The Creative Industries and International Business Development in Africa:
The Creative Industries and International Business Development in Africatakes an unorthodox approach to showcasing the trends and challenges of the contemporary creative economy with a view to positioning the sector for a global audience
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bingley
Emerald Publishing Limited
2022
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | DE-2070s |
| Zusammenfassung: | The Creative Industries and International Business Development in Africatakes an unorthodox approach to showcasing the trends and challenges of the contemporary creative economy with a view to positioning the sector for a global audience |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (190 Seiten) |
| ISBN: | 9781800713048 |
Internformat
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| 505 | 8 | |a Intro -- Half Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Tables and Figures -- About the Authors -- Foreword -- Preface -- Part I: The Landscape of Creative Industries in Africa -- Chapter 1: Introduction to the Landscape of Creative Industries in Africa -- 1.1 Introduction -- 1.2 The Creative Industries -- 1.3 International Business -- 1.4 Synopsis of Competing Books -- 1.5 Organisation of the Book -- 1.6 Summary and Conclusions -- References and Further Reading -- Chapter 2: Challenges and Opportunities of Africa's Creative Industries -- 2.1 Introduction -- 2.2 Challenges of the Creative Industries in Africa -- 2.2.1 Vulnerability and Resilience -- 2.3 Opportunities for Africa's Creative Industries -- 2.3.1 Canal+ and MultiChoice -- 2.4 Creative Economy Outlook and Country Profiles -- 2.5 Summary and Conclusions -- References and Further Reading -- Part II: Strategies for Developing Africa's Creative Industries -- Chapter 3: The African Creative Industry in a Free Trade Area -- 3.1 Introduction -- 3.2 Creative Industries in the AfCFTA -- 3.2.1 The AfCFTA and the 4th Industrial Revolution (4IR) -- 3.2.2 The Africa Regional Integration Index (ARII 2019) -- 3.3 AfCFTA Lockdown Webinars -- 3.4 AfCFTA and the Nigerian Creative Industries -- 3.4.1 Trade of Goods/Services -- 3.4.2 AfCFTA and IPRs -- 3.5 Summary and Conclusions -- References and Further Reading -- Chapter 4: Re-engaging with Europe and the Commonwealth in a Post-Brexit Era -- 4.1 Introduction -- 4.2 Europe and the West - African Art Investments and Challenges -- 4.3 Creative Industries and the Commonwealth Advantage -- 4.3.1 The CBWN -- 4.3.2 Commonwealth and Diasporic Engagement -- 4.3.3 Universal Music Group (UMG) - Partnering with Small Business -- 4.4 African Creative Industries: The Sleeping Giant | |
| 505 | 8 | |a 4.5 Fashionomics Africa and the African Development Bank (AfDB) -- 4.6 Summary and Conclusions -- References -- Part III: Digitalisation and African Creative industries -- Chapter 5: Africa in the Age of Digitalisation -- 5.1 Introduction -- 5.2 Overview of the Creative Industries and Digitisation in Africa -- 5.3 Advertising and Digitisation -- 5.4 Forced Digitisation of the Creative Industries -- 5.4.1 The Case of Nigeria -- 5.4.2 The Case of Ghana -- 5.5 Brand and Rebranding of the Creative Economy -- 5.6 Africa's Creative Industries and the Global Value Chain -- 5.7 Summary and Conclusions -- References -- Chapter 6: The Legal Landscape and Challenges -- 6.1 Introduction -- 6.2 Intellectual Property in Africa -- 6.2.1 IPRs in Kenya -- 6.2.2 IPRs in Rwanda -- 6.2.3 IPRs in Ghana -- 6.2.4 IPRs in Tanzania -- 6.2.5 IPRs in Botswana -- 6.2.6 IPRs in Nigeria -- 6.3 Summary and Conclusions -- References and Further Reading -- Part IV: Best Practice Case Studies -- Chapter 7: Value Co-creation of Places and Spaces in Africa's