Anton Bruckner and the reception of his music: a history of dichotomies and controversies
"A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester
University of Rochester Press
2024
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| Schriftenreihe: | Eastman studies in music
202 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the reception of his music that were set early on by a handful of Viennese journalists. Working to undo the platitudes and prejudices that cloud our view of Bruckner's true personality and compositional habits, this study debunks the entrenched misconception that he was a helpless victim of "the Viennese press"-a notion contradicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep"-- |
| Beschreibung: | viii, 324 Seiten Notenbeispiele 24 cm |
| ISBN: | 9781648250996 1648250998 |
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| 505 | 8 | |a Part I: Perceptions of Bruckner's personality. Bruckner's history : history's Bruckner ; A history of controversies -- Part II: Viennese reception of Bruckner's music. Early reception, ca. 1873-1885 ; Mid reception, ca. 1885-1892 ; Late and posthumous reception, ca. 1892-1924 ; Conclusion: myths and fallacies | |
| 520 | 3 | |a "A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the reception of his music that were set early on by a handful of Viennese journalists. Working to undo the platitudes and prejudices that cloud our view of Bruckner's true personality and compositional habits, this study debunks the entrenched misconception that he was a helpless victim of "the Viennese press"-a notion contradicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep"-- | |
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Datensatz im Suchindex
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| adam_text |
Contents List of Musical Examples ix Note on Access to the Periodical Literature Cited x Acknowledgments xi 1 Introduction Part I: Perceptions of Bruckner’s Personality 1 Bruckner’s History, History’s Bruckner 2 9 Of Candles and Flames Of Platitudes and Psychograms Of Biographies and Hagiographies 9 17 32 A History of Controversies 46 The Transmission of Bruckner’s Music The IBG and the “Regensburg Walpurgis Night” 46 58 Part II: Viennese Reception of Bruckner’s Music 3 Early Reception, ca. 1873-1885 79 “A Sort of Dictatorship over Public Opinion”: Feuilletonism versus Music Criticism 79 “At the End of All Music”: Early Works and the Second Symphony 95 “An Unforgettable, Heart-Wrenching Moment”: The Third Symphony 104 “A Musical Civil War Broke Out”: The Fourth Symphony and the F-MinorMass 119 “Bruckner Can No Longer Be Ignored”: The Sixth Symphony and the String Quintet 128 4 Mid Reception, ca. 1885-1892 143 “The Pinnacle of Symphonic Creation”: The Seventh Symphony in Germany 143 “The Time Is Near”: The Те Deum and the Seventh Symphony in Austria 157 “Malicious and Subjective Criticism”: 1890 Performance of the Third Symphony 175 “Imbued with the Seal of Brilliance”: Other Works Performed in the 1890s 187
viii 5 s· CONTENTS Late and Posthumous Reception, ca. 1892-1924 “A Total Victory of Light over Darkness”: The Eighth Symphony and the Late Reception “Bruckner Is a Simple Being”: Schenker’s Reception of Bruckner “Already Blessed with a Monument!”: Posthumous Reception of Bruckner Conclusion: Myths and Fallacies Of Opponents and Enemies Of Unbildung and Formlessness 201 201 220 236 262 262 269 Bibliography 285 Index 313 |
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| contents | Part I: Perceptions of Bruckner's personality. Bruckner's history : history's Bruckner ; A history of controversies -- Part II: Viennese reception of Bruckner's music. Early reception, ca. 1873-1885 ; Mid reception, ca. 1885-1892 ; Late and posthumous reception, ca. 1892-1924 ; Conclusion: myths and fallacies |
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| indexdate | 2025-02-06T11:01:25Z |
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| isbn | 9781648250996 1648250998 |
| language | English |
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| publisher | University of Rochester Press |
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| series | Eastman studies in music |
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| spelling | Ramirez, Miguel J. Verfasser (DE-588)1045190209 aut Anton Bruckner and the reception of his music a history of dichotomies and controversies Miguel J. Ramirez Rochester University of Rochester Press 2024 viii, 324 Seiten Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Eastman studies in music 202 Part I: Perceptions of Bruckner's personality. Bruckner's history : history's Bruckner ; A history of controversies -- Part II: Viennese reception of Bruckner's music. Early reception, ca. 1873-1885 ; Mid reception, ca. 1885-1892 ; Late and posthumous reception, ca. 1892-1924 ; Conclusion: myths and fallacies "A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the reception of his music that were set early on by a handful of Viennese journalists. Working to undo the platitudes and prejudices that cloud our view of Bruckner's true personality and compositional habits, this study debunks the entrenched misconception that he was a helpless victim of "the Viennese press"-a notion contradicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep"-- Bruckner, Anton 1824-1896 (DE-588)118515799 gnd rswk-swf Geschichte 1873-1924 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Bruckner, Anton / 1824-1896 Bruckner, Anton / 1824-1896 / Appreciation Bruckner, Anton / 1824-1896 / Criticism and interpretation Musical criticism / Austria / Vienna / History / 19th century Musical criticism / Austria / Vienna / History / 20th century Music / Austria / Vienna / 19th century / History and criticism Critique musicale / Autriche / Vienne / Histoire / 19e siècle Critique musicale / Autriche / Vienne / Histoire / 20e siècle Musique / Autriche / Vienne / 19e siècle / Histoire et critique Bruckner, Anton 1824-1896 (DE-588)118515799 p Rezeption (DE-588)4049716-1 s Geschichte 1873-1924 z DE-604 Online version Ramirez, Miguel J. Anton Bruckner and the reception of his music Rochester : University of Rochester Press, 2024 9781805434313 Eastman studies in music 202 (DE-604)BV010127859 202 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035285204&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ramirez, Miguel J. Anton Bruckner and the reception of his music a history of dichotomies and controversies Eastman studies in music Part I: Perceptions of Bruckner's personality. Bruckner's history : history's Bruckner ; A history of controversies -- Part II: Viennese reception of Bruckner's music. Early reception, ca. 1873-1885 ; Mid reception, ca. 1885-1892 ; Late and posthumous reception, ca. 1892-1924 ; Conclusion: myths and fallacies Bruckner, Anton 1824-1896 (DE-588)118515799 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118515799 (DE-588)4049716-1 |
| title | Anton Bruckner and the reception of his music a history of dichotomies and controversies |
| title_auth | Anton Bruckner and the reception of his music a history of dichotomies and controversies |
| title_exact_search | Anton Bruckner and the reception of his music a history of dichotomies and controversies |
| title_full | Anton Bruckner and the reception of his music a history of dichotomies and controversies Miguel J. Ramirez |
| title_fullStr | Anton Bruckner and the reception of his music a history of dichotomies and controversies Miguel J. Ramirez |
| title_full_unstemmed | Anton Bruckner and the reception of his music a history of dichotomies and controversies Miguel J. Ramirez |
| title_short | Anton Bruckner and the reception of his music |
| title_sort | anton bruckner and the reception of his music a history of dichotomies and controversies |
| title_sub | a history of dichotomies and controversies |
| topic | Bruckner, Anton 1824-1896 (DE-588)118515799 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Bruckner, Anton 1824-1896 Rezeption |
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