Flesh and the ideal: Winckelmann and the origins of art history
"Johann Joachim Winckelmann (1717-1768), one of the most important figures ever to have written about art, is considered by many to be the father of modern art history. This book is an intellectual biography of Winckelmann that discusses his magnum opus, History of the Art of Antiquity, in the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven
Yale University Press
1994
|
| Schlagworte: | |
| Online-Zugang: | DE-255 URL des Erstveröffentlichers |
| Zusammenfassung: | "Johann Joachim Winckelmann (1717-1768), one of the most important figures ever to have written about art, is considered by many to be the father of modern art history. This book is an intellectual biography of Winckelmann that discusses his magnum opus, History of the Art of Antiquity, in the context of his life and work in Germany and in Rome in the eighteenth century. Alex Potts analyzes Winckelmann's eloquent account of the aesthetic and imaginative Greek ideal in art, an account that focuses on the political and homoerotic sexual content that gave the antique ideal male nude its larger resonance. He shows how Winckelmann's writing reflects the well-known preoccupations and values of Enlightenment culture as well as a darker aspect of Enlightenment ideals, such as the fantasy of a completely free sovereign subjectivity associated with Greek art. Potts explores how Winckelmann's historical perspective on the art of antiquity both prefigures and undermines the more strictly historicizing views put forward in the nineteenth century and how his systematic definition of style and historical development casts a new light on the present-day understanding of these notions. According to Potts, Winckelmann goes well beyond the simple rationalist art history and Neoclassical art theory with which he is usually associated. Rather, he often seems to speak directly to our present awareness of the discomforting ideological and psychic contradictions inherent in supposedly ideal symbolic forms"--Publisher's description |
| Beschreibung: | 1 Online-Ressource (vi, 294 Seiten) 46 Illustrationen (some color) |
| ISBN: | 0300229607 9780300229608 |
| DOI: | 10.37862/aaeportal.00050 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV050035064 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 241120s1994 xx a||| o|||| 00||| eng d | ||
| 020 | |a 0300229607 |9 0-300-22960-7 | ||
| 020 | |a 9780300229608 |9 978-0-300-22960-8 | ||
| 024 | 7 | |a 10.37862/aaeportal.00050 |2 doi | |
| 035 | |a (ZDB-338-YAA)1042076180 | ||
| 035 | |a (OCoLC)1477612480 | ||
| 035 | |a (DE-599)BVBBV050035064 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 084 | |a GI 9458 |0 (DE-625)40723:11810 |2 rvk | ||
| 084 | |a LE 4362 |0 (DE-625)90741:13826 |2 rvk | ||
| 084 | |a LG 9200 |0 (DE-625)92184: |2 rvk | ||
| 084 | |a LH 63655 |0 (DE-625)94412: |2 rvk | ||
| 100 | 1 | |a Potts, Alex |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Flesh and the ideal |b Winckelmann and the origins of art history |c Alex Potts |
| 246 | 1 | 3 | |a Winckelmann and the origins of art history |
| 264 | 1 | |a New Haven |b Yale University Press |c 1994 | |
| 300 | |a 1 Online-Ressource (vi, 294 Seiten) |b 46 Illustrationen (some color) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a "Johann Joachim Winckelmann (1717-1768), one of the most important figures ever to have written about art, is considered by many to be the father of modern art history. This book is an intellectual biography of Winckelmann that discusses his magnum opus, History of the Art of Antiquity, in the context of his life and work in Germany and in Rome in the eighteenth century. Alex Potts analyzes Winckelmann's eloquent account of the aesthetic and imaginative Greek ideal in art, an account that focuses on the political and homoerotic sexual content that gave the antique ideal male nude its larger resonance. He shows how Winckelmann's writing reflects the well-known preoccupations and values of Enlightenment culture as well as a darker aspect of Enlightenment ideals, such as the fantasy of a completely free sovereign subjectivity associated with Greek art. Potts explores how Winckelmann's historical perspective on the art of antiquity both prefigures and undermines the more strictly historicizing views put forward in the nineteenth century and how his systematic definition of style and historical development casts a new light on the present-day understanding of these notions. According to Potts, Winckelmann goes well beyond the simple rationalist art history and Neoclassical art theory with which he is usually associated. Rather, he often seems to speak directly to our present awareness of the discomforting ideological and psychic contradictions inherent in supposedly ideal symbolic forms"--Publisher's description | ||
| 600 | 1 | 7 | |a Winckelmann, Johann Joachim / 1717-1768 |2 fast |
| 600 | 1 | 4 | |a Winckelmann, Johann Joachim / 1717-1768 / Aesthetics |
| 600 | 1 | 4 | |a Winckelmann, Johann Joachim / 1717-1768 / Influence |