Creative Hubs -- 7.1 Introduction -- 7.2 Creative Hubs -- 7.3 African Tech Hubs Building a Budding Culture of Innovation -- 7.3.1 CcHub Nigeria -- 7.3.2 South African Cultural Observatory -- 7.3.3 Starplace Hub -- 7.3.4 Playable City Lagos -- 7.4 Other Places and Spaces: A Sectoral Journey -- 7.4.1 African Literature Sub-sector -- 7.4.2 Music Sub-sector -- 7.4.3 The Fashion Sub-sector -- 7.4.4 Design Spaces - Design Indaba South Africa -- 7.4.5 Art Galleries and Cultural Centres -- 7.4.5.1 Nike Center for Art and Culture, Osogbo, Nigeria -- 7.4.5.2 The BOF, Lagos, Nigeria -- 7.4.5.3 Dak'Art Biennial, Dakar, Senegal -- 7.4.5.4 Kó Art Space, Lagos, Nigeria -- 7.5 Conclusions -- References and Further Reading -- Chapter 8: Country Level Case Studies -- 8.1 Introduction -- 8.2 Sectoral Mapping of the African Creative Industries | |
| 505 | 8 | |a 8.2.1 Film Festival in Burkina Faso -- 8.2.2 Art Fairs, Galleries and Museums - The AGMs -- 8.2.2.1 Art Fairs -- 8.2.2.2 Galleries and Museums -- 8.2.3 Photography in Mali -- 8.2.4 Somalia Photography - Changing Perceptions and Narratives -- 8.3 Animation in Africa -- 8.3.1 Animation in Ghana -- 8.3.2 Animation in Nigeria -- 8.3.3 Animation in Djibouti -- 8.4 Forging Partnerships in Africa -- 8.4.1 Partnerships in Zimbabwe -- 8.4.2 Partnerships in Mozambique -- 8.4.3 Partnerships in Zambia -- 8.5 Streaming Services -- 8.5.1 Netflix in Africa -- 8.5.2 Amazon Prime and African Animation Projects -- 8.5.3 Spotify in Africa -- 8.5.4 Twitter and Jack Dorsey -- 8.6 Digital Publishing -- 8.7 Mobile/Video Games in Africa -- 8.8 Summary and Conclusions -- References and Further Reading -- Part V: Back to the Future -- Chapter 9: The Future of Africa's Creative Industries -- 9.1 Introduction -- 9.2 The Changing Landscape of the Creative Economy -- 9.2.1 Towards More Collaborative Cultural Governance -- 9.2.2 Changing the Focus from Urban to Rural -- 9.2.3 MyAfCFTA Nodes: Localising Creative Business Support in Africa -- 9.3 Creative Industries and the Sustainable Development Goals -- 9.4 Getting Animated - African Creative Industries -- 9.5 Playing to the Gallery -- 9.6 Confronting 'Wicked' Problems through WikiAfrica -- 9.7 Conclusions -- References and Further Reading -- Appendix -- A. Technology & -- Virtual Reality -- B. Restitution and Intellectual Property -- C. The Role and Place of Institutions -- D. Heritage & -- Tourism -- E. The Role of the Private Sector -- F. Institutions (Universities - Pan Atlantic Lagos, Nigeria -- Pretoria South Africa) -- Resources and Further Reading -- Index | |
| 520 | |a The Creative Industries and International Business Development in Africatakes an unorthodox approach to showcasing the trends and challenges of the contemporary creative economy with a view to positioning the sector for a global audience | ||
| 650 | 4 | |a Economic development-Africa | |
| 700 | 1 | |a Hinson, Robert Ebo |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Madichie, Nnamdi O. |t The Creative Industries and International Business Development in Africa |d Bingley : Emerald Publishing Limited,c2022 |z 9781800713031 |
| 912 | |a ZDB-30-PQE | ||
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Datensatz im Suchindex
| _version_ | 1810600638345641984 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Madichie, Nnamdi O. |
| author_facet | Madichie, Nnamdi O. |
| author_role | aut |
| author_sort | Madichie, Nnamdi O. |
| author_variant | n o m no nom |
| building | Verbundindex |
| bvnumber | BV049874179 |
| collection | ZDB-30-PQE |
