Comforting myths: concerning the political in art
"In this collection of brief essays (the first originally a lecture), Rabih Alameddine questions the premise of dividing politics and art into an either/or proposition. He points to the underlying political nature of most works of literature and reveals how a political dimension enlarges a work...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Charlottesville ; London
University of Virginia Press
2024
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Schlagworte: | |
Zusammenfassung: | "In this collection of brief essays (the first originally a lecture), Rabih Alameddine questions the premise of dividing politics and art into an either/or proposition. He points to the underlying political nature of most works of literature and reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic. And he ponders what makes art political to begin with: how essential is the artist's conscious political intent, and what does the reader or viewer contribute to the work's political capacity or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an "other"." |
Beschreibung: | 82 Seiten |
ISBN: | 9780813952512 |
Internformat
MARC
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520 | 3 | |a "In this collection of brief essays (the first originally a lecture), Rabih Alameddine questions the premise of dividing politics and art into an either/or proposition. He points to the underlying political nature of most works of literature and reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic. And he ponders what makes art political to begin with: how essential is the artist's conscious political intent, and what does the reader or viewer contribute to the work's political capacity or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an "other"." | |
653 | 0 | |a Fiction / History and criticism | |
653 | 0 | |a Politics in literature | |
653 | 0 | |a Politics and literature | |
653 | 0 | |a Arts / Political aspects | |
653 | 0 | |a Roman / Histoire et critique | |
653 | 0 | |a Politique et littérature | |
653 | 0 | |a Arts / Aspect politique | |
653 | 0 | |a LANGUAGE ARTS & DISCIPLINES / Writing / Fiction Writing | |
653 | 0 | |a LITERARY CRITICISM / Subjects & Themes / Culture, Race & Ethnicity | |
653 | 6 | |a Essays | |
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943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035217060 |
Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Alameddine, Rabih 1959- |
author_GND | (DE-588)1032413948 |
author_facet | Alameddine, Rabih 1959- |
author_role | aut |
author_sort | Alameddine, Rabih 1959- |
author_variant | r a ra |
building | Verbundindex |
bvnumber | BV049877621 |
classification_rvk | LH 60200 |
ctrlnum | (DE-599)BVBBV049877621 |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV049877621 |
illustrated | Not Illustrated |
indexdate | 2025-01-10T17:11:32Z |
institution | BVB |
isbn | 9780813952512 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035217060 |
open_access_boolean | |
owner | DE-11 DE-12 |
owner_facet | DE-11 DE-12 |
physical | 82 Seiten |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | University of Virginia Press |
record_format | marc |
spelling | Alameddine, Rabih 1959- Verfasser (DE-588)1032413948 aut Comforting myths concerning the political in art Rabih Alameddine Charlottesville ; London University of Virginia Press 2024 82 Seiten txt rdacontent n rdamedia nc rdacarrier "In this collection of brief essays (the first originally a lecture), Rabih Alameddine questions the premise of dividing politics and art into an either/or proposition. He points to the underlying political nature of most works of literature and reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic. And he ponders what makes art political to begin with: how essential is the artist's conscious political intent, and what does the reader or viewer contribute to the work's political capacity or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an "other"." Fiction / History and criticism Politics in literature Politics and literature Arts / Political aspects Roman / Histoire et critique Politique et littérature Arts / Aspect politique LANGUAGE ARTS & DISCIPLINES / Writing / Fiction Writing LITERARY CRITICISM / Subjects & Themes / Culture, Race & Ethnicity Essays Erscheint auch als Online-Ausgabe 978-0-8139-5252-9 |
spellingShingle | Alameddine, Rabih 1959- Comforting myths concerning the political in art |
title | Comforting myths concerning the political in art |
title_auth | Comforting myths concerning the political in art |
title_exact_search | Comforting myths concerning the political in art |
title_full | Comforting myths concerning the political in art Rabih Alameddine |
title_fullStr | Comforting myths concerning the political in art Rabih Alameddine |
title_full_unstemmed | Comforting myths concerning the political in art Rabih Alameddine |
title_short | Comforting myths |
title_sort | comforting myths concerning the political in art |
title_sub | concerning the political in art |
work_keys_str_mv | AT alameddinerabih comfortingmythsconcerningthepoliticalinart |