Musical modernism in global perspective: entangled histories on a shared planet
"In a series of historical and analytical case studies from different parts of the world, this first study of the global dimensions of musical modernism focuses on the transnational entanglements between the West and other world regions, overcoming the respective limitations of both Eurocentric...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2024
|
| Schriftenreihe: | Music in context
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In a series of historical and analytical case studies from different parts of the world, this first study of the global dimensions of musical modernism focuses on the transnational entanglements between the West and other world regions, overcoming the respective limitations of both Eurocentric and postcolonial, revisionist accounts"-- |
| Beschreibung: | xvi, 268 Seiten 18 Notenbeispiele 25,3 cm |
| ISBN: | 9781009491709 1009491709 |
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Contents List of Tables [page ix] List of Examples [x] Supplementary Material [xii] Acknowledgements [xiii] Note on the Text [xvi] Introduction [1] Elements of a Theory of Global Musical Modernism [7] Western Imposition versus Bidirectional Cultural Flows Short Case Studies [19] About This Book [25] PART I RETHINKING THE HISTORIOGRAPHY OF MUSICAL MODERNISM 1 [16] [29] Echoes of The Rite in Latin-American Music and Literature [31] From Scythianism to Indigenism [34] Argentina: Alberto Ginastera [38] Brazil: Heitor Villa-Lobos [47] Mexico: Carlos Chavez and Silvestre Revueltas [53] Cuba: Alejo Carpentier and Amadeo Roldan [57] Conclusion [64] 2 Exile, Migration and Mobility [66] Music as/in Exile [70] Migrants as Avant-garde [73] Mobility as a Mass Phenomenon [78] Teaching Genealogies [86] The Dodecaphonic Diaspora [90] Conclusion [105] 3 Institutionalised Internationalism: The International Society for Contemporary Music [107] History and Function [110] What Is Contemporary Music? The ISCM’s Mission and Its Annual Festival [117] Centre versus Periphery: Representation [121] Membership [122] vii
viii Contents Executive Committee [129] Juries [132] WMD Host Cities [135] Programming and Jury Selections Conclusion [148] PART II TWO CASE STUDIES 4 [139] [151] Akin Euba: African Art Music, Intercultural Composition and Creative Ethnomusicology [153] From Lagos to London and Los Angeles: The Search for an African Art Music [155] Bayreuth and Pittsburgh: Intercultural Music and African Pianism [159] Twelve-Note Rows and Timelines: Scenes from Traditional Life and Chaka [162] 5 Younghi Pagh-Paan: ‘Composer Rooted in an Asian Thought-World’ [178] Between the Piano and the Gayageum: From Cheongju to Freiburg [179] ‘Not [to] write music that distances me from what. I perceive inside me as the root of our culture.’ - Composing as a Korean Woman in Germany [185] Madanguk and Mother Chords: The Compositional Work [200] Towards the Light: Religious and Other Syncretism in Pagh-Paan’s Recent Music [221] Bibliography [233] Index [255] |
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| contents | Introduction -- Part I: Rethinking the historiography of musical modernism -- 1. Echoes of the rite in Latin-American music and literature -- 2. Exile, migration and mobility -- 3. Institutionalised internationalism : the International Society for Contemporary Music -- Part II: Two case studies -- 1 Akin Euba : African art music, intercultural composition and creative ethnomusicology -- 2. Younghi Pagh-Paan : 'composer rooted in an Asian thought-world' -- Bibliography |
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| indexdate | 2025-01-08T11:01:56Z |
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| isbn | 9781009491709 1009491709 |
| language | English |
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| spelling | Heile, Björn Verfasser (DE-588)1048458067 aut Musical modernism in global perspective entangled histories on a shared planet Björn Heile (University of Glasgow) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2024 xvi, 268 Seiten 18 Notenbeispiele 25,3 cm txt rdacontent n rdamedia nc rdacarrier Music in context Introduction -- Part I: Rethinking the historiography of musical modernism -- 1. Echoes of the rite in Latin-American music and literature -- 2. Exile, migration and mobility -- 3. Institutionalised internationalism : the International Society for Contemporary Music -- Part II: Two case studies -- 1 Akin Euba : African art music, intercultural composition and creative ethnomusicology -- 2. Younghi Pagh-Paan : 'composer rooted in an Asian thought-world' -- Bibliography "In a series of historical and analytical case studies from different parts of the world, this first study of the global dimensions of musical modernism focuses on the transnational entanglements between the West and other world regions, overcoming the respective limitations of both Eurocentric and postcolonial, revisionist accounts"-- Geschichte gnd rswk-swf Musikgeschichtsschreibung (DE-588)4139339-9 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Modernism (Music) / History / 20th century Modernism (Music) / History / 21st century Music and globalization / History Music and globalization / Case studies International Society for Contemporary Music Euba, Akin / 1935-2020 Pagh-Paan, Younghi / 1945- Music / 20th century / History and criticism Music / 21st century / History and criticism Modernisme (Musique) / Histoire / 20e siècle Musique et mondialisation / Histoire Musique et mondialisation / Études de cas Musique / 21e siècle / Histoire et critique Modernisme (Musique) / Histoire / 21e siècle Neue Musik (DE-588)4428235-7 s Geschichte z DE-604 Moderne (DE-588)4039827-4 s Musikgeschichtsschreibung (DE-588)4139339-9 s Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035260538&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Heile, Björn Musical modernism in global perspective entangled histories on a shared planet Introduction -- Part I: Rethinking the historiography of musical modernism -- 1. Echoes of the rite in Latin-American music and literature -- 2. Exile, migration and mobility -- 3. Institutionalised internationalism : the International Society for Contemporary Music -- Part II: Two case studies -- 1 Akin Euba : African art music, intercultural composition and creative ethnomusicology -- 2. Younghi Pagh-Paan : 'composer rooted in an Asian thought-world' -- Bibliography Musikgeschichtsschreibung (DE-588)4139339-9 gnd Moderne (DE-588)4039827-4 gnd Neue Musik (DE-588)4428235-7 gnd |
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| title | Musical modernism in global perspective entangled histories on a shared planet |
| title_auth | Musical modernism in global perspective entangled histories on a shared planet |
| title_exact_search | Musical modernism in global perspective entangled histories on a shared planet |
| title_full | Musical modernism in global perspective entangled histories on a shared planet Björn Heile (University of Glasgow) |
| title_fullStr | Musical modernism in global perspective entangled histories on a shared planet Björn Heile (University of Glasgow) |
| title_full_unstemmed | Musical modernism in global perspective entangled histories on a shared planet Björn Heile (University of Glasgow) |
| title_short | Musical modernism in global perspective |
| title_sort | musical modernism in global perspective entangled histories on a shared planet |
| title_sub | entangled histories on a shared planet |
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