| contents | Intro -- Half Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Tables and Figures -- About the Authors -- Foreword -- Preface -- Part I: The Landscape of Creative Industries in Africa -- Chapter 1: Introduction to the Landscape of Creative Industries in Africa -- 1.1 Introduction -- 1.2 The Creative Industries -- 1.3 International Business -- 1.4 Synopsis of Competing Books -- 1.5 Organisation of the Book -- 1.6 Summary and Conclusions -- References and Further Reading -- Chapter 2: Challenges and Opportunities of Africa's Creative Industries -- 2.1 Introduction -- 2.2 Challenges of the Creative Industries in Africa -- 2.2.1 Vulnerability and Resilience -- 2.3 Opportunities for Africa's Creative Industries -- 2.3.1 Canal+ and MultiChoice -- 2.4 Creative Economy Outlook and Country Profiles -- 2.5 Summary and Conclusions -- References and Further Reading -- Part II: Strategies for Developing Africa's Creative Industries -- Chapter 3: The African Creative Industry in a Free Trade Area -- 3.1 Introduction -- 3.2 Creative Industries in the AfCFTA -- 3.2.1 The AfCFTA and the 4th Industrial Revolution (4IR) -- 3.2.2 The Africa Regional Integration Index (ARII 2019) -- 3.3 AfCFTA Lockdown Webinars -- 3.4 AfCFTA and the Nigerian Creative Industries -- 3.4.1 Trade of Goods/Services -- 3.4.2 AfCFTA and IPRs -- 3.5 Summary and Conclusions -- References and Further Reading -- Chapter 4: Re-engaging with Europe and the Commonwealth in a Post-Brexit Era -- 4.1 Introduction -- 4.2 Europe and the West - African Art Investments and Challenges -- 4.3 Creative Industries and the Commonwealth Advantage -- 4.3.1 The CBWN -- 4.3.2 Commonwealth and Diasporic Engagement -- 4.3.3 Universal Music Group (UMG) - Partnering with Small Business -- 4.4 African Creative Industries: The Sleeping Giant 4.5 Fashionomics Africa and the African Development Bank (AfDB) -- 4.6 Summary and Conclusions -- References -- Part III: Digitalisation and African Creative industries -- Chapter 5: Africa in the Age of Digitalisation -- 5.1 Introduction -- 5.2 Overview of the Creative Industries and Digitisation in Africa -- 5.3 Advertising and Digitisation -- 5.4 Forced Digitisation of the Creative Industries -- 5.4.1 The Case of Nigeria -- 5.4.2 The Case of Ghana -- 5.5 Brand and Rebranding of the Creative Economy -- 5.6 Africa's Creative Industries and the Global Value Chain -- 5.7 Summary and Conclusions -- References -- Chapter 6: The Legal Landscape and Challenges -- 6.1 Introduction -- 6.2 Intellectual Property in Africa -- 6.2.1 IPRs in Kenya -- 6.2.2 IPRs in Rwanda -- 6.2.3 IPRs in Ghana -- 6.2.4 IPRs in Tanzania -- 6.2.5 IPRs in Botswana -- 6.2.6 IPRs in Nigeria -- 6.3 Summary and Conclusions -- References and Further Reading -- Part IV: Best Practice Case Studies -- Chapter 7: Value Co-creation of Places and Spaces in Africa's Creative Hubs -- 7.1 Introduction -- 7.2 Creative Hubs -- 7.3 African Tech Hubs Building a Budding Culture of Innovation -- 7.3.1 CcHub Nigeria -- 7.3.2 South African Cultural Observatory -- 7.3.3 Starplace Hub -- 7.3.4 Playable City Lagos -- 7.4 Other Places and Spaces: A Sectoral Journey -- 7.4.1 African Literature Sub-sector -- 7.4.2 Music Sub-sector -- 7.4.3 The Fashion Sub-sector -- 7.4.4 Design Spaces - Design Indaba South Africa -- 7.4.5 Art Galleries and Cultural Centres -- 7.4.5.1 Nike Center for Art and Culture, Osogbo, Nigeria -- 7.4.5.2 The BOF, Lagos, Nigeria -- 7.4.5.3 Dak'Art Biennial, Dakar, Senegal -- 7.4.5.4 Kó Art Space, Lagos, Nigeria -- 7.5 Conclusions -- References and Further Reading -- Chapter 8: Country Level Case Studies -- 8.1 Introduction -- 8.2 Sectoral Mapping of the African Creative Industries 8.2.1 Film Festival in Burkina Faso -- 8.2.2 Art Fairs, Galleries and Museums - The AGMs -- 8.2.2.1 Art Fairs -- 8.2.2.2 Galleries and Museums -- 8.2.3 Photography in Mali -- 8.2.4 Somalia Photography - Changing Perceptions and Narratives -- 8.3 Animation in Africa -- 8.3.1 Animation in Ghana -- 8.3.2 