How painting happens: (and why it matters)
Drawing on decades of conversations with practicing artists, Martin Gayford offers intimate insight into the practice, meaning, and potential of painting.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Thames & Hudson
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Drawing on decades of conversations with practicing artists, Martin Gayford offers intimate insight into the practice, meaning, and potential of painting. |
| Beschreibung: | 384 Seiten Illustrationen |
| ISBN: | 9780500027424 |
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Datensatz im Suchindex
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PART I PART II Starting, Finishing, and Carrying On Material Matters CHAPTER I Starting CHAPTER 6 22 Underneath the paint 82 CHAPTER 2 The will to paint CHAPTER 7 37 Rubens’s recipes 94 CHAPTER 3 Singing better 46 CHAPTER 4 Good and bad and how and why 57 CHAPTER 8 The brush dipping in the paint 108 CHAPTER 9 Marks of the hand 122 5 It’s so hard to finish CHAPTER 66 CHAPTER IO Flesh and meat 135
PART III PART IV The Continent of Colour Travelling in Time and Space CHAPTER 11 CHAPTER 16 The red studio Crossing continents painting maps 146 210 CHAPTER 12 Engulfed in colour 155 CHAPTER Iß Painting in the key of D 165 CHAPTER 17 El Greco travels through time 224 CHAPTER l8 Making space 236 CHAPTER 14 Drawing in colour CHAPTER IQ 178 Painting history 246 CHAPTER 15 Reimagining the body 192 CHAPTER 20 Taking flight with Mi 2бо
PART V PART VI The Camera, the Stage, and the Screen Feelings and Meanings CHAPTER 21 CHAPTER 25 The brush and the lens Good, bad, ugly 274 320 CHAPTER 22 CHAPTER 20 Staging a painting What does a Rothko meant 287 331 CHAPTER 23 CHAPTER 27 Painting a collage Beyond anything for feeling 299 340 CHAPTER 24 CHAPTER 28 Whose hand makes the mark? Is the clue in the title? 312 350 EPILOGUE The world in a picture, a painting as a world 362 ACKNOWLEDGMENTS 369 NOTES TO THE TEXT 370 FURTHER READING PICTURE CREDITS INDEX 379 373 376 |
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| language | English |
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| title_sub | (and why it matters) |
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