Shakespeare and comics: negotiating cultural value
"From their inception, ‘low culture’ comics have intersected with the ‘high culture’ of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, medi...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2024
|
| Schriftenreihe: | Shakespeare and adaptation
|
| Schlagworte: | |
| Zusammenfassung: | "From their inception, ‘low culture’ comics have intersected with the ‘high culture’ of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, fromtebeoto manga, from independent to mainstream comics, texts explored includeY: The Last Man,Neil Gaiman and Charles Vess’s 'A Midsummer Night’s Dream'(The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099,and manga adaptations ofThe TempestandMacbeth,among many others. As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions.Shakespeare and Comicsargues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called ‘great works’ exist alongside and in equal conversation with marginalized writers, topics and forms." |
| Beschreibung: | xvi, 245 Seiten 22,4 cm |
| ISBN: | 9781350401341 |
Internformat
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| 520 | 3 | |a "From their inception, ‘low culture’ comics have intersected with the ‘high culture’ of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, fromtebeoto manga, from independent to mainstream comics, texts explored includeY: The Last Man,Neil Gaiman and Charles Vess’s 'A Midsummer Night’s Dream'(The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099,and manga adaptations ofThe TempestandMacbeth,among many others. As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions.Shakespeare and Comicsargues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called ‘great works’ exist alongside and in equal conversation with marginalized writers, topics and forms." | |
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Datensatz im Suchindex
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| building | Verbundindex |
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| format | Book |
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| genre_facet | Konferenzschrift 2021 |
| id | DE-604.BV049888636 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-02T11:53:55Z |
| institution | BVB |
| isbn | 9781350401341 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035227842 |
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| physical | xvi, 245 Seiten 22,4 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | The Arden Shakespeare |
| record_format | marc |
| series2 | Shakespeare and adaptation |
| spelling | Shakespeare and comics negotiating cultural value edited by Jim Casey and Brandon Christopher New York ; London ; Oxford ; New Delhi ; Sydney The Arden Shakespeare 2024 xvi, 245 Seiten 22,4 cm txt rdacontent n rdamedia nc rdacarrier Shakespeare and adaptation "From their inception, ‘low culture’ comics have intersected with the ‘high culture’ of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, fromtebeoto manga, from independent to mainstream comics, texts explored includeY: The Last Man,Neil Gaiman and Charles Vess’s 'A Midsummer Night’s Dream'(The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099,and manga adaptations ofThe TempestandMacbeth,among many others. As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions.Shakespeare and Comicsargues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called ‘great works’ exist alongside and in equal conversation with marginalized writers, topics and forms." Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Comic (DE-588)4010427-8 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2021 gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Rezeption (DE-588)4049716-1 s Comic (DE-588)4010427-8 s DE-604 Casey, Jim 1985- (DE-588)1234019590 edt Christopher, Brandon ca. 20./21. Jh. (DE-588)1351014722 edt Erscheint auch als Online-Ausgabe, epdf 978-1-3504-0136-5 Erscheint auch als Online-Ausgabe, epub 978-1-3504-0135-8 Erscheint auch als Online-Ausgabe 978-1-3504-0137-2 |
| spellingShingle | Shakespeare and comics negotiating cultural value Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rezeption (DE-588)4049716-1 gnd Comic (DE-588)4010427-8 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4049716-1 (DE-588)4010427-8 (DE-588)1071861417 |
| title | Shakespeare and comics negotiating cultural value |
| title_auth | Shakespeare and comics negotiating cultural value |
| title_exact_search | Shakespeare and comics negotiating cultural value |
| title_full | Shakespeare and comics negotiating cultural value edited by Jim Casey and Brandon Christopher |
| title_fullStr | Shakespeare and comics negotiating cultural value edited by Jim Casey and Brandon Christopher |
| title_full_unstemmed | Shakespeare and comics negotiating cultural value edited by Jim Casey and Brandon Christopher |
| title_short | Shakespeare and comics |
| title_sort | shakespeare and comics negotiating cultural value |
| title_sub | negotiating cultural value |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rezeption (DE-588)4049716-1 gnd Comic (DE-588)4010427-8 gnd |
| topic_facet | Shakespeare, William 1564-1616 Rezeption Comic Konferenzschrift 2021 |
| work_keys_str_mv | AT caseyjim shakespeareandcomicsnegotiatingculturalvalue AT christopherbrandon shakespeareandcomicsnegotiatingculturalvalue |