Intersecting aesthetics: literary adaptations and cinematic representations of Blackness
"Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation...
Gespeichert in:
| Weitere Verfasser: | , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | "Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen GeiÌ⁸ (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995)." |
| Beschreibung: | 1 Online-Ressource Illustrationen |
| ISBN: | 9781496848895 9781496848864 9781496848871 9781496848888 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049953522 | ||
| 003 | DE-604 | ||
| 005 | 20241128 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 241115s2023 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9781496848895 |c ePDF |9 978-1-4968-4889-5 | ||
| 020 | |a 9781496848864 |c ePUB |9 978-1-4968-4886-4 | ||
| 020 | |a 9781496848871 |c ePUB |9 978-1-4968-4887-1 | ||
| 020 | |a 9781496848888 |c ePDF |9 978-1-4968-4888-8 | ||
| 024 | 7 | |a 10.2307/jj.8501590 |2 doi | |
| 035 | |a (DE-599)BVBBV049953522 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 | ||
| 082 | 0 | |a 791.43652996073 |2 23 | |
| 084 | |a HU 1728 |0 (DE-625)53761: |2 rvk | ||
| 084 | |a AP 44983 |0 (DE-625)7516:743 |2 rvk | ||
| 245 | 1 | 0 | |a Intersecting aesthetics |b literary adaptations and cinematic representations of Blackness |c edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander |
| 264 | 1 | |a Jackson |b University Press of Mississippi |c [2023] | |
| 300 | |a 1 Online-Ressource |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a "Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen GeiÌ⁸ (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995)." | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Verfilmung |0 (DE-588)4062809-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarzenbild |0 (DE-588)4356685-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a African Americans in motion pictures / History / 20th century | |
| 653 | 0 | |a African Americans in the motion picture industry / History / 20th century | |
| 653 | 0 | |a African American motion picture producers and directors / History / 20th century | |
| 653 | 0 | |a African Americans / Intellectual life / 20th century | |
| 653 | 0 | |a Race in motion pictures | |
| 653 | 0 | |a Film adaptations / History and criticism | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 0 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 3 | |a Verfilmung |0 (DE-588)4062809-7 |D s |
| 689 | 0 | 4 | |a Schwarzenbild |0 (DE-588)4356685-6 |D s |
| 689 | 0 | 5 | |a Geschichte 1900-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Regester, Charlene B. |d 1956- |0 (DE-588)142028584 |4 edt | |
| 700 | 1 | |a Baron, Cynthia |d 1954- |0 (DE-588)1216537690 |4 edt | |
| 700 | 1 | |a Scott, Ellen C. |d 1978- |0 (DE-588)1067270973 |4 edt | |
| 700 | 1 | |a Francis, Terri Simone |0 (DE-588)1237757940 |4 edt | |
| 700 | 1 | |a Vander, Robin G. |0 (DE-588)1318184746 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-4968-4884-0 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-4968-4885-7 |
| 912 | |a ebook | ||
| 940 | 1 | |q BSB_NED_20241115 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 73 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035291508 | |
Datensatz im Suchindex
| _version_ | 1816963735827251200 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Regester, Charlene B. 1956- Baron, Cynthia 1954- Scott, Ellen C. 1978- Francis, Terri Simone Vander, Robin G. |
| author2_role | edt edt edt edt edt |
| author2_variant | c b r cb cbr c b cb e c s ec ecs t s f ts tsf r g v rg rgv |
| author_GND | (DE-588)142028584 (DE-588)1216537690 (DE-588)1067270973 (DE-588)1237757940 (DE-588)1318184746 |
| author_facet | Regester, Charlene B. 1956- Baron, Cynthia 1954- Scott, Ellen C. 1978- Francis, Terri Simone Vander, Robin G. |
| building | Verbundindex |
| bvnumber | BV049953522 |
| classification_rvk | HU 1728 AP 44983 |
| collection | ebook |
| ctrlnum | (DE-599)BVBBV049953522 |
| dewey-full | 791.43652996073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43652996073 |
| dewey-search | 791.43652996073 |
| dewey-sort | 3791.43652996073 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049953522</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241128</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241115s2023 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781496848895</subfield><subfield code="c">ePDF</subfield><subfield code="9">978-1-4968-4889-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781496848864</subfield><subfield code="c">ePUB</subfield><subfield code="9">978-1-4968-4886-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781496848871</subfield><subfield code="c">ePUB</subfield><subfield code="9">978-1-4968-4887-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781496848888</subfield><subfield code="c">ePDF</subfield><subfield code="9">978-1-4968-4888-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.2307/jj.8501590</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049953522</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43652996073</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1728</subfield><subfield code="0">(DE-625)53761:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44983</subfield><subfield code="0">(DE-625)7516:743</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Intersecting aesthetics</subfield><subfield code="b">literary adaptations and cinematic representations of Blackness</subfield><subfield code="c">edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jackson</subfield><subfield code="b">University Press of Mississippi</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen GeiÌ⁸ (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995)."