Greenhouse: art, ecology & resistance
The publication Greenhouse interweaves texts from artists, curators, as well as theoreticians concerning themes of ecology, identity, history and diaspora in relation to contemporary artistic practices. Commissioned by DGARTES (Direção-Geral das Artes) in Portugal and curated by the artist-curators...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Milano
Skira
2024
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The publication Greenhouse interweaves texts from artists, curators, as well as theoreticians concerning themes of ecology, identity, history and diaspora in relation to contemporary artistic practices. Commissioned by DGARTES (Direção-Geral das Artes) in Portugal and curated by the artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, the pavilion reflects on and manifests the vision of Greenhouse, the official Portuguese representation at the 60th International Art Exhibition – La Biennale di Venezia. Looking at the soil as a vector of decolonial thinking and practice, and inspired by the agronomist and leader of the liberation struggle in Guiné-Bissau and Cabo Verde, Amílcar Cabral, the publication brings together historical narratives of ongoing liberations. It looks at contemporary decolonial practices, and imaginings of possible futures in the context of the Anthropocene and continued struggles against structural racism and for historical reparations. The texts are interwoven with images from the exhibition that proposes a collective action through the creation of a "Creole garden" inside the exhibition space. Situated at the intersection between practice, theory and pedagogy, Greenhouse is grounded in four actions: Garden (Installation, Space and Time), Living archive (Movement, Sound and Performance), Schools (Education, History and Revolution), Assemblies (Public and Communities). Together with these action, the "creole garden" blend a wide range of plant species, where they are transmitters of knowledge, survivance and resistance, and the practitioners of life in freedom |
| Beschreibung: | Impressum: Portugal Pavilion at the 60th International Art Exhibition - La Biennale di Venezia, 20.04 - 24.11.2024, Palazzo Franchetti |
| Beschreibung: | 167 Seiten Illustrationen |
| ISBN: | 9788857253534 9788857253091 |
Internformat
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| 500 | |a Impressum: Portugal Pavilion at the 60th International Art Exhibition - La Biennale di Venezia, 20.04 - 24.11.2024, Palazzo Franchetti | ||
| 520 | 3 | |a The publication Greenhouse interweaves texts from artists, curators, as well as theoreticians concerning themes of ecology, identity, history and diaspora in relation to contemporary artistic practices. Commissioned by DGARTES (Direção-Geral das Artes) in Portugal and curated by the artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, the pavilion reflects on and manifests the vision of Greenhouse, the official Portuguese representation at the 60th International Art Exhibition – La Biennale di Venezia. Looking at the soil as a vector of decolonial thinking and practice, and inspired by the agronomist and leader of the liberation struggle in Guiné-Bissau and Cabo Verde, Amílcar Cabral, the publication brings together historical narratives of ongoing liberations. It looks at contemporary decolonial practices, and imaginings of possible futures in the context of the Anthropocene and continued struggles against structural racism and for historical reparations. The texts are interwoven with images from the exhibition that proposes a collective action through the creation of a "Creole garden" inside the exhibition space. Situated at the intersection between practice, theory and pedagogy, Greenhouse is grounded in four actions: Garden (Installation, Space and Time), Living archive (Movement, Sound and Performance), Schools (Education, History and Revolution), Assemblies (Public and Communities). Together with these action, the "creole garden" blend a wide range of plant species, where they are transmitters of knowledge, survivance and resistance, and the practitioners of life in freedom | |
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Datensatz im Suchindex
| _version_ | 1827925932667568128 |
|---|---|
| adam_text |
OFFICIAL
PORTUGUESE
REPRESENTATION
[07]
DALILA
RODRIGUES
01.
ART,
ECOLOGY
AND
RESISTANCE
GREENHOUSE:
CHOREOGRAPHIES
[12]
OF
THE
SOIL
AND
AFFECTIVE
ECOLOGIES
M
O
NICA
DE
MIRANDA
AND
SONIA
VAZ
BORGES
JUSTICE
AS
PLENTY
[17]
IMAGE
OF
THE
GARDEN
-
A
TAROT
READING,
ON
13
APRIL
2024
DENISE
FERREIRA
DA
SILVA
IMPERIAL
AMPHITHEATRES
[22]
JAMES
OSCAR
02.
CREOLE
GARDENS
CURATING
BEYOND
THE
IRREPARABLE
[38]
COUNTER-ARCHIVE
AND
HERITAGE
KITTY FURTADO
LMAGI(NI)NG
ALTERNATIVE
NARRATIVES
[42]
AND
FUTURES
VIA
A
CREOLE
GARDEN
LU
I
SA
SANTOS
HER-STORIES:
ECOLOGICAL
ARTWORKS
[50]
THROUGH
THE
DIASPORA
DEBORAH
WILLIS
06.
SCHOOLS
OF
THE
REVOLUTION
05.
LIVING
ARCHIVES
WITHIN
THE
WORD
QUINTAL
[110]
ONDJAKI
ON
SOUND
[111]
MARISSA
MOORMAN
PASSA
FOLHAS
OR
PASSING
LEAVES
[115]
THROUGH
THE
BODY
AND
PLOTTING
VANIA
GALA
MY
BLACK
GARDEN:
GROWING
[121]
BLACK
AESTHETICS
AS
JUSTICE
THOMAS
F.