Animation in Nigeria -- 8.3.3 Animation in Djibouti -- 8.4 Forging Partnerships in Africa -- 8.4.1 Partnerships in Zimbabwe -- 8.4.2 Partnerships in Mozambique -- 8.4.3 Partnerships in Zambia -- 8.5 Streaming Services -- 8.5.1 Netflix in Africa -- 8.5.2 Amazon Prime and African Animation Projects -- 8.5.3 Spotify in Africa -- 8.5.4 Twitter and Jack Dorsey -- 8.6 Digital Publishing -- 8.7 Mobile/Video Games in Africa -- 8.8 Summary and Conclusions -- References and Further Reading -- Part V: Back to the Future -- Chapter 9: The Future of Africa's Creative Industries -- 9.1 Introduction -- 9.2 The Changing Landscape of the Creative Economy -- 9.2.1 Towards More Collaborative Cultural Governance -- 9.2.2 Changing the Focus from Urban to Rural -- 9.2.3 MyAfCFTA Nodes: Localising Creative Business Support in Africa -- 9.3 Creative Industries and the Sustainable Development Goals -- 9.4 Getting Animated - African Creative Industries -- 9.5 Playing to the Gallery -- 9.6 Confronting 'Wicked' Problems through WikiAfrica -- 9.7 Conclusions -- References and Further Reading -- Appendix -- A. Technology & -- Virtual Reality -- B. Restitution and Intellectual Property -- C. The Role and Place of Institutions -- D. Heritage & -- Tourism -- E. The Role of the Private Sector -- F. Institutions (Universities - Pan Atlantic Lagos, Nigeria -- Pretoria South Africa) -- Resources and Further Reading -- Index |
| ctrlnum | (ZDB-30-PQE)EBC6846500 (ZDB-30-PAD)EBC6846500 (ZDB-89-EBL)EBL6846500 (OCoLC)1292356513 (DE-599)BVBBV049874179 |
| dewey-full | 338.4770096 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 338 - Production |
| dewey-raw | 338.4770096 |
| dewey-search | 338.4770096 |
| dewey-sort | 3338.4770096 |
| dewey-tens | 330 - Economics |
| discipline | Wirtschaftswissenschaften |
| edition | 1st ed |
| format | Electronic eBook |
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| id | DE-604.BV049874179 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-19T05:22:05Z |
| institution | BVB |
| isbn | 9781800713048 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035213637 |
| oclc_num | 1292356513 |
| open_access_boolean | |
| owner | DE-2070s |
| owner_facet | DE-2070s |
| physical | 1 Online-Ressource (190 Seiten) |
| psigel | ZDB-30-PQE ZDB-30-PQE HWR_PDA_PQE |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Emerald Publishing Limited |
| record_format | marc |
| spelling | Madichie, Nnamdi O. Verfasser aut The Creative Industries and International Business Development in Africa 1st ed Bingley Emerald Publishing Limited 2022 ©2022 1 Online-Ressource (190 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Intro -- Half Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Tables and Figures -- About the Authors -- Foreword -- Preface -- Part I: The Landscape of Creative Industries in Africa -- Chapter 1: Introduction to the Landscape of Creative Industries in Africa -- 1.1 Introduction -- 1.2 The Creative Industries -- 1.3 International Business -- 1.4 Synopsis of Competing Books -- 1.5 Organisation of the Book -- 1.6 Summary and Conclusions -- References and Further Reading -- Chapter 2: Challenges and Opportunities of Africa's Creative Industries -- 2.1 Introduction -- 2.2 Challenges of the Creative Industries in Africa -- 2.2.1 Vulnerability and Resilience -- 2.3 Opportunities for Africa's Creative Industries -- 2.3.1 Canal+ and MultiChoice -- 2.4 Creative Economy Outlook and Country Profiles -- 2.5 Summary and Conclusions -- References and Further Reading -- Part II: Strategies for Developing Africa's Creative Industries -- Chapter 3: The African Creative Industry in a Free Trade Area -- 3.1 Introduction -- 3.2 Creative Industries in the AfCFTA -- 3.2.1 The AfCFTA and the 4th Industrial