"Capturing Iran's past": zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf
Using the example of the exhibition Capturing Iran’s Past, which was displayed in the Museum of Islamic Arts in Berlin, in 2019, I discuss problems that arise when contemporary art is exhibited in historical museums. By drawing on critical curatorial theory, analysis of exhibitions, and my own refle...
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Format: | Elektronisch Artikel |
Sprache: | German |
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10.07.2024
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Zusammenfassung: | Using the example of the exhibition Capturing Iran’s Past, which was displayed in the Museum of Islamic Arts in Berlin, in 2019, I discuss problems that arise when contemporary art is exhibited in historical museums. By drawing on critical curatorial theory, analysis of exhibitions, and my own reflections as a co-curator of Capturing Iran’s Past, I argue that these problems are grounded in the ignorance of contemporary art museums toward artists who are operating outside the geographical canon. Therefore, works of artists who are not based in Europe/North-America are often presented in ethnographic or Islamic museums, which work primarily with historical artifacts rather than contemporary art. However, these museums are practicing curatorial activism by providing space for these very artists |
Beschreibung: | Illustrationen |
ISSN: | 2701-1550 |
DOI: | 10.11588/xxi.2024.2.104833 |
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spelling | Rameder, Agnes Verfasser (DE-588)1203213417 aut "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf Agnes Rameder 10.07.2024 Illustrationen txt rdacontent c rdamedia cr rdacarrier Using the example of the exhibition Capturing Iran’s Past, which was displayed in the Museum of Islamic Arts in Berlin, in 2019, I discuss problems that arise when contemporary art is exhibited in historical museums. By drawing on critical curatorial theory, analysis of exhibitions, and my own reflections as a co-curator of Capturing Iran’s Past, I argue that these problems are grounded in the ignorance of contemporary art museums toward artists who are operating outside the geographical canon. Therefore, works of artists who are not based in Europe/North-America are often presented in ethnographic or Islamic museums, which work primarily with historical artifacts rather than contemporary art. However, these museums are practicing curatorial activism by providing space for these very artists Museum für Islamische Kunst (DE-588)5035692-6 gnd rswk-swf Geschichte 2017 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Islamische Kunst (DE-588)4138060-5 gnd rswk-swf Kuratorische Theorie Zeitgenössische Kunst Iranische Fotografie Dekolonialisierung Curatorial Activism Museum für Islamische Kunst (DE-588)5035692-6 b Islamische Kunst (DE-588)4138060-5 s Geschichte 2017 z Ausstellung (DE-588)4129601-1 s Entkolonialisierung (DE-588)4070860-3 s DE-604 volume:5 number:2 year:2024 pages:439-456 21: inquiries into art, history, and the visual Heidelberg, 2024 Bd. 5, Nr. 2 (2024), Seite 439-456 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2024.2.104833 Resolving-System Verlag kostenfrei Volltext https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/104833 Verlag kostenfrei Volltext |
spellingShingle | Rameder, Agnes "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf Museum für Islamische Kunst (DE-588)5035692-6 gnd Entkolonialisierung (DE-588)4070860-3 gnd Ausstellung (DE-588)4129601-1 gnd Islamische Kunst (DE-588)4138060-5 gnd |
subject_GND | (DE-588)5035692-6 (DE-588)4070860-3 (DE-588)4129601-1 (DE-588)4138060-5 |
title | "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf |
title_auth | "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf |
title_exact_search | "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf |
title_full | "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf Agnes Rameder |
title_fullStr | "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf Agnes Rameder |
title_full_unstemmed | "Capturing Iran's past" zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf Agnes Rameder |
title_short | "Capturing Iran's past" |
title_sort | capturing iran s past zeitgenossische fotografie und curatorial activism im museum fur islamische kunst ein zwischenruf |
title_sub | zeitgenössische Fotografie und "curatorial activism" im Museum für Islamische Kunst : ein Zwischenruf |
topic | Museum für Islamische Kunst (DE-588)5035692-6 gnd Entkolonialisierung (DE-588)4070860-3 gnd Ausstellung (DE-588)4129601-1 gnd Islamische Kunst (DE-588)4138060-5 gnd |
topic_facet | Museum für Islamische Kunst Entkolonialisierung Ausstellung Islamische Kunst |
url | https://doi.org/10.11588/xxi.2024.2.104833 https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/104833 |
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