An analysis of Jean-Paul Sartre's plays in Théâtre complet:
"An Analysis of all the Plays and Fragmentary Works in Jean-Paul Sartre's Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of S...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2025
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Schriftenreihe: | Routledge studies in twentieth-century literature
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Schlagworte: | |
Zusammenfassung: | "An Analysis of all the Plays and Fragmentary Works in Jean-Paul Sartre's Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre's philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre and existentialist philosophy." |
Beschreibung: | vi, 172 Seiten 24 cm |
ISBN: | 9781032800318 9781032812748 |
Internformat
MARC
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---|---|---|---|
001 | BV049893266 | ||
003 | DE-604 | ||
005 | 20241112 | ||
007 | t| | ||
008 | 241004s2025 xx |||| 00||| eng d | ||
020 | |a 9781032800318 |c Hardcover |9 978-1-032-80031-8 | ||
020 | |a 9781032812748 |c Paperback |9 978-1-032-81274-8 | ||
035 | |a (DE-599)BVBBV049893266 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Van den Hoven, Adrian |d 1939- |e Verfasser |0 (DE-588)1031199152 |4 aut | |
245 | 1 | 0 | |a An analysis of Jean-Paul Sartre's plays in Théâtre complet |c Adrian van den Hoven |
264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2025 | |
300 | |a vi, 172 Seiten |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Routledge studies in twentieth-century literature | |
505 | 8 | |a Bariona : Sartre's first play features a Jewish village chief who saves the Christ child at his own peril -- The flies and the Vichy regime. A bloody farce -- No exit or bringing the dead back to life -- Sartre's story "The wall", his play The victors and Kant's moral principle : "it is a duty to tell the truth" in a philosophical, literary and political context -- Sartre's play The victors seen in the light of the scenario resistance, its preface : "A film for the post-war period" and The roads to freedom IV : the last chance. Collaboration, torture, and commitment -- The changing fate of "the modern woman". Sartre's The respectful prostitute and Camus's stage adaptation Réquiem pour une nonne viewed in the light of Flaubert's Madame Bovary, Tolstoy's Anna Karenina and Faulkner's novels Sanctuary and Requiem for a nun (which Camus adapted for the stage) -- Dirty hands and the unspoken truth -- The devil and the good lord -- demystifying feudalism, God, and proposing a new war strategy -- Kean : from resentment of the aristocracy to an appreciation of meritocracy -- Nekrassov -- anticommunist capers in a pièce à clefs : Sartre takes aim at Beckett and Camus, and pokes fun at his own philosophy -- Collusion : the skeleton in the closet in The condemned of Altona -- The Trojan women and the theater of commitment -- A discussion of Sartre's theatrical project entitled exercising damage control and the question of suicide, psychoanalysis and McCarthyism -- Recurring themes and techniques in Sartre's theatrical project the wager | |
520 | 3 | |a "An Analysis of all the Plays and Fragmentary Works in Jean-Paul Sartre's Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre's philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre and existentialist philosophy." | |
600 | 1 | 7 | |a Sartre, Jean-Paul |d 1905-1980 |0 (DE-588)11860564X |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
653 | 1 | |a Sartre, Jean-Paul / 1905-1980 / Criticism and interpretation | |
653 | 0 | |a French drama / 20th century / History and criticism | |
653 | 0 | |a Théâtre français / 20e siècle / Histoire et critique | |
689 | 0 | 0 | |a Sartre, Jean-Paul |d 1905-1980 |0 (DE-588)11860564X |D p |
689 | 0 | 1 | |a Drama |0 (DE-588)4012899-4 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-49897-1 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035232375 |
Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Van den Hoven, Adrian 1939- |
author_GND | (DE-588)1031199152 |
author_facet | Van den Hoven, Adrian 1939- |
author_role | aut |
author_sort | Van den Hoven, Adrian 1939- |
author_variant | d h a v dha dhav |
building | Verbundindex |
