Appropriation and blind spots: Ukraine cultural heritage in conflict
The special issue of kunsttexte.de/ostblick Appropriation and blind spots. Ukraine cultural heritage in conflict is part of the ongoing discussions provoked by the Russia's attack on Ukraine. The focus of the contribuions in this issue is not on current challenges, debates and claims, but on ho...
Gespeichert in:
| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin
kunsttexte e.V.
2024-11-12
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| Schriftenreihe: | Kunsttexte.de
Ausgabe 3 (2024): Ostblick |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | The special issue of kunsttexte.de/ostblick Appropriation and blind spots. Ukraine cultural heritage in conflict is part of the ongoing discussions provoked by the Russia's attack on Ukraine. The focus of the contribuions in this issue is not on current challenges, debates and claims, but on how cultural heritage has been discursively, medially and conceptually constituted, appropriated or negated in Ukraine’s past. The theoretical starting point is the assumption that cultural heritage is always the result of appropriation processes and is therefore subject to constant negotiation processes – be it discursive, institutional, political etc. This means that on the other side of appropriation are revaluations, marginalisation, repression and deliberate denial |
| ISSN: | 1618-8101 |
| DOI: | 10.48633/ksttx.2024.3 |
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| spelling | Appropriation and blind spots Ukraine cultural heritage in conflict Redaktion dieser Ausgabe: Katja Bernhardt, Marie Egger, Angela Dressen Berlin kunsttexte e.V. 2024-11-12 txt rdacontent c rdamedia cr rdacarrier Kunsttexte.de Ausgabe 3 (2024): Ostblick 1618-8101 The special issue of kunsttexte.de/ostblick Appropriation and blind spots. Ukraine cultural heritage in conflict is part of the ongoing discussions provoked by the Russia's attack on Ukraine. The focus of the contribuions in this issue is not on current challenges, debates and claims, but on how cultural heritage has been discursively, medially and conceptually constituted, appropriated or negated in Ukraine’s past. The theoretical starting point is the assumption that cultural heritage is always the result of appropriation processes and is therefore subject to constant negotiation processes – be it discursive, institutional, political etc. This means that on the other side of appropriation are revaluations, marginalisation, repression and deliberate denial Bernhardt, Katja (DE-588)1013980131 edt Egger, Marie edt Dreßen, Angela 1967- (DE-588)129638676 edt Kunsttexte.de Ausgabe 3 (2024): Ostblick (DE-604)BV014034525 2024,3 https://doi.org/10.48633/ksttx.2024.3 Resolving-System kostenfrei Volltext https://journals.ub.uni-heidelberg.de/index.php/kunsttexte/issue/view/7195 Verlag kostenfrei Volltext |
| spellingShingle | Appropriation and blind spots Ukraine cultural heritage in conflict Kunsttexte.de |
| title | Appropriation and blind spots Ukraine cultural heritage in conflict |
| title_auth | Appropriation and blind spots Ukraine cultural heritage in conflict |
| title_exact_search | Appropriation and blind spots Ukraine cultural heritage in conflict |
| title_full | Appropriation and blind spots Ukraine cultural heritage in conflict Redaktion dieser Ausgabe: Katja Bernhardt, Marie Egger, Angela Dressen |
| title_fullStr | Appropriation and blind spots Ukraine cultural heritage in conflict Redaktion dieser Ausgabe: Katja Bernhardt, Marie Egger, Angela Dressen |
| title_full_unstemmed | Appropriation and blind spots Ukraine cultural heritage in conflict Redaktion dieser Ausgabe: Katja Bernhardt, Marie Egger, Angela Dressen |
| title_short | Appropriation and blind spots |
| title_sort | appropriation and blind spots ukraine cultural heritage in conflict |
| title_sub | Ukraine cultural heritage in conflict |
| url | https://doi.org/10.48633/ksttx.2024.3 https://journals.ub.uni-heidelberg.de/index.php/kunsttexte/issue/view/7195 |
| volume_link | (DE-604)BV014034525 |
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