Vocal and choral art and education: historical research, performance concepts, modern trends
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | Ukrainian English |
| Veröffentlicht: |
Odesa ; Riga
Baltija Publishing
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | IV, 273 Seiten Illustrationen |
| ISBN: | 9789667511326 9789934263910 |
Internformat
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Datensatz im Suchindex
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CONTENTS SECTION 1. “Eight poems by Taras Shevchenko for mixed choir a cappella” by Valeriy Antonyuk (Antonyuk V. G., Kumanovska O. L., Sheyko A. O.). 1 1. Emergence of prerequisites and formulation of the problem. 2 2. Analysis of Valeriy Antonyuk's choral cycle “Eight Poems by Taras Shevchenko for Mixed Choir a cappella”. 5 SECTION 2. Features of non-verbal communication of a music teacher in the process of choral activity (Bardashevska Ya. Μ.). 30 1. Components of non-verbal communication in conducting practice. 31 2. Nonverbal communicative movements of a music teacher in working with a choir. 37 SECTION 3. Choir in the life and work of Mykola Leontovych (Bermes I. L.). 46 1. Family as the roots of Mykola Leontovych’s spiritual progress. 49 2. Choir as an “instrument” of Μ. Leontovych’s self-expression. 53 3. The Role of the Choir in the Master's Life-Creativity.62 SECTION 4. Choral conductor in modern art space: between professional tradition and artistic insights (Bondar Ye. Μ.).72 1. “Situation of uncertainty” as a starting category of the modem artistic space. 73 2. Modem trends in the performance sphere of choral creativity.76 SECTION 5. The
Formation of a modem choral conductor: traditions of the school and contemporary performance demands (Vila-Botsman Ο. P.). 90 1. Formation of Conductors in Contemporary Choral Schools: Advantages of Implementing Integrated Performance Training. 92 2. The Issue of Vocal Training for Modem Choral Singers. 99 3. From Vocal Technique to the Specifics of Conducting in Vocal-Choral Genres. 104 SECTION 6. Male choir «Surma» as an example of the historical and regional phenomenon of choral performance (Karas H. V.). 112 1. Concert and creative activity of the male choir "Surma" 2. Repertoire policy of the choir.122 3. Conductors of the male choir «Surma» range from amateurs to professionals. 127 SECTION 7. Requiem in composer's work 20th - early 21st centuries (Kuchurivsky Yu. S.). 135 1. Genre tradition of choral requiem in the space of creative reinterpretation 136 2. The composer's concept as a factor in the renewal of the genre tradition . 143 iii
SECTION 8. Performing possibilities of vocal jazz improvisation (on the example of the performance of works: Tom Jones “Fly me to the Moon”, Michael Bublé “Feeling Good”) (Maltseva О. V., Temchenko I. A.). 153 1. Peculiarities of articulation and rhythm in vocal jazz improvisation. 154 2. Development of creative abilities for vocal jazz improvisation. 157 3. Interpretation of the vocal improvisation of Tom Jones in the song “Fly me to the Moon”. 165 4. Interpretation of Michael Bublé's vocal improvisation in the song “Feeling Good”. 168 SECTION 9. “Psychological thrillers” by Linda Keprtovâ: to the problem of updating the director's stylistics on the opera stage (Naumova O. A.). 176 1. The problem’s prerequisites emergence and the problem’s formulation. 181 2. Genre experiments by Linda Hejlovâ-Keprtovâ: collapse or renewal of opera tradition?. 183 3. Hans Krâsa's opera Brwidibâr. in memory of the singing angels of the “heavenly” ghetto. 185 SECTION 10. Perceptual features of musical thinking in vocal training (Poliuha V.
V.). 193 1. Empirical studies and theoretical-methodological foundations of the peculiarities of musical thinking in vocal training. 194 2. Musical language as a perceptual property of musical thinking.202 SECTION 11. G. Lioznov: stylistic content of conducting-choral activities (Shatova I. O.) .210 1. G. Lioznov - continuer of the traditions of the Odesa Choral School. 211 SECTION 12. Choral music of Ukraine and traditions of the Ukrainian revival of the 20th century (Shevchuk I. H.).234 1. Spiritual and stylistic settings of Ukrainian culture of the first half of the 20th century.235 2. Aesthetic principles of the Ukrainian Renaissance. 246 SECTION 13. Hermeneutic aspects of “German Requiem” by J. Brahms and their interpretation by descendants K. Pigrov Choir (Shpak H. S.). 257 1. Religious-ethical and spiritual-aesthetic guidelines of J. Brahms. 259 2. Hermeneutics of “German Requiem” by J. Brahms and the features of his interpretation. 263 |
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| title | Vocal and choral art and education historical research, performance concepts, modern trends |
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