Performing by the book?: musical negotiations between text and act
"To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and inter...
Gespeichert in:
1. Verfasser: | |
---|---|
Weitere Verfasser: | |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Leuven (Belgium)
Leuven University Press
2024
|
Schriftenreihe: | Orpheus Institute series
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and interpretative challenges faced by musicians in dealing with texts of all kinds, the chapters traverse the spectrum between the Middle Ages and the age of Stockhausen. In a harmonious blend of scholarly allure and individual artistry, free from academic obfuscation, the contributors keep a keen eye on the limits of interpretation, both in terms of the interpretative process itself and of the balance between textual faithfulness and artistic autonomy. This comprehensive volume is an indispensable guide for everyone interested in the relationship between musical performance and texts." |
Beschreibung: | 1 Online-Ressource Illustrationen, Notenbeispiele |
ISBN: | 9789461665591 |
DOI: | 10.2307/jj.11955034 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049966021 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 241119s2024 xx agl| o|||| 00||| eng d | ||
020 | |a 9789461665591 |9 978-94-6166-559-1 | ||
035 | |a (OCoLC)1477599576 | ||
035 | |a (DE-599)BVBBV049966021 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-20 |a DE-1046 |a DE-706 | ||
084 | |a MUS |q DE-12 |2 fid | ||
245 | 1 | 0 | |a Performing by the book? |b musical negotiations between text and act |c edited by Bruno Forment ; authors: Jonathan Ayerst [und 9 weitere] |
264 | 1 | |a Leuven (Belgium) |b Leuven University Press |c 2024 | |
300 | |a 1 Online-Ressource |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Orpheus Institute series | |
520 | 3 | |a "To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and interpretative challenges faced by musicians in dealing with texts of all kinds, the chapters traverse the spectrum between the Middle Ages and the age of Stockhausen. In a harmonious blend of scholarly allure and individual artistry, free from academic obfuscation, the contributors keep a keen eye on the limits of interpretation, both in terms of the interpretative process itself and of the balance between textual faithfulness and artistic autonomy. This comprehensive volume is an indispensable guide for everyone interested in the relationship between musical performance and texts." | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Interpretation |0 (DE-588)4072905-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Aufführungspraxis |0 (DE-588)4141464-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Notenschrift |0 (DE-588)4135339-0 |2 gnd |9 rswk-swf |
653 | 0 | |a Musical notation | |
653 | 0 | |a Music / Interpretation (Phrasing, dynamics, etc.) | |
653 | 0 | |a Music / Performance | |
689 | 0 | 0 | |a Aufführungspraxis |0 (DE-588)4141464-0 |D s |
689 | 0 | 1 | |a Interpretation |0 (DE-588)4072905-9 |D s |
689 | 0 | 2 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
689 | 0 | 3 | |a Notenschrift |0 (DE-588)4135339-0 |D s |
689 | 0 | 4 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Forment, Bruno |d 1978- |0 (DE-588)141645040 |4 edt | |
700 | 1 | |a Ayerst, Jonathan |d 1971- |0 (DE-588)129744697 |4 aut | |
710 | 2 | |a Orpheus Instituut |0 (DE-588)1241563-7 |4 isb | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-94-6166-559-1 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-94-6270-414-5 |
856 | 4 | 0 | |u https://doi.org/10.2307/jj.11955034 |x Verlag |z kostenfrei |3 Volltext |
912 | |a ZDB-39-JOA | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035303915 |
Datensatz im Suchindex
_version_ | 1824588990319165440 |
---|---|
adam_text | |
any_adam_object | |
author | Ayerst, Jonathan 1971- |
author2 | Forment, Bruno 1978- |
author2_role | edt |
author2_variant | b f bf |
author_GND | (DE-588)141645040 (DE-588)129744697 |
author_facet | Ayerst, Jonathan 1971- Forment, Bruno 1978- |
author_role | aut |
author_sort | Ayerst, Jonathan 1971- |
author_variant | j a ja |
building | Verbundindex |
bvnumber | BV049966021 |
collection | ZDB-39-JOA |
ctrlnum | (OCoLC)1477599576 (DE-599)BVBBV049966021 |
doi_str_mv | 10.2307/jj.11955034 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049966021</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241119s2024 xx agl| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789461665591</subfield><subfield code="9">978-94-6166-559-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1477599576</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049966021</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-706</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performing by the book?</subfield><subfield code="b">musical negotiations between text and act</subfield><subfield code="c">edited by Bruno Forment ; authors: Jonathan Ayerst [und 9 weitere]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven (Belgium)</subfield><subfield code="b">Leuven University Press</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Orpheus Institute series</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and interpretative challenges faced by musicians in dealing with texts of all kinds, the chapters traverse the spectrum between the Middle Ages and the age of Stockhausen. In a harmonious blend of scholarly allure and individual artistry, free from academic obfuscation, the contributors keep a keen eye on the limits of interpretation, both in terms of the interpretative process itself and of the balance between textual faithfulness and artistic autonomy. This comprehensive volume is an indispensable guide for everyone interested in the relationship between musical performance and texts."