Revolution (4IR) -- 3.2.2 The Africa Regional Integration Index (ARII 2019) -- 3.3 AfCFTA Lockdown Webinars -- 3.4 AfCFTA and the Nigerian Creative Industries -- 3.4.1 Trade of Goods/Services -- 3.4.2 AfCFTA and IPRs -- 3.5 Summary and Conclusions -- References and Further Reading -- Chapter 4: Re-engaging with Europe and the Commonwealth in a Post-Brexit Era -- 4.1 Introduction -- 4.2 Europe and the West - African Art Investments and Challenges -- 4.3 Creative Industries and the Commonwealth Advantage -- 4.3.1 The CBWN -- 4.3.2 Commonwealth and Diasporic Engagement -- 4.3.3 Universal Music Group (UMG) - Partnering with Small Business -- 4.4 African Creative Industries: The Sleeping Giant 4.5 Fashionomics Africa and the African Development Bank (AfDB) -- 4.6 Summary and Conclusions -- References -- Part III: Digitalisation and African Creative industries -- Chapter 5: Africa in the Age of Digitalisation -- 5.1 Introduction -- 5.2 Overview of the Creative Industries and Digitisation in Africa -- 5.3 Advertising and Digitisation -- 5.4 Forced Digitisation of the Creative Industries -- 5.4.1 The Case of Nigeria -- 5.4.2 The Case of Ghana -- 5.5 Brand and Rebranding of the Creative Economy -- 5.6 Africa's Creative Industries and the Global Value Chain -- 5.7 Summary and Conclusions -- References -- Chapter 6: The Legal Landscape and Challenges -- 6.1 Introduction -- 6.2 Intellectual Property in Africa -- 6.2.1 IPRs in Kenya -- 6.2.2 IPRs in Rwanda -- 6.2.3 IPRs in Ghana -- 6.2.4 IPRs in Tanzania -- 6.2.5 IPRs in Botswana -- 6.2.6 IPRs in Nigeria -- 6.3 Summary and Conclusions -- References and Further Reading -- Part IV: Best Practice Case Studies -- Chapter 7: Value Co-creation of Places and Spaces in Africa's Creative Hubs -- 7.1 Introduction -- 7.2 Creative Hubs -- 7.3 African Tech Hubs Building a Budding Culture of Innovation -- 7.3.1 CcHub Nigeria -- 7.3.2 South African Cultural Observatory -- 7.3.3 Starplace Hub -- 7.3.4 Playable City Lagos -- 7.4 Other Places and Spaces: A Sectoral Journey -- 7.4.1 African Literature Sub-sector -- 7.4.2 Music Sub-sector -- 7.4.3 The Fashion Sub-sector -- 7.4.4 Design Spaces - Design Indaba South Africa -- 7.4.5 Art Galleries and Cultural Centres -- 7.4.5.1 Nike Center for Art and Culture, Osogbo, Nigeria -- 7.4.5.2 The BOF, Lagos, Nigeria -- 7.4.5.3 Dak'Art Biennial, Dakar, Senegal -- 7.4.5.4 Kó Art Space, Lagos, Nigeria -- 7.5 Conclusions -- References and Further Reading -- Chapter 8: Country Level Case Studies -- 8.1 Introduction -- 8.2 Sectoral Mapping of the African Creative Industries 8.2.1 Film Festival in Burkina Faso -- 8.2.2 Art Fairs, Galleries and Museums - The AGMs -- 8.2.2.1 Art Fairs -- 8.2.2.2 Galleries and Museums -- 8.2.3 Photography in Mali -- 8.2.4 Somalia Photography - Changing Perceptions and Narratives -- 8.3 Animation in Africa -- 8.3.1 Animation in Ghana -- 8.3.2 Animation in Nigeria -- 8.3.3 Animation in Djibouti -- 8.4 Forging Partnerships in Africa -- 8.4.1 Partnerships in Zimbabwe -- 8.4.2 Partnerships in Mozambique -- 8.4.3 Partnerships in Zambia -- 8.5 Streaming Services -- 8.5.1 Netflix in Africa -- 8.5.2 Amazon Prime and African Animation Projects -- 8.5.3 Spotify in Africa -- 8.5.4 Twitter and Jack Dorsey -- 8.6 Digital Publishing -- 8.7 Mobile/Video Games in Africa -- 8.8 Summary and Conclusions -- References and Further Reading -- Part V: Back to the Future -- Chapter 9: The Future of Africa's Creative Industries -- 9.1 Introduction -- 9.2 The Changing Landscape of the Creative Economy -- 9.2.1 Towards More Collaborative Cultural Governance -- 9.2.2 Changing the Focus from Urban to Rural -- 9.2.3 MyAfCFTA Nodes: Localising Creative Business Support in Africa -- 9.3 Creative Industries and the Sustainable Development Goals -- 9.4 Getting