The English print, 1688-1802:
"Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work.... Timothy Clayton...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Haven
Published for the Paul Mellon Centre for Studies in British Art by Yale University Press
[1997]
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Schlagworte: | |
Online-Zugang: | DE-255 Volltext |
Zusammenfassung: | "Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work.... Timothy Clayton describes the growth of the print trade in England during the eighteenth century, a period during which Britain emerged from artistic obscurity to dominate the international print market. This highly readable account offers a fascinating tour of the principal outlets for prints in London, the provinces, and the British colonies over a period of more than one hundred years. Clayton considers the variety of published material history prints, topography, portraiture, satire, propaganda-- the channels of distribution, and the various audiences to which prints were addressed. He examines the effect of the sudden and dramatic influx of foreign prints in the second decade of the eighteenth century and traces the way in which English engravers and printsellers attempted to establish a national industry. Prints were used to promote English entertainments, luxury industries, landscapes, gardens, and paintings and to demonstrate the increasing wealth and sophistication of the English nation. Their influence over the commercialization of leisure and the development of luxury manufacturing was considerable. By the 1760s, British engravers and painters were winning recognition and establishing a new reputation on the Continent through the dissemination of their work. During the following decade, the enthusiasm for English prints developed into full-blown anglomania, and engraved scenes from English literature and national history were displayed on walls throughout Europe"--Publisher's description |
Beschreibung: | 1 Online-Ressource (xiv, 337 Seiten) 304 Illustrationen (some color) |
ISBN: | 0300260563 9780300260564 |
DOI: | 10.37862/aaeportal.00242 |
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520 | |a "Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work.... Timothy Clayton describes the growth of the print trade in England during the eighteenth century, a period during which Britain emerged from artistic obscurity to dominate the international print market. This highly readable account offers a fascinating tour of the principal outlets for prints in London, the provinces, and the British colonies over a period of more than one hundred years. Clayton considers the variety of published material history prints, topography, portraiture, satire, propaganda-- the channels of distribution, and the various audiences to which prints were addressed. He examines the effect of the sudden and dramatic influx of foreign prints in the second decade of the eighteenth century and traces the way in which English engravers and printsellers attempted to establish a national industry. Prints were used to promote English entertainments, luxury industries, landscapes, gardens, and paintings and to demonstrate the increasing wealth and sophistication of the English nation. Their influence over the commercialization of leisure and the development of luxury manufacturing was considerable. By the 1760s, British engravers and painters were winning recognition and establishing a new reputation on the Continent through the dissemination of their work. During the following decade, the enthusiasm for English prints developed into full-blown anglomania, and engraved scenes from English literature and national history were displayed on walls throughout Europe"--Publisher's description | ||
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Datensatz im Suchindex
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adam_text | |
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author | Clayton, Tim |
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id | DE-604.BV050035050 |
illustrated | Illustrated |
indexdate | 2024-12-17T13:06:34Z |
institution | BVB |
isbn | 0300260563 9780300260564 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035372913 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 1 Online-Ressource (xiv, 337 Seiten) 304 Illustrationen (some color) |
psigel | ZDB-338-YAA KUBA2_ZDB-338-YAA_2024 ZDB-338-YAA BZI |
publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
publisher | Published for the Paul Mellon Centre for Studies in British Art by Yale University Press |
record_format | marc |
spelling | Clayton, Tim Verfasser aut The English print, 1688-1802 Timothy Clayton New Haven Published for the Paul Mellon Centre for Studies in British Art by Yale University Press [1997] 1 Online-Ressource (xiv, 337 Seiten) 304 Illustrationen (some color) txt rdacontent c rdamedia cr rdacarrier "Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work.... Timothy Clayton describes the growth of the print trade in England during the eighteenth century, a period during which Britain emerged from artistic obscurity to dominate the international print market. This highly readable account offers a fascinating tour of the principal outlets for prints in London, the provinces, and the British colonies over a period of more than one hundred years. Clayton considers the variety of published material history prints, topography, portraiture, satire, propaganda-- the channels of distribution, and the various audiences to which prints were addressed. He examines the effect of the sudden and dramatic influx of foreign prints in the second decade of the eighteenth century and traces the way in which English engravers and printsellers attempted to establish a national industry. Prints were used to promote English entertainments, luxury industries, landscapes, gardens, and paintings and to demonstrate the increasing wealth and sophistication of the English nation. Their influence over the commercialization of leisure and the development of luxury manufacturing was considerable. By the 1760s, British engravers and painters were winning recognition and establishing a new reputation on the Continent through the dissemination of their work. During the following decade, the enthusiasm for English prints developed into full-blown anglomania, and engraved scenes from English literature and national history were displayed on walls throughout Europe"--Publisher's description 1600-1799 fast Prints, English fast Printing industry / Great Britain / 18th century Prints / Great Britain / 18th century Prints, English / 17th century Prints, English / 18th century Paul Mellon Centre for Studies in British Art Sonstige oth Yale University Press Sonstige oth Erscheint auch als Druck-Ausgabe 9780300066500 https://doi.org/10.37862/aaeportal.00242 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Clayton, Tim The English print, 1688-1802 Prints, English fast Printing industry / Great Britain / 18th century Prints / Great Britain / 18th century Prints, English / 17th century Prints, English / 18th century |
title | The English print, 1688-1802 |
title_auth | The English print, 1688-1802 |
title_exact_search | The English print, 1688-1802 |
title_full | The English print, 1688-1802 Timothy Clayton |
title_fullStr | The English print, 1688-1802 Timothy Clayton |
title_full_unstemmed | The English print, 1688-1802 Timothy Clayton |
title_short | The English print, 1688-1802 |
title_sort | the english print 1688 1802 |
topic | Prints, English fast Printing industry / Great Britain / 18th century Prints / Great Britain / 18th century Prints, English / 17th century Prints, English / 18th century |
topic_facet | Prints, English Printing industry / Great Britain / 18th century Prints / Great Britain / 18th century Prints, English / 17th century Prints, English / 18th century |
url | https://doi.org/10.37862/aaeportal.00242 |
work_keys_str_mv | AT claytontim theenglishprint16881802 AT paulmelloncentreforstudiesinbritishart theenglishprint16881802 AT yaleuniversitypress theenglishprint16881802 |