| 600 | 1 | 7 | |a Winckelmann, Johann Joachim |d 1717-1768 |0 (DE-588)118633600 |2 gnd |9 rswk-swf |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 648 | 7 | |a Geschichte 1600-1800 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Aesthetics, German |2 fast | |
| 650 | 7 | |a Aesthetics |2 fast | |
| 650 | 7 | |a Art / Historiography |2 fast | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Male nude in art |2 fast | |
| 650 | 7 | |a Sculpture, Greek |2 fast | |
| 650 | 4 | |a Aesthetics, German / 18th century | |
| 650 | 4 | |a Art / Historiography | |
| 650 | 4 | |a Male nude in art | |
| 650 | 4 | |a Sculpture, Greek | |
| 650 | 0 | 7 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Erotische Kunst |0 (DE-588)4152857-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Antike |0 (DE-588)4068754-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstgeschichtsschreibung |0 (DE-588)4033643-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Plastik |0 (DE-588)4046277-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Erotische Kunst |0 (DE-588)4152857-8 |D s |
| 689 | 0 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 2 | |a Geschichte 1600-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Antike |0 (DE-588)4068754-5 |D s |
| 689 | 1 | 1 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |D s |
| 689 | 1 | 2 | |a Geschichte 1600-1800 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |D s |
| 689 | 2 | 1 | |a Plastik |0 (DE-588)4046277-8 |D s |
| 689 | 2 | 2 | |a Geschichte 1600-1800 |A z |
| 689 | 2 | |5 DE-604 | |
| 689 | 3 | 0 | |a Winckelmann, Johann Joachim |d 1717-1768 |0 (DE-588)118633600 |D p |
| 689 | 3 | 1 | |a Kunstgeschichtsschreibung |0 (DE-588)4033643-8 |D s |
| 689 | 3 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9780300058130 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9780300087369 |
| 856 | 4 | 0 | |u https://doi.org/10.37862/aaeportal.00050 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-338-YAA | ||
| 940 | 1 | |q KUBA2_ZDB-338-YAA_2024 | |
| 940 | 1 | |q gbd_1 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035372927 | |
| 966 | e | |u https://doi.org/10.37862/aaeportal.00050 |l DE-255 |p ZDB-338-YAA |q BZI |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1823026338366226432 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Potts, Alex |
| author_facet | Potts, Alex |
| author_role | aut |
| author_sort | Potts, Alex |
| author_variant | a p ap |
| building | Verbundindex |
| bvnumber | BV050035064 |
| classification_rvk | GI 9458 LE 4362 LG 9200 LH 63655 |
| collection | ZDB-338-YAA |
| ctrlnum | (ZDB-338-YAA)1042076180 (OCoLC)1477612480 (DE-599)BVBBV050035064 |
| discipline | Kunstgeschichte Germanistik / Niederlandistik / Skandinavistik Klassische Archäologie |
| doi_str_mv | 10.37862/aaeportal.00050 |
| era | 1700-1799 fast Geschichte 1600-1800 gnd |
| era_facet | 1700-1799 Geschichte 1600-1800 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV050035064</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241120s1994 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0300229607</subfield><subfield code="9">0-300-22960-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300229608</subfield><subfield code="9">978-0-300-22960-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.37862/aaeportal.00050</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-338-YAA)1042076180</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1477612480</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050035064</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">GI 9458</subfield><subfield code="0">(DE-625)40723:11810</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LE 4362</subfield><subfield code="0">(DE-625)90741:13826</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LG 9200</subfield><subfield code="0">(DE-625)92184:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 63655</subfield><subfield code="0">(DE-625)94412:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Potts, Alex</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Flesh and the ideal</subfield><subfield code="b">Winckelmann and the origins of art history</subfield><subfield code="c">Alex Potts</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Winckelmann and the origins of art history</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven</subfield><subfield code="b">Yale University Press</subfield><subfield code="c">1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 294 Seiten)</subfield><subfield code="b">46 Illustrationen (some color)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Johann Joachim Winckelmann (1717-1768), one of the most important figures ever to have written about art, is considered by many to be the father of modern art history. This book is an intellectual biography of Winckelmann that discusses his magnum opus, History of the Art of Antiquity, in the context of his life and work in Germany and in Rome in the eighteenth century. Alex Potts analyzes Winckelmann's eloquent account of the aesthetic and imaginative Greek ideal in art, an account