Popular theatre in Early Modern England, Germany and Italy (1570–1640): a study in intercultural theatricality with an analysis of "Engelische Comedien und Tragedien" (1620)

Cover -- Title Page -- Imprint -- Acknowledgements -- Contents -- Introduction -- 1. Theoretical Framework -- 1.1. Early Modern 'Popular' Culture and Theatre - A Definition -- 1.2. Adaptation as Intercultural Process in the Renaissance -- 1.3. Intercultural Theatricality: Inter-Theatricali...

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Bibliographische Detailangaben
1. Verfasser: Pan, Caterina 1988- (VerfasserIn)
Format: Abschlussarbeit Elektronisch E-Book
Sprache:English
Veröffentlicht: Heidelberg Universitätsverlag Winter [2023]
Schriftenreihe:Wissenschaft und Kunst Band 38
Schlagworte:
Online-Zugang:DE-19
Zusammenfassung:Cover -- Title Page -- Imprint -- Acknowledgements -- Contents -- Introduction -- 1. Theoretical Framework -- 1.1. Early Modern 'Popular' Culture and Theatre - A Definition -- 1.2. Adaptation as Intercultural Process in the Renaissance -- 1.3. Intercultural Theatricality: Inter-Theatricality, Recognition and Reader-Response Theory -- 2. Early Theatricality in-between Popular Orality and Erudite Literacy -- 2.1. Ritual and Lay Theatre: Mummers' Plays, Mysteries, Morality Plays and Interludes -- 2.2. Fools and Clowns from the Middle Ages to the Renaissance -- 2.3. Tradition and Innovation in the Emerging Professional Theatre -- 3. Commedia dell'Arte in Italy and Northern Europe -- 3.1. The Art: Origins and Maturation -- 3.2. The Skills: Masks and Characters -- 3.3. The Trade: Troupes, Actors and Repertoire -- 4. Elizabethan Theatre and the Italianate Influence -- 4.1. Professional Companies: From Courtly Patronage to Public Entertainment -- 4.2. The Making of a Play: Italian and English Parallels -- 4.3. Shakespeare and Commedia dell'Arte - A Brief Survey -- 5. The English Comedians in Germany and Austria -- 5.1. The Four Phases of Influence -- 5.2. The First 'Ambassadors': Kemp, Browne &amp -- Co. -- 5.3. Browne's Successors and the Continental Repertoire -- 6. Intercultural Theatricality in ‚Engelische Comedien und Tragedien' -- 6.1. The Religious Plays: ‚Esther and Von dem verlornen Sohn' -- 6.2. Fantastic and Pastoral Comedies: ‚Von Fortunato, Von eines Königes Sohne' -- 6.3. Comedies with 'Types': ‚Von Sidonia und Theagene, Jemand und Niemandt' -- 6.4. The 'Shakespearean' Tragedies: ‚Von Julio und Hyppolita, Von Tito Andronico' -- 6.5. The Clown's Domain: ‚Pickelheringspiele and Singspiele' -- 6.6. The Parameters at Work in the Collection -- 7. The German and Austrian Stages as Competition and Melting Pots.
Beschreibung:Literaturverzeichnis: Seite 293 - 303
Beschreibung:1 Online-Ressource (308 Seiten)
ISBN:9783825385705

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