DEFRANTZ
REMEMBERING
AND
DREAMING:
[136]
CRAFTING
REVOLUTIONARY
EDUCATIONAL
FUTURES
SONIA
VAZ
BORGES
AND
VIRG
I
LIO
VARELA
03.
ECOLOGIES
OF
CARE
I
CARRY
THESE
NAMES
WITH
ME
[64]
ELLEN
PIRA
WASSU
TRANSPLANTING
ECOLOGIES
OF
CARE
[65]
A
CONVERSATION
ON
GREENHOUSE
AND
CREOLE
GARDENS
RENEE
MUSSAI
AND
M
O
NICA
DE
MIRANDA
BIOGRAPHIES
[152]
IMAGE
CREDITS
[155]
BIBLIOGRAPHY
[157]
COLOPHON
[160]
04.
ECOLOGIES
OF
RESISTANCE
WEBS
OF
INTIMACY:
[86]
CULTIVATING
LIFE
IN
SMALL
SPACES
ANNA
ARABINDAN-KESSON
THE
SYLLABLES
OF
TREES
[90]
NATASHA
GINWALA
DECOLONISATION
AND
STRUGGLES
[95]
FOR
LAND
AND
TERRITORY:
PAST
AND
PRESENT
BOAVENTURA
MONJANE |
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| spelling | Greenhouse art, ecology & resistance edition curation and coordination: Sónia Vaz Borges, Mónica de Miranda La Biennale di Venezia, 60. Esposizione Internazionale d'Arte : Partecipazioni nazionali and First edition Milano Skira 2024 167 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: Portugal Pavilion at the 60th International Art Exhibition - La Biennale di Venezia, 20.04 - 24.11.2024, Palazzo Franchetti The publication Greenhouse interweaves texts from artists, curators, as well as theoreticians concerning themes of ecology, identity, history and diaspora in relation to contemporary artistic practices. Commissioned by DGARTES (Direção-Geral das Artes) in Portugal and curated by the artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, the pavilion reflects on and manifests the vision of Greenhouse, the official Portuguese representation at the 60th International Art Exhibition – La Biennale di Venezia. Looking at the soil as a vector of decolonial thinking and practice, and inspired by the agronomist and leader of the liberation struggle in Guiné-Bissau and Cabo Verde, Amílcar Cabral, the publication brings together historical narratives of ongoing liberations. It looks at contemporary decolonial practices, and imaginings of possible futures in the context of the Anthropocene and continued struggles against structural racism and for historical reparations. The texts are interwoven with images from the exhibition that proposes a collective action through the creation of a "Creole garden" inside the exhibition space. Situated at the intersection between practice, theory and pedagogy, Greenhouse is grounded in four actions: Garden (Installation, Space and Time), Living archive (Movement, Sound and Performance), Schools (Education, History and Revolution), Assemblies (Public and Communities). Together with these action, the "creole garden" blend a wide range of plant species, where they are transmitters of knowledge, survivance and resistance, and the practitioners of life in freedom Ökologie Motiv (DE-588)4338257-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Galleria Franchetti alla Ca' d'oro 20.04.2024-24.11.2024 Venedig gnd-content Ökologie Motiv (DE-588)4338257-5 s Kunst (DE-588)4114333-4 s DE-604 Vaz Borges, Sónia (DE-588)1185662766 edt aut Miranda, Monica de 1976- (DE-588)1029828601 edt aut Galleria Franchetti alla Ca' d'oro (Venedig) (DE-588)815169-6 his Biennale di Venezia 60. 2024 Venedig (DE-588)1328101215 oth V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035223361&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Greenhouse art, ecology & resistance Vaz Borges, Sónia Miranda, Monica de 1976- Ökologie Motiv (DE-588)4338257-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4338257-5 (DE-588)4114333-4 (DE-588)4135467-9 |
| title | Greenhouse art, ecology & resistance |
| title_alt | La Biennale di Venezia, 60. Esposizione Internazionale d'Arte : Partecipazioni nazionali and |
| title_auth | Greenhouse art, ecology & resistance |
| title_exact_search | Greenhouse art, ecology & resistance |
| title_full | Greenhouse art, ecology & resistance edition curation and coordination: Sónia Vaz Borges, Mónica de Miranda |
| title_fullStr | Greenhouse art, ecology & resistance edition curation and coordination: Sónia Vaz Borges, Mónica de Miranda |
| title_full_unstemmed | Greenhouse art, ecology & resistance edition curation and coordination: Sónia Vaz Borges, Mónica de Miranda |
| title_short | Greenhouse |
| title_sort | greenhouse art ecology resistance |
| title_sub | art, ecology & resistance |
| topic | Ökologie Motiv (DE-588)4338257-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Ökologie Motiv Kunst Ausstellungskatalog Galleria Franchetti alla Ca' d'oro 20.04.2024-24.11.2024 Venedig |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035223361&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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