A Decolonizing Ear: Documentary Film Disrupts the Archive
The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a sceptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practices of...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 URL des Erstveröffentlichers |
| Zusammenfassung: | The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a sceptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practices of voice recording and archiving at the turn of the twentieth century, with a particular focus on the German paradigm, she reveals the entanglement of listening in the logic of Euro-American empire and the ways in which contemporary films can destabilize the history of colonial sound reproduction. Landry provides close readings of several disparate documentary films from the late 1990s and the early 2000s. The book pays attention to technology and knowledge production to examine how these films employ recordings plucked from different colonial sound archives and disrupt their purposes. Drawing on film and documentary studies, sound studies, German studies, archival studies, postcolonial studies, and media history, A Decolonizing Ear develops a method of decolonizing listening from the insights provided by the films themselves |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024) |
| Beschreibung: | 1 Online-Ressource (232 Seiten) 12 b&w Illustrationen |
| ISBN: | 9781487546731 |
| DOI: | 10.3138/9781487546731 |
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| 520 | |a The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a sceptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practices of voice recording and archiving at the turn of the twentieth century, with a particular focus on the German paradigm, she reveals the entanglement of listening in the logic of Euro-American empire and the ways in which contemporary films can destabilize the history of colonial sound reproduction. Landry provides close readings of several disparate documentary films from the late 1990s and the early 2000s. The book pays attention to technology and knowledge production to examine how these films employ recordings plucked from different colonial sound archives and disrupt their purposes. Drawing on film and documentary studies, sound studies, German studies, archival studies, postcolonial studies, and media history, A Decolonizing Ear develops a method of decolonizing listening from the insights provided by the films themselves | ||
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| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| doi_str_mv | 10.3138/9781487546731 |
| format | Electronic eBook |
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| isbn | 9781487546731 |
| language | English |
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| spelling | Landry, Olivia Verfasser aut A Decolonizing Ear Documentary Film Disrupts the Archive Olivia Landry Toronto University of Toronto Press [2022] 2022 1 Online-Ressource (232 Seiten) 12 b&w Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024) The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a sceptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practices of voice recording and archiving at the turn of the twentieth century, with a particular focus on the German paradigm, she reveals the entanglement of listening in the logic of Euro-American empire and the ways in which contemporary films can destabilize the history of colonial sound reproduction. Landry provides close readings of several disparate documentary films from the late 1990s and the early 2000s. The book pays attention to technology and knowledge production to examine how these films employ recordings plucked from different colonial sound archives and disrupt their purposes. Drawing on film and documentary studies, sound studies, German studies, archival studies, postcolonial studies, and media history, A Decolonizing Ear develops a method of decolonizing listening from the insights provided by the films themselves In English PERFORMING ARTS / Film & Video / General bisacsh Archives Social aspects Decolonization Documentary films Social aspects Sound archives Social aspects Sound recordings in ethnology Visual anthropology Erscheint auch als Druck-Ausgabe 9781487544850 https://doi.org/10.3138/9781487546731 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Landry, Olivia A Decolonizing Ear Documentary Film Disrupts the Archive PERFORMING ARTS / Film & Video / General bisacsh Archives Social aspects Decolonization Documentary films Social aspects Sound archives Social aspects Sound recordings in ethnology Visual anthropology |
| title | A Decolonizing Ear Documentary Film Disrupts the Archive |
| title_auth | A Decolonizing Ear Documentary Film Disrupts the Archive |
| title_exact_search | A Decolonizing Ear Documentary Film Disrupts the Archive |
| title_full | A Decolonizing Ear Documentary Film Disrupts the Archive Olivia Landry |
| title_fullStr | A Decolonizing Ear Documentary Film Disrupts the Archive Olivia Landry |
| title_full_unstemmed | A Decolonizing Ear Documentary Film Disrupts the Archive Olivia Landry |
| title_short | A Decolonizing Ear |
| title_sort | a decolonizing ear documentary film disrupts the archive |
| title_sub | Documentary Film Disrupts the Archive |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Archives Social aspects Decolonization Documentary films Social aspects Sound archives Social aspects Sound recordings in ethnology Visual anthropology |
| topic_facet | PERFORMING ARTS / Film & Video / General Archives Social aspects Decolonization Documentary films Social aspects Sound archives Social aspects Sound recordings in ethnology Visual anthropology |
| url | https://doi.org/10.3138/9781487546731 |
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