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Interpretation</subfield><subfield code="0">(DE-588)4072905-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführungspraxis</subfield><subfield code="0">(DE-588)4141464-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Notenschrift</subfield><subfield code="0">(DE-588)4135339-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical notation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Interpretation (Phrasing, dynamics, etc.)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Performance</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Aufführungspraxis</subfield><subfield code="0">(DE-588)4141464-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Interpretation</subfield><subfield code="0">(DE-588)4072905-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Notenschrift</subfield><subfield code="0">(DE-588)4135339-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Forment, Bruno</subfield><subfield code="d">1978-</subfield><subfield code="0">(DE-588)141645040</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ayerst, Jonathan</subfield><subfield code="d">1971-</subfield><subfield code="0">(DE-588)129744697</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Orpheus Instituut</subfield><subfield code="0">(DE-588)1241563-7</subfield><subfield code="4">isb</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-94-6166-559-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-94-6270-414-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.2307/jj.11955034</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-39-JOA</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035303915</subfield></datafield></record></collection> |
id | DE-604.BV049966021 |
illustrated | Illustrated |
indexdate | 2025-02-20T15:00:57Z |
institution | BVB |
institution_GND | (DE-588)1241563-7 |
isbn | 9789461665591 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035303915 |
oclc_num | 1477599576 |
open_access_boolean | 1 |
owner | DE-20 DE-1046 DE-706 |
owner_facet | DE-20 DE-1046 DE-706 |
physical | 1 Online-Ressource Illustrationen, Notenbeispiele |
psigel | ZDB-39-JOA |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Leuven University Press |
record_format | marc |
series2 | Orpheus Institute series |
spelling | Performing by the book? musical negotiations between text and act edited by Bruno Forment ; authors: Jonathan Ayerst [und 9 weitere] Leuven (Belgium) Leuven University Press 2024 1 Online-Ressource Illustrationen, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Orpheus Institute series "To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and interpretative challenges faced by musicians in dealing with texts of all kinds, the chapters traverse the spectrum between the Middle Ages and the age of Stockhausen. In a harmonious blend of scholarly allure and individual artistry, free from academic obfuscation, the contributors keep a keen eye on the limits of interpretation, both in terms of the interpretative process itself and of the balance between textual faithfulness and artistic autonomy. This comprehensive volume is an indispensable guide for everyone interested in the relationship between musical performance and texts." Geschichte gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Aufführungspraxis (DE-588)4141464-0 gnd rswk-swf Notenschrift (DE-588)4135339-0 gnd rswk-swf Musical notation Music / Interpretation (Phrasing, dynamics, etc.) Music / Performance Aufführungspraxis (DE-588)4141464-0 s Interpretation (DE-588)4072905-9 s Komposition Musik (DE-588)4133320-2 s Notenschrift (DE-588)4135339-0 s Geschichte z DE-604 Forment, Bruno 1978- (DE-588)141645040 edt Ayerst, Jonathan 1971- (DE-588)129744697 aut Orpheus Instituut (DE-588)1241563-7 isb Erscheint auch als Online-Ausgabe 978-94-6166-559-1 Erscheint auch als Druck-Ausgabe 978-94-6270-414-5 https://doi.org/10.2307/jj.11955034 Verlag kostenfrei Volltext |
spellingShingle | Ayerst, Jonathan 1971- Performing by the book? musical negotiations between text and act Interpretation (DE-588)4072905-9 gnd Komposition Musik (DE-588)4133320-2 gnd Aufführungspraxis (DE-588)4141464-0 gnd Notenschrift (DE-588)4135339-0 gnd |
subject_GND | (DE-588)4072905-9 (DE-588)4133320-2 (DE-588)4141464-0 (DE-588)4135339-0 |
title | Performing by the book? musical negotiations between text and act |
title_auth | Performing by the book? musical negotiations between text and act |
title_exact_search | Performing by the book? musical negotiations between text and act |
title_full | Performing by the book? musical negotiations between text and act edited by Bruno Forment ; authors: Jonathan Ayerst [und 9 weitere] |
title_fullStr | Performing by the book? musical negotiations between text and act edited by Bruno Forment ; authors: Jonathan Ayerst [und 9 weitere] |
title_full_unstemmed | Performing by the book? musical negotiations between text and act edited by Bruno Forment ; authors: Jonathan Ayerst [und 9 weitere] |
title_short | Performing by the book? |
title_sort | performing by the book musical negotiations between text and act |
title_sub | musical negotiations between text and act |
topic | Interpretation (DE-588)4072905-9 gnd Komposition Musik (DE-588)4133320-2 gnd Aufführungspraxis (DE-588)4141464-0 gnd Notenschrift (DE-588)4135339-0 gnd |
topic_facet | Interpretation Komposition Musik Aufführungspraxis Notenschrift |
url | https://doi.org/10.2307/jj.11955034 |
work_keys_str_mv | AT formentbruno performingbythebookmusicalnegotiationsbetweentextandact AT ayerstjonathan performingbythebookmusicalnegotiationsbetweentextandact AT orpheusinstituut performingbythebookmusicalnegotiationsbetweentextandact |