that focuses on the political and homoerotic sexual content that gave the antique ideal male nude its larger resonance. He shows how Winckelmann's writing reflects the well-known preoccupations and values of Enlightenment culture as well as a darker aspect of Enlightenment ideals, such as the fantasy of a completely free sovereign subjectivity associated with Greek art. Potts explores how Winckelmann's historical perspective on the art of antiquity both prefigures and undermines the more strictly historicizing views put forward in the nineteenth century and how his systematic definition of style and historical development casts a new light on the present-day understanding of these notions. According to Potts, Winckelmann goes well beyond the simple rationalist art history and Neoclassical art theory with which he is usually associated. Rather, he often seems to speak directly to our present awareness of the discomforting ideological and psychic contradictions inherent in supposedly ideal symbolic forms"--Publisher's description</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Winckelmann, Johann Joachim / 1717-1768</subfield><subfield code="2">fast</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Winckelmann, Johann Joachim / 1717-1768 / Aesthetics</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Winckelmann, Johann Joachim / 1717-1768 / Influence</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Winckelmann, Johann Joachim</subfield><subfield code="d">1717-1768</subfield><subfield code="0">(DE-588)118633600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1700-1799</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Aesthetics, German</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art / Historiography</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Influence (Literary, artistic, etc.)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Male nude in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sculpture, Greek</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, German / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art / Historiography</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Male nude in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sculpture, Greek</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erotische Kunst</subfield><subfield code="0">(DE-588)4152857-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antike</subfield><subfield code="0">(DE-588)4068754-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstgeschichtsschreibung</subfield><subfield code="0">(DE-588)4033643-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Erotische Kunst</subfield><subfield code="0">(DE-588)4152857-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Antike</subfield><subfield code="0">(DE-588)4068754-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Winckelmann, Johann Joachim</subfield><subfield code="d">1717-1768</subfield><subfield code="0">(DE-588)118633600</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Kunstgeschichtsschreibung</subfield><subfield code="0">(DE-588)4033643-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780300058130</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780300087369</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.37862/aaeportal.00050</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-338-YAA</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2_ZDB-338-YAA_2024</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_1</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035372927</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.37862/aaeportal.00050</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-338-YAA</subfield><subfield code="q">BZI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV050035064 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T09:03:17Z |
| institution | BVB |
| isbn | 0300229607 9780300229608 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035372927 |
| oclc_num | 1477612480 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 1 Online-Ressource (vi, 294 Seiten) 46 Illustrationen (some color) |
| psigel | ZDB-338-YAA KUBA2_ZDB-338-YAA_2024 gbd_1 ZDB-338-YAA BZI |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Yale University Press |
| record_format | marc |
| spelling | Potts, Alex Verfasser aut Flesh and the ideal Winckelmann and the origins of art history Alex Potts Winckelmann and the origins of art history New Haven Yale University Press 1994 1 Online-Ressource (vi, 294 Seiten) 46 Illustrationen (some color) txt rdacontent c rdamedia cr rdacarrier "Johann Joachim Winckelmann (1717-1768), one of the most important figures ever to have written about art, is considered by many to be the father of modern art history. This book is an intellectual biography of Winckelmann that discusses his magnum opus, History of the Art of Antiquity, in the context of his life and work in Germany and in Rome in the eighteenth century. Alex Potts analyzes Winckelmann's eloquent account of the aesthetic and imaginative Greek ideal in art, an account