Britten experienced: modernism, musicology and sentiment
"Who writes the books we read about music that excites us, and why? Is 'classical music' all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two rec...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2024
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Who writes the books we read about music that excites us, and why? Is 'classical music' all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two recent studies of Benjamin Britten have specifically interested the author, who was educated in a world where the composer was a living subject of criticism and praise, his works reflecting values, worries and dramas that were not just about 'music'. Franklin's response is to question the recent writers, proposing that, like theirs, his own story conditioned when and how he experienced Britten. This he unfolds autobiographically in and around the discussion of specific works. Recalling his encounters with the composer as a schoolboy, as a student and opera-goer, and then as a teacher, he challenges recent assertions about Britten and modernism in the period" |
| Beschreibung: | ix, 115 Seiten 4 Illustrationen 23 cm |
| ISBN: | 9781032666600 9781032666648 |
Internformat
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| 520 | 3 | |a "Who writes the books we read about music that excites us, and why? Is 'classical music' all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two recent studies of Benjamin Britten have specifically interested the author, who was educated in a world where the composer was a living subject of criticism and praise, his works reflecting values, worries and dramas that were not just about 'music'. Franklin's response is to question the recent writers, proposing that, like theirs, his own story conditioned when and how he experienced Britten. This he unfolds autobiographically in and around the discussion of specific works. Recalling his encounters with the composer as a schoolboy, as a student and opera-goer, and then as a teacher, he challenges recent assertions about Britten and modernism in the period" | |
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Datensatz im Suchindex
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| adam_text |
Contents vit x Foreword List ofFigures 1 2 3 Introduction: The Roots of My Musical Taste and Chowrimootoo’s Worry 'Noye's Fludde ’from the Pews 8 1 Secondary-School Britten: The Turn of the Screw Music A-Ievel and ‘War Requiem ’ 21 Encountering Britten as a Music Student at York in the Late 1960s Essay: Grimes and the Sentimental 33 15 27 4 Graduation: Britten and Pears Return to York Essay: Billy Budd: Confronting the Highbrow Critique ofOpera 47 46 5 Singing at Aldeburgh: Musical Scholarship Opera in the '70s and Death in Venice 57 54 6 A Trip to East Berlin and the Start of a Career Teaching Opera. Britten ’s Death. Mahler and Donald Mitchell 70 68
vi Contents Ί Essay: Travels. Towards Musical Meaning (The Serenade for Tenor, Horn and Strings) 78 Leeds. 'The Open Secret '. Philip Brett and ‘A Midsummer Night 5 Dream ’ 85 8 Essay: Modernism and Musicology 100 Select Bibliography Acknowledgements Index 110 112 113 |
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| illustrated | Illustrated |
| indexdate | 2024-12-06T13:15:21Z |
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| isbn | 9781032666600 9781032666648 |
| language | English |
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| physical | ix, 115 Seiten 4 Illustrationen 23 cm |
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| spelling | Franklin, Peter 1947- Verfasser (DE-588)1077579357 aut Britten experienced modernism, musicology and sentiment Peter Franklin London ; New York Routledge 2024 ix, 115 Seiten 4 Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier "Who writes the books we read about music that excites us, and why? Is 'classical music' all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two recent studies of Benjamin Britten have specifically interested the author, who was educated in a world where the composer was a living subject of criticism and praise, his works reflecting values, worries and dramas that were not just about 'music'. Franklin's response is to question the recent writers, proposing that, like theirs, his own story conditioned when and how he experienced Britten. This he unfolds autobiographically in and around the discussion of specific works. Recalling his encounters with the composer as a schoolboy, as a student and opera-goer, and then as a teacher, he challenges recent assertions about Britten and modernism in the period" Britten, Benjamin 1913-1976 (DE-588)118515527 gnd rswk-swf Britten, Benjamin / 1913-1976 / Criticism and interpretation Music / 20th century / History and criticism Opera / 20th century Modernism (Music) Britten, Benjamin 1913-1976 (DE-588)118515527 p DE-604 Äquivalent Druck-Ausgabe, Paperback Erscheint auch als Online-Ausgabe 9781032666631 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035227561&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Franklin, Peter 1947- Britten experienced modernism, musicology and sentiment Britten, Benjamin 1913-1976 (DE-588)118515527 gnd |
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| title | Britten experienced modernism, musicology and sentiment |
| title_auth | Britten experienced modernism, musicology and sentiment |
| title_exact_search | Britten experienced modernism, musicology and sentiment |
| title_full | Britten experienced modernism, musicology and sentiment Peter Franklin |
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| title_short | Britten experienced |
| title_sort | britten experienced modernism musicology and sentiment |
| title_sub | modernism, musicology and sentiment |
| topic | Britten, Benjamin 1913-1976 (DE-588)118515527 gnd |
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