Animated - African Creative Industries -- 9.5 Playing to the Gallery -- 9.6 Confronting 'Wicked' Problems through WikiAfrica -- 9.7 Conclusions -- References and Further Reading -- Appendix -- A. Technology & -- Virtual Reality -- B. Restitution and Intellectual Property -- C. The Role and Place of Institutions -- D. Heritage & -- Tourism -- E. The Role of the Private Sector -- F. Institutions (Universities - Pan Atlantic Lagos, Nigeria -- Pretoria South Africa) -- Resources and Further Reading -- Index The Creative Industries and International Business Development in Africatakes an unorthodox approach to showcasing the trends and challenges of the contemporary creative economy with a view to positioning the sector for a global audience Economic development-Africa Hinson, Robert Ebo Sonstige oth Erscheint auch als Druck-Ausgabe Madichie, Nnamdi O. The Creative Industries and International Business Development in Africa Bingley : Emerald Publishing Limited,c2022 9781800713031 |
| spellingShingle | Madichie, Nnamdi O. The Creative Industries and International Business Development in Africa Intro -- Half Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Tables and Figures -- About the Authors -- Foreword -- Preface -- Part I: The Landscape of Creative Industries in Africa -- Chapter 1: Introduction to the Landscape of Creative Industries in Africa -- 1.1 Introduction -- 1.2 The Creative Industries -- 1.3 International Business -- 1.4 Synopsis of Competing Books -- 1.5 Organisation of the Book -- 1.6 Summary and Conclusions -- References and Further Reading -- Chapter 2: Challenges and Opportunities of Africa's Creative Industries -- 2.1 Introduction -- 2.2 Challenges of the Creative Industries in Africa -- 2.2.1 Vulnerability and Resilience -- 2.3 Opportunities for Africa's Creative Industries -- 2.3.1 Canal+ and MultiChoice -- 2.4 Creative Economy Outlook and Country Profiles -- 2.5 Summary and Conclusions -- References and Further Reading -- Part II: Strategies for Developing Africa's Creative Industries -- Chapter 3: The African Creative Industry in a Free Trade Area -- 3.1 Introduction -- 3.2 Creative Industries in the AfCFTA -- 3.2.1 The AfCFTA and the 4th Industrial Revolution (4IR) -- 3.2.2 The Africa Regional Integration Index (ARII 2019) -- 3.3 AfCFTA Lockdown Webinars -- 3.4 AfCFTA and the Nigerian Creative Industries -- 3.4.1 Trade of Goods/Services -- 3.4.2 AfCFTA and IPRs -- 3.5 Summary and Conclusions -- References and Further Reading -- Chapter 4: Re-engaging with Europe and the Commonwealth in a Post-Brexit Era -- 4.1 Introduction -- 4.2 Europe and the West - African Art Investments and Challenges -- 4.3 Creative Industries and the Commonwealth Advantage -- 4.3.1 The CBWN -- 4.3.2 Commonwealth and Diasporic Engagement -- 4.3.3 Universal Music Group (UMG) - Partnering with Small Business -- 4.4 African Creative Industries: The Sleeping Giant 4.5 Fashionomics Africa and the African Development Bank (AfDB) -- 4.6 Summary and Conclusions -- References -- Part III: Digitalisation and African Creative industries -- Chapter 5: Africa in the Age of Digitalisation -- 5.1 Introduction -- 5.2 Overview of the Creative Industries and Digitisation in Africa -- 5.3 Advertising and Digitisation -- 5.4 Forced Digitisation of the Creative Industries -- 5.4.1 The Case of Nigeria -- 5.4.2 The Case of Ghana -- 5.5 Brand and Rebranding of the Creative Economy -- 5.6 Africa's Creative Industries and the Global Value Chain -- 5.7 Summary and Conclusions -- References -- Chapter 6: The Legal Landscape and Challenges -- 6.1 Introduction -- 6.2 Intellectual Property in Africa -- 6.2.1 IPRs in Kenya -- 6.2.2 IPRs in Rwanda -- 6.2.3 IPRs in Ghana -- 6.2.4 IPRs in Tanzania -- 6.2.5 IPRs in Botswana -- 6.2.6 IPRs in