Towards a film theory from below: archival film and the aesthetics of the crack-up
"This book explores the weird shapes that emerge when material elements interact with figurative content of the moving image. Employing the digitized first Czech films by Jan Kríženecký prompted the questions: is it possible to do film theory from below, from the perspective of a film object? C...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2024
|
Ausgabe: | First published |
Schriftenreihe: | Thinking|media
vol 21 |
Schlagworte: | |
Zusammenfassung: | "This book explores the weird shapes that emerge when material elements interact with figurative content of the moving image. Employing the digitized first Czech films by Jan Kríženecký prompted the questions: is it possible to do film theory from below, from the perspective of a film object? Could we treat accidents in moving images as full-fledged actors with distinctive aesthetic forms and functions? In these films, analog elements impinge upon the form and content of the moving images to create generative figures and shapes. Using digital technology, we can isolate these features and experiment with how they can be reimagined"-- |
Beschreibung: | x, 216 Seiten Illustrationen |
ISBN: | 9798765107263 9798765107270 |
Internformat
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245 | 1 | 0 | |a Towards a film theory from below |b archival film and the aesthetics of the crack-up |c Jiří Anger |
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338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Thinking|media |v vol 21 | |
520 | 3 | |a "This book explores the weird shapes that emerge when material elements interact with figurative content of the moving image. Employing the digitized first Czech films by Jan Kríženecký prompted the questions: is it possible to do film theory from below, from the perspective of a film object? Could we treat accidents in moving images as full-fledged actors with distinctive aesthetic forms and functions? In these films, analog elements impinge upon the form and content of the moving images to create generative figures and shapes. Using digital technology, we can isolate these features and experiment with how they can be reimagined"-- | |
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author | Anger, Jiří 1990- |
author_GND | (DE-588)1328351440 |
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id | DE-604.BV049883065 |
illustrated | Illustrated |
indexdate | 2024-10-17T14:02:17Z |
institution | BVB |
isbn | 9798765107263 9798765107270 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035222383 |
open_access_boolean | |
owner | DE-M472 DE-Po75 |
owner_facet | DE-M472 DE-Po75 |
physical | x, 216 Seiten Illustrationen |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Thinking|media |
spelling | Anger, Jiří 1990- Verfasser (DE-588)1328351440 aut Towards a film theory from below archival film and the aesthetics of the crack-up Jiří Anger First published New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2024 x, 216 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Thinking|media vol 21 "This book explores the weird shapes that emerge when material elements interact with figurative content of the moving image. Employing the digitized first Czech films by Jan Kríženecký prompted the questions: is it possible to do film theory from below, from the perspective of a film object? Could we treat accidents in moving images as full-fledged actors with distinctive aesthetic forms and functions? In these films, analog elements impinge upon the form and content of the moving images to create generative figures and shapes. Using digital technology, we can isolate these features and experiment with how they can be reimagined"-- Kříženecký, Jan 1868-1921 (DE-588)132736241 gnd rswk-swf Kříženecký, Jan / 1868-1921 / Criticism and interpretation Motion pictures / Aesthetics Motion pictures / Digitization Cinéma / Esthétique Cinéma / Numérisation Kříženecký, Jan / 1868-1921 / https://id.oclc.org/worldcat/entity/E39PBJjhxDJKPm7pyJXdh7ttKd Criticism, interpretation, etc Kříženecký, Jan 1868-1921 (DE-588)132736241 p DE-604 Erscheint auch als Online-Ausgabe, PDF 979-8-7651-0729-4 Erscheint auch als Online-Ausgabe 979-8-7651-0728-7 |
spellingShingle | Anger, Jiří 1990- Towards a film theory from below archival film and the aesthetics of the crack-up Kříženecký, Jan 1868-1921 (DE-588)132736241 gnd |
subject_GND | (DE-588)132736241 |
title | Towards a film theory from below archival film and the aesthetics of the crack-up |
title_auth | Towards a film theory from below archival film and the aesthetics of the crack-up |
title_exact_search | Towards a film theory from below archival film and the aesthetics of the crack-up |
title_full | Towards a film theory from below archival film and the aesthetics of the crack-up Jiří Anger |
title_fullStr | Towards a film theory from below archival film and the aesthetics of the crack-up Jiří Anger |
title_full_unstemmed | Towards a film theory from below archival film and the aesthetics of the crack-up Jiří Anger |
title_short | Towards a film theory from below |
title_sort | towards a film theory from below archival film and the aesthetics of the crack up |
title_sub | archival film and the aesthetics of the crack-up |
topic | Kříženecký, Jan 1868-1921 (DE-588)132736241 gnd |
topic_facet | Kříženecký, Jan 1868-1921 |
work_keys_str_mv | AT angerjiri towardsafilmtheoryfrombelowarchivalfilmandtheaestheticsofthecrackup |