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Verfilmung</subfield><subfield code="0">(DE-588)4062809-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarzenbild</subfield><subfield code="0">(DE-588)4356685-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African Americans in motion pictures / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African Americans in the motion picture industry / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American motion picture producers and directors / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African Americans / Intellectual life / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Race in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film adaptations / History and criticism</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Verfilmung</subfield><subfield code="0">(DE-588)4062809-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Schwarzenbild</subfield><subfield code="0">(DE-588)4356685-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Regester, Charlene B.</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)142028584</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baron, Cynthia</subfield><subfield code="d">1954-</subfield><subfield code="0">(DE-588)1216537690</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Scott, Ellen C.</subfield><subfield code="d">1978-</subfield><subfield code="0">(DE-588)1067270973</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Francis, Terri Simone</subfield><subfield code="0">(DE-588)1237757940</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Vander, Robin G.</subfield><subfield code="0">(DE-588)1318184746</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4968-4884-0</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-4968-4885-7</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20241115</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035291508</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049953522 |
| illustrated | Illustrated |
| indexdate | 2024-11-28T11:00:48Z |
| institution | BVB |
| isbn | 9781496848895 9781496848864 9781496848871 9781496848888 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035291508 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 1 Online-Ressource Illustrationen |
| psigel | ebook BSB_NED_20241115 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University Press of Mississippi |
| record_format | marc |
| spelling | Intersecting aesthetics literary adaptations and cinematic representations of Blackness edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander Jackson University Press of Mississippi [2023] 1 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier "Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen GeiÌ⁸ (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995)." Geschichte 1900-2000 gnd rswk-swf Verfilmung (DE-588)4062809-7 gnd rswk-swf Schwarzenbild (DE-588)4356685-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf African Americans in motion pictures / History / 20th century African Americans in the motion picture industry / History / 20th century African American motion picture producers and directors / History / 20th century African Americans / Intellectual life / 20th century Race in motion pictures Film adaptations / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Literatur (DE-588)4035964-5 s Verfilmung (DE-588)4062809-7 s Schwarzenbild (DE-588)4356685-6 s Geschichte 1900-2000 z DE-604 Regester, Charlene B. 1956- (DE-588)142028584 edt Baron, Cynthia 1954- (DE-588)1216537690 edt Scott, Ellen C. 1978- (DE-588)1067270973 edt Francis, Terri Simone (DE-588)1237757940 edt Vander, Robin G. (DE-588)1318184746 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4968-4884-0 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4968-4885-7 |
| spellingShingle | Intersecting aesthetics literary adaptations and cinematic representations of Blackness Verfilmung (DE-588)4062809-7 gnd Schwarzenbild (DE-588)4356685-6 gnd Literatur (DE-588)4035964-5 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4062809-7 (DE-588)4356685-6 (DE-588)4035964-5 (DE-588)4116433-7 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Intersecting aesthetics literary adaptations and cinematic representations of Blackness |
| title_auth | Intersecting aesthetics literary adaptations and cinematic representations of Blackness |
| title_exact_search | Intersecting aesthetics literary adaptations and cinematic representations of Blackness |
| title_full | Intersecting aesthetics literary adaptations and cinematic representations of Blackness edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander |
| title_fullStr | Intersecting aesthetics literary adaptations and cinematic representations of Blackness edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander |
| title_full_unstemmed | Intersecting aesthetics literary adaptations and cinematic representations of Blackness edited by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. Vander |
| title_short | Intersecting aesthetics |
| title_sort | intersecting aesthetics literary adaptations and cinematic representations of blackness |
| title_sub | literary adaptations and cinematic representations of Blackness |
| topic | Verfilmung (DE-588)4062809-7 gnd Schwarzenbild (DE-588)4356685-6 gnd Literatur (DE-588)4035964-5 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Verfilmung Schwarzenbild Literatur Schwarze USA Aufsatzsammlung |
| work_keys_str_mv | AT regestercharleneb intersectingaestheticsliteraryadaptationsandcinematicrepresentationsofblackness AT baroncynthia intersectingaestheticsliteraryadaptationsandcinematicrepresentationsofblackness AT scottellenc intersectingaestheticsliteraryadaptationsandcinematicrepresentationsofblackness AT francisterrisimone intersectingaestheticsliteraryadaptationsandcinematicrepresentationsofblackness AT vanderrobing intersectingaestheticsliteraryadaptationsandcinematicrepresentationsofblackness |