Nigeria -- 6.3 Summary and Conclusions -- References and Further Reading -- Part IV: Best Practice Case Studies -- Chapter 7: Value Co-creation of Places and Spaces in Africa's Creative Hubs -- 7.1 Introduction -- 7.2 Creative Hubs -- 7.3 African Tech Hubs Building a Budding Culture of Innovation -- 7.3.1 CcHub Nigeria -- 7.3.2 South African Cultural Observatory -- 7.3.3 Starplace Hub -- 7.3.4 Playable City Lagos -- 7.4 Other Places and Spaces: A Sectoral Journey -- 7.4.1 African Literature Sub-sector -- 7.4.2 Music Sub-sector -- 7.4.3 The Fashion Sub-sector -- 7.4.4 Design Spaces - Design Indaba South Africa -- 7.4.5 Art Galleries and Cultural Centres -- 7.4.5.1 Nike Center for Art and Culture, Osogbo, Nigeria -- 7.4.5.2 The BOF, Lagos, Nigeria -- 7.4.5.3 Dak'Art Biennial, Dakar, Senegal -- 7.4.5.4 Kó Art Space, Lagos, Nigeria -- 7.5 Conclusions -- References and Further Reading -- Chapter 8: Country Level Case Studies -- 8.1 Introduction -- 8.2 Sectoral Mapping of the African Creative Industries 8.2.1 Film Festival in Burkina Faso -- 8.2.2 Art Fairs, Galleries and Museums - The AGMs -- 8.2.2.1 Art Fairs -- 8.2.2.2 Galleries and Museums -- 8.2.3 Photography in Mali -- 8.2.4 Somalia Photography - Changing Perceptions and Narratives -- 8.3 Animation in Africa -- 8.3.1 Animation in Ghana -- 8.3.2 Animation in Nigeria -- 8.3.3 Animation in Djibouti -- 8.4 Forging Partnerships in Africa -- 8.4.1 Partnerships in Zimbabwe -- 8.4.2 Partnerships in Mozambique -- 8.4.3 Partnerships in Zambia -- 8.5 Streaming Services -- 8.5.1 Netflix in Africa -- 8.5.2 Amazon Prime and African Animation Projects -- 8.5.3 Spotify in Africa -- 8.5.4 Twitter and Jack Dorsey -- 8.6 Digital Publishing -- 8.7 Mobile/Video Games in Africa -- 8.8 Summary and Conclusions -- References and Further Reading -- Part V: Back to the Future -- Chapter 9: The Future of Africa's Creative Industries -- 9.1 Introduction -- 9.2 The Changing Landscape of the Creative Economy -- 9.2.1 Towards More Collaborative Cultural Governance -- 9.2.2 Changing the Focus from Urban to Rural -- 9.2.3 MyAfCFTA Nodes: Localising Creative Business Support in Africa -- 9.3 Creative Industries and the Sustainable Development Goals -- 9.4 Getting Animated - African Creative Industries -- 9.5 Playing to the Gallery -- 9.6 Confronting 'Wicked' Problems through WikiAfrica -- 9.7 Conclusions -- References and Further Reading -- Appendix -- A. Technology & -- Virtual Reality -- B. Restitution and Intellectual Property -- C. The Role and Place of Institutions -- D. Heritage & -- Tourism -- E. The Role of the Private Sector -- F. Institutions (Universities - Pan Atlantic Lagos, Nigeria -- Pretoria South Africa) -- Resources and Further Reading -- Index Economic development-Africa |
| title | The Creative Industries and International Business Development in Africa |
| title_auth | The Creative Industries and International Business Development in Africa |
| title_exact_search | The Creative Industries and International Business Development in Africa |
| title_full | The Creative Industries and International Business Development in Africa |
| title_fullStr | The Creative Industries and International Business Development in Africa |
| title_full_unstemmed | The Creative Industries and International Business Development in Africa |
| title_short | The Creative Industries and International Business Development in Africa |
| title_sort | the creative industries and international business development in africa |
| topic | Economic development-Africa |
| topic_facet | Economic development-Africa |
| work_keys_str_mv | AT madichiennamdio thecreativeindustriesandinternationalbusinessdevelopmentinafrica AT hinsonrobertebo thecreativeindustriesandinternationalbusinessdevelopmentinafrica |