Biennial boom: making contemporary art global
"In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world's defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismer...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
2024
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| Schlagworte: | |
| Zusammenfassung: | "In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world's defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite-all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as "global contemporary art," Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today"-- |
| Beschreibung: | xvi, 312 Seiten, 16 ungezählte Seiten Illustrationen, Karten 23 cm |
| ISBN: | 9781478030515 1478030518 9781478026280 1478026286 |
Internformat
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| 100 | 1 | |a Checa-Gismero, Paloma |d 1985- |e Verfasser |0 (DE-588)1335745378 |4 aut | |
| 245 | 1 | 0 | |a Biennial boom |b making contemporary art global |c Paloma Checa-Gismero |
| 264 | 1 | |a Durham |b Duke University Press |c 2024 | |
| 300 | |a xvi, 312 Seiten, 16 ungezählte Seiten |b Illustrationen, Karten |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Biennial conversions at the borders of liberalism: An Introduction -- Polyphonic internationalism -- Curating the third world -- An aesthetics of production -- Sovereignty claims over the Borderlands -- Fears of provincialism and the desire to be global -- Globalizing Mexican art -- Manifesta : placenta Europa -- Curating conflict -- The art of belonging | |
| 520 | 3 | |a "In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world's defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite-all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as "global contemporary art," Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today"-- | |
| 653 | 2 | |a Bienal de La Habana | |
| 653 | 2 | |a inSite (Exhibition) | |
| 653 | 2 | |a Manifesta | |
| 653 | 0 | |a Biennials (Art fairs) / History | |
| 653 | 0 | |a Art, Modern / 20th century / Exhibitions / History | |
| 653 | 0 | |a Art and globalization / History / 20th century | |
| 653 | 0 | |a Art / Political aspects | |
| 653 | 0 | |a Biennales (Foires d'art) / Histoire | |
| 653 | 0 | |a Art / 20e siècle / Expositions / Histoire | |
| 653 | 0 | |a Art et mondialisation / Histoire / 20e siècle | |
| 653 | 0 | |a ART / History / Contemporary (1945-) | |
| 653 | 0 | |a ART / Criticism & Theory | |
| 776 | 0 | 8 | |i Online version |a Checa-Gismero, Paloma, 1985- |t Biennial boom |d Durham : Duke University Press, 2024 |z 978-1-4780-5948-6 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035231419 | |
Datensatz im Suchindex
| _version_ | 1822482885023629312 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Checa-Gismero, Paloma 1985- |
| author_GND | (DE-588)1335745378 |
| author_facet | Checa-Gismero, Paloma 1985- |
| author_role | aut |
| author_sort | Checa-Gismero, Paloma 1985- |
| author_variant | p c g pcg |
| building | Verbundindex |
| bvnumber | BV049892289 |
| classification_rvk | LH 39930 LH 65827 |
| contents | Biennial conversions at the borders of liberalism: An Introduction -- Polyphonic internationalism -- Curating the third world -- An aesthetics of production -- Sovereignty claims over the Borderlands -- Fears of provincialism and the desire to be global -- Globalizing Mexican art -- Manifesta : placenta Europa -- Curating conflict -- The art of belonging |
| ctrlnum | (OCoLC)1464594572 (DE-599)BVBBV049892289 |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV049892289 |
| illustrated | Illustrated |
| indexdate | 2025-01-28T09:05:19Z |
| institution | BVB |
| isbn | 9781478030515 1478030518 9781478026280 1478026286 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035231419 |
| oclc_num | 1464594572 |
| open_access_boolean | |
| owner | DE-20 DE-11 |
| owner_facet | DE-20 DE-11 |
| physical | xvi, 312 Seiten, 16 ungezählte Seiten Illustrationen, Karten 23 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Checa-Gismero, Paloma 1985- Verfasser (DE-588)1335745378 aut Biennial boom making contemporary art global Paloma Checa-Gismero Durham Duke University Press 2024 xvi, 312 Seiten, 16 ungezählte Seiten Illustrationen, Karten 23 cm txt rdacontent n rdamedia nc rdacarrier Biennial conversions at the borders of liberalism: An Introduction -- Polyphonic internationalism -- Curating the third world -- An aesthetics of production -- Sovereignty claims over the Borderlands -- Fears of provincialism and the desire to be global -- Globalizing Mexican art -- Manifesta : placenta Europa -- Curating conflict -- The art of belonging "In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world's defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite-all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as "global contemporary art," Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today"-- Bienal de La Habana inSite (Exhibition) Manifesta Biennials (Art fairs) / History Art, Modern / 20th century / Exhibitions / History Art and globalization / History / 20th century Art / Political aspects Biennales (Foires d'art) / Histoire Art / 20e siècle / Expositions / Histoire Art et mondialisation / Histoire / 20e siècle ART / History / Contemporary (1945-) ART / Criticism & Theory Online version Checa-Gismero, Paloma, 1985- Biennial boom Durham : Duke University Press, 2024 978-1-4780-5948-6 |
| spellingShingle | Checa-Gismero, Paloma 1985- Biennial boom making contemporary art global Biennial conversions at the borders of liberalism: An Introduction -- Polyphonic internationalism -- Curating the third world -- An aesthetics of production -- Sovereignty claims over the Borderlands -- Fears of provincialism and the desire to be global -- Globalizing Mexican art -- Manifesta : placenta Europa -- Curating conflict -- The art of belonging |
| title | Biennial boom making contemporary art global |
| title_auth | Biennial boom making contemporary art global |
| title_exact_search | Biennial boom making contemporary art global |
| title_full | Biennial boom making contemporary art global Paloma Checa-Gismero |
| title_fullStr | Biennial boom making contemporary art global Paloma Checa-Gismero |
| title_full_unstemmed | Biennial boom making contemporary art global Paloma Checa-Gismero |
| title_short | Biennial boom |
| title_sort | biennial boom making contemporary art global |
| title_sub | making contemporary art global |
| work_keys_str_mv | AT checagismeropaloma biennialboommakingcontemporaryartglobal |