bvnumber | BV049893266 |
contents | Bariona : Sartre's first play features a Jewish village chief who saves the Christ child at his own peril -- The flies and the Vichy regime. A bloody farce -- No exit or bringing the dead back to life -- Sartre's story "The wall", his play The victors and Kant's moral principle : "it is a duty to tell the truth" in a philosophical, literary and political context -- Sartre's play The victors seen in the light of the scenario resistance, its preface : "A film for the post-war period" and The roads to freedom IV : the last chance. Collaboration, torture, and commitment -- The changing fate of "the modern woman". Sartre's The respectful prostitute and Camus's stage adaptation Réquiem pour une nonne viewed in the light of Flaubert's Madame Bovary, Tolstoy's Anna Karenina and Faulkner's novels Sanctuary and Requiem for a nun (which Camus adapted for the stage) -- Dirty hands and the unspoken truth -- The devil and the good lord -- demystifying feudalism, God, and proposing a new war strategy -- Kean : from resentment of the aristocracy to an appreciation of meritocracy -- Nekrassov -- anticommunist capers in a pièce à clefs : Sartre takes aim at Beckett and Camus, and pokes fun at his own philosophy -- Collusion : the skeleton in the closet in The condemned of Altona -- The Trojan women and the theater of commitment -- A discussion of Sartre's theatrical project entitled exercising damage control and the question of suicide, psychoanalysis and McCarthyism -- Recurring themes and techniques in Sartre's theatrical project the wager |
ctrlnum | (DE-599)BVBBV049893266 |
format | Book |
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Sartre's The respectful prostitute and Camus's stage adaptation Réquiem pour une nonne viewed in the light of Flaubert's Madame Bovary, Tolstoy's Anna Karenina and Faulkner's novels Sanctuary and Requiem for a nun (which Camus adapted for the stage) -- Dirty hands and the unspoken truth -- The devil and the good lord -- demystifying feudalism, God, and proposing a new war strategy -- Kean : from resentment of the aristocracy to an appreciation of meritocracy -- Nekrassov -- anticommunist capers in a pièce à clefs : Sartre takes aim at Beckett and Camus, and pokes fun at his own philosophy -- Collusion : the skeleton in the closet in The condemned of Altona -- The Trojan women and the theater of commitment -- A discussion of Sartre's theatrical project entitled exercising damage control and the question of suicide, psychoanalysis and McCarthyism -- Recurring themes and techniques in Sartre's theatrical project the wager</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"An Analysis of all the Plays and Fragmentary Works in Jean-Paul Sartre's Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. 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id | DE-604.BV049893266 |
illustrated | Not Illustrated |
indexdate | 2024-11-12T13:02:18Z |
institution | BVB |
isbn | 9781032800318 9781032812748 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035232375 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | vi, 172 Seiten 24 cm |
publishDate | 2025 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | Routledge studies in twentieth-century literature |
spelling | Van den Hoven, Adrian 1939- Verfasser (DE-588)1031199152 aut An analysis of Jean-Paul Sartre's plays in Théâtre complet Adrian van den Hoven New York ; London Routledge, Taylor & Francis Group 2025 vi, 172 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge studies in twentieth-century literature Bariona : Sartre's first play features a Jewish village chief who saves the Christ child at his own peril -- The flies and the Vichy regime. A bloody farce -- No exit or bringing the dead back to life -- Sartre's story "The wall", his play The victors and Kant's moral principle : "it is a duty to tell the truth" in a philosophical, literary and political context -- Sartre's play The victors seen in the light of the scenario resistance, its preface : "A film for the post-war period" and The roads to freedom IV : the last chance. Collaboration, torture, and commitment -- The changing fate of "the modern woman". Sartre's The respectful