Form and modernity in women's poetry, 1895-1922: a line of her own
"While W. B. Yeats's influential account of the 'Tragic Generation' claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Mi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2024
|
| Schriftenreihe: | Among the Victorians and modernists
|
| Schlagworte: | |
| Online-Zugang: | DE-188 Volltext |
| Zusammenfassung: | "While W. B. Yeats's influential account of the 'Tragic Generation' claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late-nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry's adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood and the First World War. The chapters focus on Meynell's manipulations of metre to contemplate temporality and literary tradition; Michael Field's use of blank verse to portray the conflicted modern woman; Radford's adaptation of the aesthetic song-llike lyric to tackle the experience of the city, urban crime and suffrage; and Tynan's employment of the ballad to soothe bereaved mothers during WWI. This book ultimately shows that traditional forms played a vital role in shaping mature women poets' responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry"-- |
| Beschreibung: | 1 Online-Ressource (vii, 232 Seiten) |
| ISBN: | 9781003324218 9781003853640 9781003853688 |
| DOI: | 10.4324/9781003324218 |
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Datensatz im Suchindex
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|---|---|
| adam_text | |
| any_adam_object | |
| author | Parker, Sarah 1985- |
| author_GND | (DE-588)104720388X |
| author_facet | Parker, Sarah 1985- |
| author_role | aut |
| author_sort | Parker, Sarah 1985- |
| author_variant | s p sp |
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| bvnumber | BV049893478 |
| classification_rvk | HM 1191 |
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| dewey-full | 821/.91099287 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821/.91099287 |
| dewey-search | 821/.91099287 |
| dewey-sort | 3821 891099287 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.4324/9781003324218 |
| era | Geschichte 1895-1922 gnd |
| era_facet | Geschichte 1895-1922 |
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| id | DE-604.BV049893478 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-10T17:14:53Z |
| institution | BVB |
| isbn | 9781003324218 9781003853640 9781003853688 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035232583 |
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| physical | 1 Online-Ressource (vii, 232 Seiten) |
| psigel | ZDB-7-TFC |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Among the Victorians and modernists |
| spelling | Parker, Sarah 1985- Verfasser (DE-588)104720388X aut Form and modernity in women's poetry, 1895-1922 a line of her own Sarah Parker New York ; London Routledge, Taylor & Francis Group 2024 © 2024 1 Online-Ressource (vii, 232 Seiten) txt rdacontent c rdamedia cr rdacarrier Among the Victorians and modernists "While W. B. Yeats's influential account of the 'Tragic Generation' claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late-nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry's adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood and the First World War. The chapters focus on Meynell's manipulations of metre to contemplate temporality and literary tradition; Michael Field's use of blank verse to portray the conflicted modern woman; Radford's adaptation of the aesthetic song-llike lyric to tackle the experience of the city, urban crime and suffrage; and Tynan's employment of the ballad to soothe bereaved mothers during WWI. This book ultimately shows that traditional forms played a vital role in shaping mature women poets' responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry"-- Tynan, Katharine 1861-1931 (DE-588)118643037 gnd rswk-swf Radford, Dollie 1858-1920 (DE-588)1353027112 gnd rswk-swf Meynell, Alice 1847-1922 (DE-588)172257662 gnd rswk-swf Field, Michael (DE-588)130836400 gnd rswk-swf Geschichte 1895-1922 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf English poetry / Women authors / 20th century / History and criticism Civilization, Modern, in literature Field, Michael (DE-588)130836400 p Meynell, Alice 1847-1922 (DE-588)172257662 p Radford, Dollie 1858-1920 (DE-588)1353027112 p Tynan, Katharine 1861-1931 (DE-588)118643037 p Lyrik (DE-588)4036774-5 s Geschichte 1895-1922 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-032-34866-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-032-34869-8 https://doi.org/10.4324/9781003324218 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Parker, Sarah 1985- Form and modernity in women's poetry, 1895-1922 a line of her own Tynan, Katharine 1861-1931 (DE-588)118643037 gnd Radford, Dollie 1858-1920 (DE-588)1353027112 gnd Meynell, Alice 1847-1922 (DE-588)172257662 gnd Field, Michael (DE-588)130836400 gnd Lyrik (DE-588)4036774-5 gnd |
| subject_GND | (DE-588)118643037 (DE-588)1353027112 (DE-588)172257662 (DE-588)130836400 (DE-588)4036774-5 |
| title | Form and modernity in women's poetry, 1895-1922 a line of her own |
| title_auth | Form and modernity in women's poetry, 1895-1922 a line of her own |
| title_exact_search | Form and modernity in women's poetry, 1895-1922 a line of her own |
| title_full | Form and modernity in women's poetry, 1895-1922 a line of her own Sarah Parker |
| title_fullStr | Form and modernity in women's poetry, 1895-1922 a line of her own Sarah Parker |
| title_full_unstemmed | Form and modernity in women's poetry, 1895-1922 a line of her own Sarah Parker |
| title_short | Form and modernity in women's poetry, 1895-1922 |
| title_sort | form and modernity in women s poetry 1895 1922 a line of her own |
| title_sub | a line of her own |
| topic | Tynan, Katharine 1861-1931 (DE-588)118643037 gnd Radford, Dollie 1858-1920 (DE-588)1353027112 gnd Meynell, Alice 1847-1922 (DE-588)172257662 gnd Field, Michael (DE-588)130836400 gnd Lyrik (DE-588)4036774-5 gnd |
| topic_facet | Tynan, Katharine 1861-1931 Radford, Dollie 1858-1920 Meynell, Alice 1847-1922 Field, Michael Lyrik |
| url | https://doi.org/10.4324/9781003324218 |
| work_keys_str_mv | AT parkersarah formandmodernityinwomenspoetry18951922alineofherown |