The Routledge handbook of indigenous film:
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2025
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| Schriftenreihe: | Routledge media and cultural studies handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xviii, 604 Seiten |
| ISBN: | 9781032300085 9781032300108 |
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Datensatz im Suchindex
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Notes on Contributors Acknowledgments χη χνιη Introduction: Indigenous Filmmaking Throughout the World—Making Film Mino-Bimaadiziwin Ernie Blackmore, Kerstin Knopf, Wendy Gay Pearson, and Corina Wieser-Cox 1 PARTI Decolonial Intermedialities and Revisions of Western Media 83 MooNaHaTihKaaSiWewlUnearthing Spirit Framework Jules A. Koostachin 85 1 ^ Telling Time·. Confronting Ethnography in Alanis Obomsawin’s Documentaries Eia Wong 3 4 Barry Barclay’s Ngäti (1987) and Merata Mita’s Mauri (1988): A Whakapapa/Genealogy of Maori Fiction Film as Fourth Cinema Deborah Walker-Morrison Waru (2017) and Vai (2019): Moana Sisters “Doing It for Themselves,” Each Other, and Their Communities Marina Alofagia McCartney and Deborah Walker-Morrison 98 112 128
5 “We Are Not Dead”—Decolonizing the Frame: First Australians, The Tall Man, Coniston and First Contact Jeni Thornley 6 Acts of Translation in Ten Canoes Corinn Columpar 147 160 PART II Colonial Histories, Trauma, Resistances 7 Exploring the Cultural Activism of 2501 Migrants: A Journey Annette L. Rukwied 8 Recipes for Survival: Muffins for Granny and the Legacy of Residential Schooling Susan Knabe and Wendy Gay Pearson 9 “Our Land Now”: Barking Water Looks to the Land and Beyond Lee Schweninger 171 173 184 199 10 “For Spirits, Time Doesn’t Exist”: Haunting and Homecoming in the Thriller Imprint Manuela Müller 209 11 Nils Gaup’s Ofelas as Pathfinder and Pathbreaker for Indigenous Cinema Martin Holtz 221 12 “The World Is Disintegrating”: Eco-Trauma and the Representation of Mining in Catriona McKenzie’s Satellite Boy (2012) Victoria Herche 234 13 “Two Parts Broken Heart and One Part Hope”: Violence and Historical Trauma in Skins, Bearwalker, and Once Were Warriors Wendy Gay Pearson 246 PART III Indigenous Lands, Communities, Bodies 257 14 Communitarian Narratives in the Films of Nicolas Rojas Sanchez and Angeles Cruz Itandehui Jansen 259
15 Making Accented Indigenous Transnational Community Cinema: Tiempo de lluvia/In Times of Rain by Itandehui Jansen Deborah Shaw 272 16 Busong (Palawan Fate) and the Decolonization of Health Adam Szymanski 286 17 The Land Has Eyes: Letter from the Island Gerd Becker 299 18 Romancing the Land: The Journals of Knud Rasmussen and the Circumvention of Colonial Landscapes Erin Morton and Taryn Strove 19 Culture, Self, and Place in Liselotte Wajstedt’s Documentaries Stefan Holander 20 Nuummioq and Anori: Modernity, Land, and a Mythic Past in Greenlandic Cinema Kerstin Knopf 309 322 335 PART IV Queer Cultures and Border Crossings 347 21 Constellating Bakla Desire in Auraeus Solito’s The Blossoming of Maximo Oliveros Christian Ylagan 349 22 Captive Audience: Erotohistoriography in Kent Monkman’s Group of Seven Inches Kevin Shaw 366 23 Moving Again: Two-Spirit Critique, (Indigi)Queer Hope, and Fire Song Josh Morrison 377 24 Power in the Blood: Boundary Crossing and Bloodletting in Randy Redroad’s The Doe Boy Joshua B. Nelson 390 25 Transgressing the Borders of Being: Hacktivism, Posthumanism, and Technological Paradoxes in Alex Rivera’s Sleep Dealer (2008) Corina Wieser-Cox 400
PARTV Youth Cultures and Emancipation 415 26 Jeff Barnaby’s Rhymes for Young Ghouls·. In the Lair of the Ogre André Dudemaine \ 417 27 “It Is No Longer a Guilt Game”: Anger, Empowerment, and Intercultural Dialogue in Tracey Deer’s Mohawk Girls (2005) Natalia Pinazza ■ 28 Yändia’wich: The Great Turtle’s Account of Mesnak Guy Sioui Durand , · 431 442 455 29 “Who We Are Now”: Inupiaq Youth On the Ice Joanna Hearne , ; r ‘ 30 Running Up Heartbreak Hill: Making Life Livable on the Edge of America J ■ Ralph Armbruster-Sandoval 469 31 Canned Dreams and Lucid Nightmares: Katja Gauriloff and the “Cinema of Precarity” Kate Moffat 482 32 Schism of a Nation: The Remnants of Colonization’s Deleterious . Impact on Aboriginal Self-Representation, Identity, and Independence as Represented in Toomelah Emme Devonish 493 PART VI Art, Comedy, and Music 33 Shelley Niro’s Kissed by Lightning and Her Painted Series “Peacemaker’s Journey” as Forms of Indigenous Resistance through Artistic Expression Stephanie Pratt 34 Reggae Sounds in Mâori Cinema: Creating Spaces of In-between in The Pä Boys Nele Rein 507 509 519
35 Comic Seriousness in Stone Bros. (2009) Geoff Rodoreda 533 36 Bran Nue Dae: Singing the Songs of Our Era felicity Collins 544 37 “Love and Affection, to the Bone”: Identity and Reconciliation in Wayne Blair’s The Sapphires Susan Knabe and Ernie Blackmore 556 Index 569
The Routledge Handbook of Indigenous Film is dedicated to bringing the work of Indigenous filmmakers around the world to a larger audience. By giving voice to transnational and transcultural Indigenous perspectives, this collection makes a significant contribution to the discourse on Indigenous filmmaking and provides an acces sible overview of the contemporary state of Indigenous film. Comprising 37 chapters by an international team of contributors, the Handbook is divided into six parts: • • • • • • Decolonial Intermedialities and Revisions of Western Media Colonial Histories, Trauma, Resistances Indigenous Lands, Communities, Bodies Queer Cultures and Border Crossings Youth Cultures and Emancipation Art, Comedy, and Music. Within these sections Indigenous and non-Indigenous experts from around the world examine various aspects of Indigenous film cultures, analyze the works of Indigenous directors and producers worldwide, and focus on readings (contextual, historical, political, aesthetic, and activist) of individual Indigenous films. The Handbook specifically explores Indigenous film in Canada, Mexico, the United States, Central and South America, Northern Europe, Australia, New Zealand, the Pacific, and the Philippines. This richly interdisciplinary volume is an essential resource for students and scholars of Indigenous Studies, Cultural Studies, Area Studies, Film and Media Studies, Feminist and Queer Studies, History, and anyone interested in Indigenous cultures and cinema. |
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| title | The Routledge handbook of indigenous film |
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| title_exact_search | The Routledge handbook of indigenous film |
| title_full | The Routledge handbook of indigenous film edited by Ernie Blackmore, Kerstin Knopf, Wendy Gay Pearson, and Corina Wieser-Cox |
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