Globalizing Impressionism: reception, translation, and transnationalism

"In this collection of 14 essays, a distinguished group of scholars deploy new methodological tools, theories, and paradigms to explore how impressionism as an artistic language simultaneously operated locally, nationally, and internationally around the world; how Europe, especially Paris, has...

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Bibliographische Detailangaben
Weitere Verfasser: Clark, Alexis (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New Haven Yale University Press July 2020
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Online-Zugang:DE-255
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Zusammenfassung:"In this collection of 14 essays, a distinguished group of scholars deploy new methodological tools, theories, and paradigms to explore how impressionism as an artistic language simultaneously operated locally, nationally, and internationally around the world; how Europe, especially Paris, has existed as a privileged center of modernity and modern art; how a transnational network of artists, critics, scholars, curators, and dealers worked across linguistic, institutional, geographical, and political boundaries; and much more. These texts, while not abandoning France and French impressionism, contribute to the ongoing work to dismantle the franco-centrism of impressionism studies and the anglocentrism of art history as a discipline"--Publisher's description
Beschreibung:1 Online-Ressource 92 Illustrationen (chiefly color)
ISBN:0300247753
9780300247756
DOI:10.37862/aaeportal.00198

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