Music and sound in European theatre: practices, performances, perspectives
"The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the art form first existed 2500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, o...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon ; New York
Routledge
2024
|
| Schriftenreihe: | Routledge advances in theatre and performance studies
|
| Schlagworte: | |
| Zusammenfassung: | "The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the art form first existed 2500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately cast a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand 'theatre music'. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities"-- |
| Beschreibung: | pages cm |
| ISBN: | 9781032675114 103267511X 9781032678207 1032678208 |
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| 245 | 1 | 0 | |a Music and sound in European theatre |b practices, performances, perspectives |c edited by David Roesner and Tamara Yasmin Quick |
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| 505 | 8 | |a Introduction / Tamara Yasmin Quick and David Roesner -- Part 1. Setting the Scene. What is Theatre Music? / David Roesner ; More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music / Ursula Kramer -- Part 2. Theatre Music and Musical Heritages in Transition. 'For your time draweth fast, if ye will saved be' -- Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann / Natalie Stadler ; Kilam as Theatre Music in Kurdish Theatre in Turkey / Duygu Çelik ; Ways of Listening : Maqam Music on the Contemporary Stage / Deniz Başar ; Mixtape Dramaturgy. The Case of Jan Klata / Anna R. Burzyńska -- Part 3. Theatre Music and/as Performance. Theatre Music as Theatrical Scene -- Reflections on a 'Disciplinary Dilemma' / Tamara Yasmin Quick ; Staging (Theatre) Music Reception : Voicing Unacoustics in Sophocles' Trackers Konstantinos Thomaidis ; More Than Unseen Sounds -- Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice / Margarethe Maierhofer-Lischka | |
| 505 | 8 | |a Part 4. Theatre Music and/as Experience. Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience Julia H. Schröder The Tempest (2016) at the Royal Shakespeare Company : Music and Sound in a Literary Theatre / Millie Taylor ; At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher / Helena Langewitz ; The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences / Christiane Plank-Baldauf -- Part 5. Theatre Music Between and Beyond Genres. Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic / Christine Fischer ; Inside Yellow Sound and the Vibrations of the Audience's Soul / Maria Kapsali ; Narrating Exilic Stories through Composed Atmospheres : A Cognitive-Narratological Investigation of Music in Singulière Odyssée / Pieter Verstraete -- Part 6. Theatre Music and Training. An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene / Elia Moretti ; The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation / Katharina Rost | |
| 520 | 3 | |a "The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the art form first existed 2500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately cast a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand 'theatre music'. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities"-- | |
| 653 | 0 | |a Music in the theater / Europe / History | |
| 653 | 0 | |a Incidental music / Europe / History and criticism | |
| 653 | 0 | |a Theater / Production and direction / Europe / History | |
| 653 | 0 | |a Musique au théâtre / Europe / Histoire | |
| 653 | 0 | |a Théâtre / Production et mise en scène / Europe / Histoire | |
| 700 | 1 | |a Roesner, David |d 1972- |0 (DE-588)128486171 |4 edt | |
| 700 | 1 | |a Quick, Tamara Yasmin |d 1993- |0 (DE-588)1282993550 |4 edt | |
| 776 | 0 | 8 | |i Online version |t Music and sound in European theatre |d Abingdon, Oxon ; New York : Routledge, 2024 |z 9781032678214 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035257949 | |
Datensatz im Suchindex
| _version_ | 1817499809220657152 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Roesner, David 1972- Quick, Tamara Yasmin 1993- |
| author2_role | edt edt |
| author2_variant | d r dr t y q ty tyq |
| author_GND | (DE-588)128486171 (DE-588)1282993550 |
| author_facet | Roesner, David 1972- Quick, Tamara Yasmin 1993- |
| building | Verbundindex |
| bvnumber | BV049919326 |
| contents | Introduction / Tamara Yasmin Quick and David Roesner -- Part 1. Setting the Scene. What is Theatre Music? / David Roesner ; More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music / Ursula Kramer -- Part 2. Theatre Music and Musical Heritages in Transition. 'For your time draweth fast, if ye will saved be' -- Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann / Natalie Stadler ; Kilam as Theatre Music in Kurdish Theatre in Turkey / Duygu Çelik ; Ways of Listening : Maqam Music on the Contemporary Stage / Deniz Başar ; Mixtape Dramaturgy. The Case of Jan Klata / Anna R. Burzyńska -- Part 3. Theatre Music and/as Performance. Theatre Music as Theatrical Scene -- Reflections on a 'Disciplinary Dilemma' / Tamara Yasmin Quick ; Staging (Theatre) Music Reception : Voicing Unacoustics in Sophocles' Trackers Konstantinos Thomaidis ; More Than Unseen Sounds -- Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice / Margarethe Maierhofer-Lischka Part 4. Theatre Music and/as Experience. Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience Julia H. Schröder The Tempest (2016) at the Royal Shakespeare Company : Music and Sound in a Literary Theatre / Millie Taylor ; At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher / Helena Langewitz ; The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences / Christiane Plank-Baldauf -- Part 5. Theatre Music Between and Beyond Genres. Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic / Christine Fischer ; Inside Yellow Sound and the Vibrations of the Audience's Soul / Maria Kapsali ; Narrating Exilic Stories through Composed Atmospheres : A Cognitive-Narratological Investigation of Music in Singulière Odyssée / Pieter Verstraete -- Part 6. Theatre Music and Training. An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene / Elia Moretti ; The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation / Katharina Rost |
| ctrlnum | (DE-599)BVBBV049919326 |
| format | Book |
