Body genre: anatomy of the horror film
A first-of-its-kind study of the relationship between human anatomy and horror.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2023
|
| Schriftenreihe: | Horror and monstrosity studies series
|
| Schlagworte: | |
| Online-Zugang: | https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=30951801 |
| Zusammenfassung: | A first-of-its-kind study of the relationship between human anatomy and horror. Cover -- BODY GENRE -- Title -- Copyright -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Books, Bodies, Beliefs: Introducing a Genre That Needs No Introduction -- Section One-Somatic Spectatorship: Believing, Bleeding, Hearing, Seeing -- 2. Heads Will Roll, Bodies Will Shake, Souls Will Shatter: Horror Film's Formative Stages and Physical Changes -- 3. Corporeality, Materiality, Mortality: The Horror Film as "Body Genre" -- 4. Going Deep, Sticking to the Surface: Bad Deaths and Wet Bodies -- 5. Sliced Eyeballs and Severed Ears: On (Not) Seeing and (Not) Hearing Horror Films -- Section Two-Beyond Sight and Sound: Breathing, Smelling, Tasting, Touching -- 6. Dead, But Still Breathing: The Problem of Postmortem Movement in Horror Films -- 7. Smelling Like a Slaughterhouse: Cinematic Olfactics and the Stench of Horror -- 8. Shitty, Slimy, Smelly, Smiley: Dirty Spaces, Funny Faces, and the Textural Pleasures of "Laughably Bad" Texts -- 9. Spooky Encounters of the Humorously Disgusting Kind: Clutching Hands and Hopping Corpses, from Hollywood to Hong Kong -- Coda. Preparing to Be Unprepared: Horror Film's Predictable Unpredictability -- NOTES -- BIBLIOGRAPHY -- INDEX -- ABOUT THE AUTHOR. "In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover's and Linda Williams's pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a "body genre." However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals-living or dead, real or fake-play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death"-- |
| Beschreibung: | 1 Online-Ressource (ix, 316 Seiten) |
| ISBN: | 9781496847997 9781496848000 9781496848017 9781496847980 |
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| 520 | 3 | |a A first-of-its-kind study of the relationship between human anatomy and horror. | |
| 520 | 3 | |a Cover -- BODY GENRE -- Title -- Copyright -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Books, Bodies, Beliefs: Introducing a Genre That Needs No Introduction -- Section One-Somatic Spectatorship: Believing, Bleeding, Hearing, Seeing -- 2. Heads Will Roll, Bodies Will Shake, Souls Will Shatter: Horror Film's Formative Stages and Physical Changes -- 3. Corporeality, Materiality, Mortality: The Horror Film as "Body Genre" -- 4. Going Deep, Sticking to the Surface: Bad Deaths and Wet Bodies -- 5. Sliced Eyeballs and Severed Ears: On (Not) Seeing and (Not) Hearing Horror Films -- Section Two-Beyond Sight and Sound: Breathing, Smelling, Tasting, Touching -- 6. Dead, But Still Breathing: The Problem of Postmortem Movement in Horror Films -- 7. Smelling Like a Slaughterhouse: Cinematic Olfactics and the Stench of Horror -- 8. Shitty, Slimy, Smelly, Smiley: Dirty Spaces, Funny Faces, and the Textural Pleasures of "Laughably Bad" Texts -- 9. Spooky Encounters of the Humorously Disgusting Kind: Clutching Hands and Hopping Corpses, from Hollywood to Hong Kong -- Coda. Preparing to Be Unprepared: Horror Film's Predictable Unpredictability -- NOTES -- BIBLIOGRAPHY -- INDEX -- ABOUT THE AUTHOR. | |
| 520 | 3 | |a "In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover's and Linda Williams's pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a "body genre." However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals-living or dead, real or fake-play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death"-- | |
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Datensatz im Suchindex
| _version_ | 1816963737021579264 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Diffrient, David Scott 1972- |
| author_GND | (DE-588)138138370 |
| author_facet | Diffrient, David Scott 1972- |
| author_role | aut |
| author_sort | Diffrient, David Scott 1972- |
| author_variant | d s d ds dsd |
| building | Verbundindex |
