Paris in ruins: love, war, and the birth of Impressionism
"From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans--then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
W.W. Norton & Company
[2024]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | "From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans--then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born--in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience--reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things--became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism." |
| Beschreibung: | Die britische Ausgabe des Titels (ISBN 9780861542697) erscheint mit dem abweichenden Titelzusatz: "The siege, the commune, and the birth of impressionism" |
| Beschreibung: | xi, 370 Seiten, 8 ungezählte Seiten Tafeln Illustrationen 24 cm |
| ISBN: | 9781324006954 |
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| 520 | 3 | |a "From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans--then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born--in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience--reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things--became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism." | |
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Datensatz im Suchindex
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| author | Smee, Sebastian |
| author_GND | (DE-588)1117734676 |
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| geographic | Paris (DE-588)4044660-8 gnd |
| geographic_facet | Paris |
| id | DE-604.BV049900671 |
| illustrated | Illustrated |
| indexdate | 2024-12-11T15:00:58Z |
| institution | BVB |
| isbn | 9781324006954 |
| language | English |
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| physical | xi, 370 Seiten, 8 ungezählte Seiten Tafeln Illustrationen 24 cm |
| psigel | BSB_NED_20241126 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | W.W. Norton & Company |
| record_format | marc |
| spelling | Smee, Sebastian Verfasser (DE-588)1117734676 aut Paris in ruins love, war, and the birth of Impressionism Sebastian Smee The siege, the commune, and the birth of impressionism First edition New York, NY W.W. Norton & Company [2024] xi, 370 Seiten, 8 ungezählte Seiten Tafeln Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Die britische Ausgabe des Titels (ISBN 9780861542697) erscheint mit dem abweichenden Titelzusatz: "The siege, the commune, and the birth of impressionism" "From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans--then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born--in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience--reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things--became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism." Geschichte 1870-1871 gnd rswk-swf Impressionismus (DE-588)4026679-5 gnd rswk-swf Belagerung (DE-588)4125327-9 gnd rswk-swf Pariser Kommune (DE-588)4044668-2 gnd rswk-swf Flüchtigkeit (DE-588)4254978-4 gnd rswk-swf Soziale Unruhen (DE-588)4136266-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Vergänglichkeit Motiv (DE-588)4187702-0 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Impressionism (Art) / France / 19th century Art and social conflict / France / 19th century Impressionist artists / France / 19th century Impressionism (Art) / France Art and social conflict / France Paris (DE-588)4044660-8 g Belagerung (DE-588)4125327-9 s Pariser Kommune (DE-588)4044668-2 s Soziale Unruhen (DE-588)4136266-4 s Kunst (DE-588)4114333-4 s Impressionismus (DE-588)4026679-5 s Flüchtigkeit (DE-588)4254978-4 s Vergänglichkeit Motiv (DE-588)4187702-0 s Geschichte 1870-1871 z DE-604 Äquivalent London : Oneworld Publications, 2024 Druck-Ausgabe, Hardcover 978-0-861-54269-7 Erscheint auch als Online-Ausgabe 978-1-324-00696-1 |
| spellingShingle | Smee, Sebastian Paris in ruins love, war, and the birth of Impressionism Impressionismus (DE-588)4026679-5 gnd Belagerung (DE-588)4125327-9 gnd Pariser Kommune (DE-588)4044668-2 gnd Flüchtigkeit (DE-588)4254978-4 gnd Soziale Unruhen (DE-588)4136266-4 gnd Kunst (DE-588)4114333-4 gnd Vergänglichkeit Motiv (DE-588)4187702-0 gnd |
| subject_GND | (DE-588)4026679-5 (DE-588)4125327-9 (DE-588)4044668-2 (DE-588)4254978-4 (DE-588)4136266-4 (DE-588)4114333-4 (DE-588)4187702-0 (DE-588)4044660-8 |
| title | Paris in ruins love, war, and the birth of Impressionism |
| title_alt | The siege, the commune, and the birth of impressionism |
| title_auth | Paris in ruins love, war, and the birth of Impressionism |
| title_exact_search | Paris in ruins love, war, and the birth of Impressionism |
| title_full | Paris in ruins love, war, and the birth of Impressionism Sebastian Smee |
| title_fullStr | Paris in ruins love, war, and the birth of Impressionism Sebastian Smee |
| title_full_unstemmed | Paris in ruins love, war, and the birth of Impressionism Sebastian Smee |
| title_short | Paris in ruins |
| title_sort | paris in ruins love war and the birth of impressionism |
| title_sub | love, war, and the birth of Impressionism |
| topic | Impressionismus (DE-588)4026679-5 gnd Belagerung (DE-588)4125327-9 gnd Pariser Kommune (DE-588)4044668-2 gnd Flüchtigkeit (DE-588)4254978-4 gnd Soziale Unruhen (DE-588)4136266-4 gnd Kunst (DE-588)4114333-4 gnd Vergänglichkeit Motiv (DE-588)4187702-0 gnd |
| topic_facet | Impressionismus Belagerung Pariser Kommune Flüchtigkeit Soziale Unruhen Kunst Vergänglichkeit Motiv Paris |
| work_keys_str_mv | AT smeesebastian parisinruinslovewarandthebirthofimpressionism AT smeesebastian thesiegethecommuneandthebirthofimpressionism |