Art and emancipation in Jamaica: Isaac Mendes Belisario and his worlds
"Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visu...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Haven
Yale Center for British Art
[2007]
|
Schlagworte: | |
Online-Zugang: | DE-255 Volltext |
Zusammenfassung: | "Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38), a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario, the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire"--Publisher's description |
Beschreibung: | Catalog of an exhibition at the Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2007 |
Beschreibung: | 1 Online-Ressource (xix, 592 Seiten) 440 Illustrationen (chiefly color), Karten (some color), music |
ISBN: | 0300248067 9780300248067 |
DOI: | 10.37862/aaeportal.00018 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV049952283 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 241114s2007 xx a||| o|||| 00||| eng d | ||
020 | |a 0300248067 |9 0-300-24806-7 | ||
020 | |a 9780300248067 |9 978-0-300-24806-7 | ||
024 | 7 | |a 10.37862/aaeportal.00018 |2 doi | |
035 | |a (ZDB-338-YAA)737700085 | ||
035 | |a (DE-599)BVBBV049952283 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Barringer, T. J. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Art and emancipation in Jamaica |b Isaac Mendes Belisario and his worlds |c Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others] |
264 | 1 | |a New Haven |b Yale Center for British Art |c [2007] | |
264 | 4 | |c ©2007 | |
300 | |a 1 Online-Ressource (xix, 592 Seiten) |b 440 Illustrationen (chiefly color), Karten (some color), music | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Catalog of an exhibition at the Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2007 | ||
520 | |a "Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38), a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario, the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire"--Publisher's description | ||
600 | 1 | 7 | |a Belisario, Isaac Mendes / 1795-1849 |2 fast |
600 | 1 | 4 | |a Belisario, Isaac Mendes / 1795-1849 / Exhibitions |
650 | 7 | |a Art, British |2 fast | |
650 | 7 | |a Art, Jamaican |2 fast | |
650 | 7 | |a Slavery in art |2 fast | |
650 | 7 | |a Slavery |2 fast | |
650 | 7 | |a Slaves / Emancipation |2 fast | |
650 | 4 | |a Art, British / Exhibitions | |
650 | 4 | |a Art, Jamaican / Exhibitions | |
650 | 4 | |a Slavery in art / Exhibitions | |
650 | 4 | |a Slavery / Jamaica / Exhibitions | |
650 | 4 | |a Slaves / Emancipation / Jamaica / Exhibitions | |
700 | 1 | |a Forrester, Gillian |e Sonstige |4 oth | |
700 | 1 | |a Martinez-Ruiz, Barbaro |e Sonstige |4 oth | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9780300116618 |
856 | 4 | 0 | |u https://doi.org/10.37862/aaeportal.00018 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-338-YAA | ||
940 | 1 | |q KUB_FID_KUNST | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035290290 | |
966 | e | |u https://doi.org/10.37862/aaeportal.00018 |l DE-255 |p ZDB-338-YAA |q BZI |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1816072875703009280 |
---|---|
adam_text | |
any_adam_object | |
author | Barringer, T. J. |
author_facet | Barringer, T. J. |
author_role | aut |
author_sort | Barringer, T. J. |
author_variant | t j b tj tjb |
building | Verbundindex |
bvnumber | BV049952283 |
collection | ZDB-338-YAA |
ctrlnum | (ZDB-338-YAA)737700085 (DE-599)BVBBV049952283 |
doi_str_mv | 10.37862/aaeportal.00018 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV049952283</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241114s2007 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0300248067</subfield><subfield code="9">0-300-24806-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300248067</subfield><subfield code="9">978-0-300-24806-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.37862/aaeportal.00018</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-338-YAA)737700085</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049952283</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Barringer, T. J.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art and emancipation in Jamaica</subfield><subfield code="b">Isaac Mendes Belisario and his worlds</subfield><subfield code="c">Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven</subfield><subfield code="b">Yale Center for British Art</subfield><subfield code="c">[2007]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xix, 592 Seiten)</subfield><subfield code="b">440 Illustrationen (chiefly color), Karten (some color), music</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Catalog of an exhibition at the Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2007</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38), a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario, the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire"--Publisher's description</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Belisario, Isaac Mendes / 1795-1849</subfield><subfield code="2">fast</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Belisario, Isaac Mendes / 1795-1849 / Exhibitions</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, British</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, Jamaican</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Slavery in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Slavery</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Slaves / Emancipation</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, British / Exhibitions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Jamaican / Exhibitions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slavery in art / Exhibitions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slavery / Jamaica / Exhibitions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slaves / Emancipation / Jamaica / Exhibitions</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Forrester, Gillian</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Martinez-Ruiz, Barbaro</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780300116618</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.37862/aaeportal.00018</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-338-YAA</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUB_FID_KUNST</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035290290</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.37862/aaeportal.00018</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-338-YAA</subfield><subfield code="q">BZI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049952283 |
illustrated | Illustrated |
indexdate | 2024-11-18T15:00:58Z |
institution | BVB |
isbn | 0300248067 9780300248067 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035290290 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 1 Online-Ressource (xix, 592 Seiten) 440 Illustrationen (chiefly color), Karten (some color), music |
psigel | ZDB-338-YAA KUB_FID_KUNST ZDB-338-YAA BZI |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Yale Center for British Art |
record_format | marc |
spelling | Barringer, T. J. Verfasser aut Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others] New Haven Yale Center for British Art [2007] ©2007 1 Online-Ressource (xix, 592 Seiten) 440 Illustrationen (chiefly color), Karten (some color), music txt rdacontent c rdamedia cr rdacarrier Catalog of an exhibition at the Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2007 "Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38), a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario, the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire"--Publisher's description Belisario, Isaac Mendes / 1795-1849 fast Belisario, Isaac Mendes / 1795-1849 / Exhibitions Art, British fast Art, Jamaican fast Slavery in art fast Slavery fast Slaves / Emancipation fast Art, British / Exhibitions Art, Jamaican / Exhibitions Slavery in art / Exhibitions Slavery / Jamaica / Exhibitions Slaves / Emancipation / Jamaica / Exhibitions Forrester, Gillian Sonstige oth Martinez-Ruiz, Barbaro Sonstige oth Erscheint auch als Druck-Ausgabe 9780300116618 https://doi.org/10.37862/aaeportal.00018 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Barringer, T. J. Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds Belisario, Isaac Mendes / 1795-1849 fast Belisario, Isaac Mendes / 1795-1849 / Exhibitions Art, British fast Art, Jamaican fast Slavery in art fast Slavery fast Slaves / Emancipation fast Art, British / Exhibitions Art, Jamaican / Exhibitions Slavery in art / Exhibitions Slavery / Jamaica / Exhibitions Slaves / Emancipation / Jamaica / Exhibitions |
title | Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds |
title_auth | Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds |
title_exact_search | Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds |
title_full | Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others] |
title_fullStr | Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others] |
title_full_unstemmed | Art and emancipation in Jamaica Isaac Mendes Belisario and his worlds Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others] |
title_short | Art and emancipation in Jamaica |
title_sort | art and emancipation in jamaica isaac mendes belisario and his worlds |
title_sub | Isaac Mendes Belisario and his worlds |
topic | Belisario, Isaac Mendes / 1795-1849 fast Belisario, Isaac Mendes / 1795-1849 / Exhibitions Art, British fast Art, Jamaican fast Slavery in art fast Slavery fast Slaves / Emancipation fast Art, British / Exhibitions Art, Jamaican / Exhibitions Slavery in art / Exhibitions Slavery / Jamaica / Exhibitions Slaves / Emancipation / Jamaica / Exhibitions |
topic_facet | Belisario, Isaac Mendes / 1795-1849 Belisario, Isaac Mendes / 1795-1849 / Exhibitions Art, British Art, Jamaican Slavery in art Slavery Slaves / Emancipation Art, British / Exhibitions Art, Jamaican / Exhibitions Slavery in art / Exhibitions Slavery / Jamaica / Exhibitions Slaves / Emancipation / Jamaica / Exhibitions |
url | https://doi.org/10.37862/aaeportal.00018 |
work_keys_str_mv | AT barringertj artandemancipationinjamaicaisaacmendesbelisarioandhisworlds AT forrestergillian artandemancipationinjamaicaisaacmendesbelisarioandhisworlds AT martinezruizbarbaro artandemancipationinjamaicaisaacmendesbelisarioandhisworlds |