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| id | DE-604.BV049919326 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-04T09:01:27Z |
| institution | BVB |
| isbn | 9781032675114 103267511X 9781032678207 1032678208 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035257949 |
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| owner_facet | DE-19 DE-BY-UBM DE-12 |
| physical | pages cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge advances in theatre and performance studies |
| spelling | Music and sound in European theatre practices, performances, perspectives edited by David Roesner and Tamara Yasmin Quick Abingdon, Oxon ; New York Routledge 2024 pages cm txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre and performance studies Introduction / Tamara Yasmin Quick and David Roesner -- Part 1. Setting the Scene. What is Theatre Music? / David Roesner ; More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music / Ursula Kramer -- Part 2. Theatre Music and Musical Heritages in Transition. 'For your time draweth fast, if ye will saved be' -- Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann / Natalie Stadler ; Kilam as Theatre Music in Kurdish Theatre in Turkey / Duygu Çelik ; Ways of Listening : Maqam Music on the Contemporary Stage / Deniz Başar ; Mixtape Dramaturgy. The Case of Jan Klata / Anna R. Burzyńska -- Part 3. Theatre Music and/as Performance. Theatre Music as Theatrical Scene -- Reflections on a 'Disciplinary Dilemma' / Tamara Yasmin Quick ; Staging (Theatre) Music Reception : Voicing Unacoustics in Sophocles' Trackers Konstantinos Thomaidis ; More Than Unseen Sounds -- Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice / Margarethe Maierhofer-Lischka Part 4. Theatre Music and/as Experience. Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience Julia H. Schröder The Tempest (2016) at the Royal Shakespeare Company : Music and Sound in a Literary Theatre / Millie Taylor ; At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher / Helena Langewitz ; The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences / Christiane Plank-Baldauf -- Part 5. Theatre Music Between and Beyond Genres. Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic / Christine Fischer ; Inside Yellow Sound and the Vibrations of the Audience's Soul / Maria Kapsali ; Narrating Exilic Stories through Composed Atmospheres : A Cognitive-Narratological Investigation of Music in Singulière Odyssée / Pieter Verstraete -- Part 6. Theatre Music and Training. An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene / Elia Moretti ; The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation / Katharina Rost "The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the art form first existed 2500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately cast a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand 'theatre music'. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities"-- Music in the theater / Europe / History Incidental music / Europe / History and criticism Theater / Production and direction / Europe / History Musique au théâtre / Europe / Histoire Théâtre / Production et mise en scène / Europe / Histoire Roesner, David 1972- (DE-588)128486171 edt Quick, Tamara Yasmin 1993- (DE-588)1282993550 edt Online version Music and sound in European theatre Abingdon, Oxon ; New York : Routledge, 2024 9781032678214 |
| spellingShingle | Music and sound in European theatre practices, performances, perspectives Introduction / Tamara Yasmin Quick and David Roesner -- Part 1. Setting the Scene. What is Theatre Music? / David Roesner ; More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music / Ursula Kramer -- Part 2. Theatre Music and Musical Heritages in Transition. 'For your time draweth fast, if ye will saved be' -- Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann / Natalie Stadler ; Kilam as Theatre Music in Kurdish Theatre in Turkey / Duygu Çelik ; Ways of Listening : Maqam Music on the Contemporary Stage / Deniz Başar ; Mixtape Dramaturgy. The Case of Jan Klata / Anna R. Burzyńska -- Part 3. Theatre Music and/as Performance. Theatre Music as Theatrical Scene -- Reflections on a 'Disciplinary Dilemma' / Tamara Yasmin Quick ; Staging (Theatre) Music Reception : Voicing Unacoustics in Sophocles' Trackers Konstantinos Thomaidis ; More Than Unseen Sounds -- Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice / Margarethe Maierhofer-Lischka Part 4. Theatre Music and/as Experience. Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience Julia H. Schröder The Tempest (2016) at the Royal Shakespeare Company : Music and Sound in a Literary Theatre / Millie Taylor ; At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher / Helena Langewitz ; The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences / Christiane Plank-Baldauf -- Part 5. Theatre Music Between and Beyond Genres. Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic / Christine Fischer ; Inside Yellow Sound and the Vibrations of the Audience's Soul / Maria Kapsali ; Narrating Exilic Stories through Composed Atmospheres : A Cognitive-Narratological Investigation of Music in Singulière Odyssée / Pieter Verstraete -- Part 6. Theatre Music and Training. An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene / Elia Moretti ; The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation / Katharina Rost |
| title | Music and sound in European theatre practices, performances, perspectives |
| title_auth | Music and sound in European theatre practices, performances, perspectives |
| title_exact_search | Music and sound in European theatre practices, performances, perspectives |
| title_full | Music and sound in European theatre practices, performances, perspectives edited by David Roesner and Tamara Yasmin Quick |
| title_fullStr | Music and sound in European theatre practices, performances, perspectives edited by David Roesner and Tamara Yasmin Quick |
| title_full_unstemmed | Music and sound in European theatre practices, performances, perspectives edited by David Roesner and Tamara Yasmin Quick |
| title_short | Music and sound in European theatre |
| title_sort | music and sound in european theatre practices performances perspectives |
| title_sub | practices, performances, perspectives |
| work_keys_str_mv | AT roesnerdavid musicandsoundineuropeantheatrepracticesperformancesperspectives AT quicktamarayasmin musicandsoundineuropeantheatrepracticesperformancesperspectives |