| bvnumber | BV049953223 |
| classification_rvk | AP 53900 |
| collection | ZDB-30-PQE ebook |
| ctrlnum | (DE-599)KEP098471090 |
| dewey-full | 791.43/6164 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6164 |
| dewey-search | 791.43/6164 |
| dewey-sort | 3791.43 46164 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV049953223 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-28T11:00:49Z |
| institution | BVB |
| isbn | 9781496847997 9781496848000 9781496848017 9781496847980 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035291215 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 1 Online-Ressource (ix, 316 Seiten) |
| psigel | ZDB-30-PQE ebook |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University Press of Mississippi |
| record_format | marc |
| series2 | Horror and monstrosity studies series |
| spelling | Diffrient, David Scott 1972- Verfasser (DE-588)138138370 aut Body genre anatomy of the horror film David Scott Diffrient Jackson University Press of Mississippi 2023 1 Online-Ressource (ix, 316 Seiten) txt rdacontent c rdamedia cr rdacarrier Horror and monstrosity studies series A first-of-its-kind study of the relationship between human anatomy and horror. Cover -- BODY GENRE -- Title -- Copyright -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Books, Bodies, Beliefs: Introducing a Genre That Needs No Introduction -- Section One-Somatic Spectatorship: Believing, Bleeding, Hearing, Seeing -- 2. Heads Will Roll, Bodies Will Shake, Souls Will Shatter: Horror Film's Formative Stages and Physical Changes -- 3. Corporeality, Materiality, Mortality: The Horror Film as "Body Genre" -- 4. Going Deep, Sticking to the Surface: Bad Deaths and Wet Bodies -- 5. Sliced Eyeballs and Severed Ears: On (Not) Seeing and (Not) Hearing Horror Films -- Section Two-Beyond Sight and Sound: Breathing, Smelling, Tasting, Touching -- 6. Dead, But Still Breathing: The Problem of Postmortem Movement in Horror Films -- 7. Smelling Like a Slaughterhouse: Cinematic Olfactics and the Stench of Horror -- 8. Shitty, Slimy, Smelly, Smiley: Dirty Spaces, Funny Faces, and the Textural Pleasures of "Laughably Bad" Texts -- 9. Spooky Encounters of the Humorously Disgusting Kind: Clutching Hands and Hopping Corpses, from Hollywood to Hong Kong -- Coda. Preparing to Be Unprepared: Horror Film's Predictable Unpredictability -- NOTES -- BIBLIOGRAPHY -- INDEX -- ABOUT THE AUTHOR. "In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover's and Linda Williams's pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a "body genre." However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals-living or dead, real or fake-play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death"-- Horrorfilm (DE-588)4127415-5 gnd rswk-swf Horror films / History and criticism Human body in motion pictures Senses and sensation in motion pictures Horror films / Production and direction Horror films / Psychological aspects Motion picture audiences / Psychology Fear in motion pictures Horrorfilm (DE-588)4127415-5 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4968-4796-6 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4968-4797-3 X:EBC https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=30951801 Aggregator |
| spellingShingle | Diffrient, David Scott 1972- Body genre anatomy of the horror film Horrorfilm (DE-588)4127415-5 gnd |
| subject_GND | (DE-588)4127415-5 |
| title | Body genre anatomy of the horror film |
| title_auth | Body genre anatomy of the horror film |
| title_exact_search | Body genre anatomy of the horror film |
| title_full | Body genre anatomy of the horror film David Scott Diffrient |
| title_fullStr | Body genre anatomy of the horror film David Scott Diffrient |
| title_full_unstemmed | Body genre anatomy of the horror film David Scott Diffrient |
| title_short | Body genre |
| title_sort | body genre anatomy of the horror film |
| title_sub | anatomy of the horror film |
| topic | Horrorfilm (DE-588)4127415-5 gnd |
| topic_facet | Horrorfilm |
| url | https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=30951801 |
| work_keys_str_mv | AT diffrientdavidscott bodygenreanatomyofthehorrorfilm |