| spelling | The image of the Black in African and Asian art David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor Cambridge, Mass. The Belknap Press of Harvard University Press [2017] 1 Online-Ressource (x, 434 Seiten) 265 Illustrationen (chiefly color), Karten txt rdacontent c rdamedia cr rdacarrier "This book is a companion volume to the series The Image of the Black in Western Art, which was completed in five volumes (ten books) between 2010 and 2014, the last volume being on the twentieth century"--Preface The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.-- Art and race fast Art, African / Themes, motives fast Art, Asian / Themes, motives fast Black people in art fast Art and race Art, African / Themes, motives Art, Asian / Themes, motives Black people in art Bindman, David 1940- Sonstige oth Blier, Suzanne Preston Sonstige oth Dalton, Karen C. C. 1948- Sonstige oth Gates, Henry Louis edt Belknap Press Sonstige oth Hutchins Center for African and African American Research Sonstige oth Erscheint auch als Druck-Ausgabe 9780674504394 https://doi.org/10.37862/aaeportal.00136 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The image of the Black in African and Asian art Art and race fast Art, African / Themes, motives fast Art, Asian / Themes, motives fast Black people in art fast Art and race Art, African / Themes, motives Art, Asian / Themes, motives Black people in art |
| title | The image of the Black in African and Asian art |
| title_auth | The image of the Black in African and Asian art |
| title_exact_search | The image of the Black in African and Asian art |
| title_full | The image of the Black in African and Asian art David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor |
| title_fullStr | The image of the Black in African and Asian art David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor |
| title_full_unstemmed | The image of the Black in African and Asian art David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor |
| title_short | The image of the Black in African and Asian art |
| title_sort | the image of the black in african and asian art |
| topic | Art and race fast Art, African / Themes, motives fast Art, Asian / Themes, motives fast Black people in art fast Art and race Art, African / Themes, motives Art, Asian / Themes, motives Black people in art |
| topic_facet | Art and race Art, African / Themes, motives Art, Asian / Themes, motives Black people in art |
| url | https://doi.org/10.37862/aaeportal.00136 |
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