that focuses on the political and homoerotic sexual content that gave the antique ideal male nude its larger resonance. He shows how Winckelmann's writing reflects the well-known preoccupations and values of Enlightenment culture as well as a darker aspect of Enlightenment ideals, such as the fantasy of a completely free sovereign subjectivity associated with Greek art. Potts explores how Winckelmann's historical perspective on the art of antiquity both prefigures and undermines the more strictly historicizing views put forward in the nineteenth century and how his systematic definition of style and historical development casts a new light on the present-day understanding of these notions. According to Potts, Winckelmann goes well beyond the simple rationalist art history and Neoclassical art theory with which he is usually associated. Rather, he often seems to speak directly to our present awareness of the discomforting ideological and psychic contradictions inherent in supposedly ideal symbolic forms"--Publisher's description Winckelmann, Johann Joachim / 1717-1768 fast Winckelmann, Johann Joachim / 1717-1768 / Aesthetics Winckelmann, Johann Joachim / 1717-1768 / Influence Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 gnd rswk-swf 1700-1799 fast Geschichte 1600-1800 gnd rswk-swf Aesthetics, German fast Aesthetics fast Art / Historiography fast Influence (Literary, artistic, etc.) fast Male nude in art fast Sculpture, Greek fast Aesthetics, German / 18th century Art / Historiography Male nude in art Sculpture, Greek Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Erotische Kunst (DE-588)4152857-8 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Erotische Kunst (DE-588)4152857-8 s Ästhetik (DE-588)4000626-8 s Geschichte 1600-1800 z DE-604 Antike (DE-588)4068754-5 s Kunstbetrachtung (DE-588)4125321-8 s Plastik (DE-588)4046277-8 s Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 p Kunstgeschichtsschreibung (DE-588)4033643-8 s Erscheint auch als Druck-Ausgabe 9780300058130 Erscheint auch als Druck-Ausgabe 9780300087369 https://doi.org/10.37862/aaeportal.00050 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Potts, Alex Flesh and the ideal Winckelmann and the origins of art history Winckelmann, Johann Joachim / 1717-1768 fast Winckelmann, Johann Joachim / 1717-1768 / Aesthetics Winckelmann, Johann Joachim / 1717-1768 / Influence Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 gnd Aesthetics, German fast Aesthetics fast Art / Historiography fast Influence (Literary, artistic, etc.) fast Male nude in art fast Sculpture, Greek fast Aesthetics, German / 18th century Art / Historiography Male nude in art Sculpture, Greek Kunstbetrachtung (DE-588)4125321-8 gnd Erotische Kunst (DE-588)4152857-8 gnd Antike (DE-588)4068754-5 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Ästhetik (DE-588)4000626-8 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)118633600 (DE-588)4125321-8 (DE-588)4152857-8 (DE-588)4068754-5 (DE-588)4033643-8 (DE-588)4000626-8 (DE-588)4046277-8 |
| title | Flesh and the ideal Winckelmann and the origins of art history |
| title_alt | Winckelmann and the origins of art history |
| title_auth | Flesh and the ideal Winckelmann and the origins of art history |
| title_exact_search | Flesh and the ideal Winckelmann and the origins of art history |
| title_full | Flesh and the ideal Winckelmann and the origins of art history Alex Potts |
| title_fullStr | Flesh and the ideal Winckelmann and the origins of art history Alex Potts |
| title_full_unstemmed | Flesh and the ideal Winckelmann and the origins of art history Alex Potts |
| title_short | Flesh and the ideal |
| title_sort | flesh and the ideal winckelmann and the origins of art history |
| title_sub | Winckelmann and the origins of art history |
| topic | Winckelmann, Johann Joachim / 1717-1768 fast Winckelmann, Johann Joachim / 1717-1768 / Aesthetics Winckelmann, Johann Joachim / 1717-1768 / Influence Winckelmann, Johann Joachim 1717-1768 (DE-588)118633600 gnd Aesthetics, German fast Aesthetics fast Art / Historiography fast Influence (Literary, artistic, etc.) fast Male nude in art fast Sculpture, Greek fast Aesthetics, German / 18th century Art / Historiography Male nude in art Sculpture, Greek Kunstbetrachtung (DE-588)4125321-8 gnd Erotische Kunst (DE-588)4152857-8 gnd Antike (DE-588)4068754-5 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Ästhetik (DE-588)4000626-8 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Winckelmann, Johann Joachim / 1717-1768 Winckelmann, Johann Joachim / 1717-1768 / Aesthetics Winckelmann, Johann Joachim / 1717-1768 / Influence Winckelmann, Johann Joachim 1717-1768 Aesthetics, German Aesthetics Art / Historiography Influence (Literary, artistic, etc.) Male nude in art Sculpture, Greek Aesthetics, German / 18th century Kunstbetrachtung Erotische Kunst Antike Kunstgeschichtsschreibung Ästhetik Plastik |
| url | https://doi.org/10.37862/aaeportal.00050 |
| work_keys_str_mv | AT pottsalex fleshandtheidealwinckelmannandtheoriginsofarthistory AT pottsalex winckelmannandtheoriginsofarthistory |