prostitute and Camus's stage adaptation Réquiem pour une nonne viewed in the light of Flaubert's Madame Bovary, Tolstoy's Anna Karenina and Faulkner's novels Sanctuary and Requiem for a nun (which Camus adapted for the stage) -- Dirty hands and the unspoken truth -- The devil and the good lord -- demystifying feudalism, God, and proposing a new war strategy -- Kean : from resentment of the aristocracy to an appreciation of meritocracy -- Nekrassov -- anticommunist capers in a pièce à clefs : Sartre takes aim at Beckett and Camus, and pokes fun at his own philosophy -- Collusion : the skeleton in the closet in The condemned of Altona -- The Trojan women and the theater of commitment -- A discussion of Sartre's theatrical project entitled exercising damage control and the question of suicide, psychoanalysis and McCarthyism -- Recurring themes and techniques in Sartre's theatrical project the wager "An Analysis of all the Plays and Fragmentary Works in Jean-Paul Sartre's Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre's philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre and existentialist philosophy." Sartre, Jean-Paul 1905-1980 (DE-588)11860564X gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Sartre, Jean-Paul / 1905-1980 / Criticism and interpretation French drama / 20th century / History and criticism Théâtre français / 20e siècle / Histoire et critique Sartre, Jean-Paul 1905-1980 (DE-588)11860564X p Drama (DE-588)4012899-4 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-49897-1 |
spellingShingle | Van den Hoven, Adrian 1939- An analysis of Jean-Paul Sartre's plays in Théâtre complet Bariona : Sartre's first play features a Jewish village chief who saves the Christ child at his own peril -- The flies and the Vichy regime. A bloody farce -- No exit or bringing the dead back to life -- Sartre's story "The wall", his play The victors and Kant's moral principle : "it is a duty to tell the truth" in a philosophical, literary and political context -- Sartre's play The victors seen in the light of the scenario resistance, its preface : "A film for the post-war period" and The roads to freedom IV : the last chance. Collaboration, torture, and commitment -- The changing fate of "the modern woman". Sartre's The respectful prostitute and Camus's stage adaptation Réquiem pour une nonne viewed in the light of Flaubert's Madame Bovary, Tolstoy's Anna Karenina and Faulkner's novels Sanctuary and Requiem for a nun (which Camus adapted for the stage) -- Dirty hands and the unspoken truth -- The devil and the good lord -- demystifying feudalism, God, and proposing a new war strategy -- Kean : from resentment of the aristocracy to an appreciation of meritocracy -- Nekrassov -- anticommunist capers in a pièce à clefs : Sartre takes aim at Beckett and Camus, and pokes fun at his own philosophy -- Collusion : the skeleton in the closet in The condemned of Altona -- The Trojan women and the theater of commitment -- A discussion of Sartre's theatrical project entitled exercising damage control and the question of suicide, psychoanalysis and McCarthyism -- Recurring themes and techniques in Sartre's theatrical project the wager Sartre, Jean-Paul 1905-1980 (DE-588)11860564X gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)11860564X (DE-588)4012899-4 |
title | An analysis of Jean-Paul Sartre's plays in Théâtre complet |
title_auth | An analysis of Jean-Paul Sartre's plays in Théâtre complet |
title_exact_search | An analysis of Jean-Paul Sartre's plays in Théâtre complet |
title_full | An analysis of Jean-Paul Sartre's plays in Théâtre complet Adrian van den Hoven |
title_fullStr | An analysis of Jean-Paul Sartre's plays in Théâtre complet Adrian van den Hoven |
title_full_unstemmed | An analysis of Jean-Paul Sartre's plays in Théâtre complet Adrian van den Hoven |
title_short | An analysis of Jean-Paul Sartre's plays in Théâtre complet |
title_sort | an analysis of jean paul sartre s plays in theatre complet |
topic | Sartre, Jean-Paul 1905-1980 (DE-588)11860564X gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Sartre, Jean-Paul 1905-1980 Drama |
work_keys_str_mv | AT vandenhovenadrian ananalysisofjeanpaulsartresplaysintheatrecomplet |