E(n)stranged: rethinking defamiliarization in literature and visual culture:
Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky’s concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2024]
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| Ausgabe: | 2024 |
| Schlagworte: | |
| Zusammenfassung: | Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky’s concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of normalcy and emergency amid widespread efforts to adapt to the "new (ab)normal." Exploring defamiliarization provides a unique perspective to comprehend and question these processes and their profound cultural implications.Focusing on ostranenie also offers valuable insights into how aesthetic forms serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political activation that relies on formal innovation rather than superficial emotional engagement.This collection brings together the work of a group of scholars examining defamiliarization across different media. It explores questions such as: How can we differentiate between various forms of defamiliarization and analyze their effects on the reader/viewer? How is defamiliarization connected to the weird, the eerie, or the uncanny? As a result, the collection offers an updated theoretical framework for understanding the wide range of emergent artistic and literary practices of e(n)strangement in the current era and their significant political affordances.Chapter 6 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com |
| Beschreibung: | xv, 300 Seiten Illustrationen |
| ISBN: | 9783031608582 9783031608612 |
Internformat
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| 520 | |a Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky’s concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of normalcy and emergency amid widespread efforts to adapt to the "new (ab)normal." Exploring defamiliarization provides a unique perspective to comprehend and question these processes and their profound cultural implications.Focusing on ostranenie also offers valuable insights into how aesthetic forms serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political activation that relies on formal innovation rather than superficial emotional engagement.This collection brings together the work of a group of scholars examining defamiliarization across different media. It explores questions such as: How can we differentiate between various forms of defamiliarization and analyze their effects on the reader/viewer? How is defamiliarization connected to the weird, the eerie, or the uncanny? As a result, the collection offers an updated theoretical framework for understanding the wide range of emergent artistic and literary practices of e(n)strangement in the current era and their significant political affordances.Chapter 6 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com | ||
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| spelling | E(n)stranged: rethinking defamiliarization in literature and visual culture Nilgun Bayraktar, Alberto Godioli, editors Cham, Switzerland Palgrave Macmillan [2024] xv, 300 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky’s concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of normalcy and emergency amid widespread efforts to adapt to the "new (ab)normal." Exploring defamiliarization provides a unique perspective to comprehend and question these processes and their profound cultural implications.Focusing on ostranenie also offers valuable insights into how aesthetic forms serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political activation that relies on formal innovation rather than superficial emotional engagement.This collection brings together the work of a group of scholars examining defamiliarization across different media. It explores questions such as: How can we differentiate between various forms of defamiliarization and analyze their effects on the reader/viewer? How is defamiliarization connected to the weird, the eerie, or the uncanny? As a result, the collection offers an updated theoretical framework for understanding the wide range of emergent artistic and literary practices of e(n)strangement in the current era and their significant political affordances.Chapter 6 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com Šklovskij, Viktor Borisovič 1893-1984 (DE-588)118765701 gnd rswk-swf Information theory Culture—Study and teaching Literature—Philosophy Art—History Communication Entfremdung Motiv (DE-588)4152349-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Šklovskij, Viktor Borisovič 1893-1984 (DE-588)118765701 p Entfremdung Motiv (DE-588)4152349-0 s Film (DE-588)4017102-4 s Literatur (DE-588)4035964-5 s DE-604 Bayraktar, Nilgün (DE-588)1141306514 edt Godioli, Alberto 1983- (DE-588)103671845X edt Erscheint auch als Online-Ausgabe 978-3-031-60859-9 |
| spellingShingle | Bayraktar, Nilgun E(n)stranged: rethinking defamiliarization in literature and visual culture Šklovskij, Viktor Borisovič 1893-1984 (DE-588)118765701 gnd Information theory Culture—Study and teaching Literature—Philosophy Art—History Communication Entfremdung Motiv (DE-588)4152349-0 gnd Film (DE-588)4017102-4 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)118765701 (DE-588)4152349-0 (DE-588)4017102-4 (DE-588)4035964-5 |
| title | E(n)stranged: rethinking defamiliarization in literature and visual culture |
| title_auth | E(n)stranged: rethinking defamiliarization in literature and visual culture |
| title_exact_search | E(n)stranged: rethinking defamiliarization in literature and visual culture |
| title_full | E(n)stranged: rethinking defamiliarization in literature and visual culture Nilgun Bayraktar, Alberto Godioli, editors |
| title_fullStr | E(n)stranged: rethinking defamiliarization in literature and visual culture Nilgun Bayraktar, Alberto Godioli, editors |
| title_full_unstemmed | E(n)stranged: rethinking defamiliarization in literature and visual culture Nilgun Bayraktar, Alberto Godioli, editors |
| title_short | E(n)stranged: rethinking defamiliarization in literature and visual culture |
| title_sort | e n stranged rethinking defamiliarization in literature and visual culture |
| topic | Šklovskij, Viktor Borisovič 1893-1984 (DE-588)118765701 gnd Information theory Culture—Study and teaching Literature—Philosophy Art—History Communication Entfremdung Motiv (DE-588)4152349-0 gnd Film (DE-588)4017102-4 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Šklovskij, Viktor Borisovič 1893-1984 Information theory Culture—Study and teaching Literature—Philosophy Art—History Communication Entfremdung Motiv Film Literatur |
| work_keys_str_mv | AT bayraktarnilgun enstrangedrethinkingdefamiliarizationinliteratureandvisualculture AT godiolialberto enstrangedrethinkingdefamiliarizationinliteratureandvisualculture |