Óptica de virtudes e indecencias: iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII
The study of female musical creativity in eighteenth-century New Spain has been limited almost exclusively to an examination of the institutions, the ways in which girls were educated, and the presence of music in these spaces. The present essay is devoted to the role of music within the female imag...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | Spanish |
| Veröffentlicht: |
2024
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| Schlagworte: | |
| Zusammenfassung: | The study of female musical creativity in eighteenth-century New Spain has been limited almost exclusively to an examination of the institutions, the ways in which girls were educated, and the presence of music in these spaces. The present essay is devoted to the role of music within the female imaginary as established by the civil and religious powers of the viceroyalty. On the basis of a wide range of sources the ex-voto, the moral or didactic painting, the folding screen and other examples of applied art, the female portrait¬a categorization is proposed according to the social stratum of Novohispanic female musicians (nuns and courtesans, comedians who performed on the public stage, ladies of lineage, Creole or indigenous). Special emphasis will be given to the analysis of works of art inspired by contemporary European graphic production. In analyzing these pictorial testimonies, this essay focuses on the symbolic dimension of music-making in order to determine to what extent and from what discursive resources musical iconography contributes to a better understanding of the social and ideological projection of the feminine in New Spain. |
| Beschreibung: | Illustrationen |
| ISSN: | 0255-8831 |
Internformat
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| 520 | 3 | |a The study of female musical creativity in eighteenth-century New Spain has been limited almost exclusively to an examination of the institutions, the ways in which girls were educated, and the presence of music in these spaces. The present essay is devoted to the role of music within the female imaginary as established by the civil and religious powers of the viceroyalty. On the basis of a wide range of sources the ex-voto, the moral or didactic painting, the folding screen and other examples of applied art, the female portrait¬a categorization is proposed according to the social stratum of Novohispanic female musicians (nuns and courtesans, comedians who performed on the public stage, ladies of lineage, Creole or indigenous). Special emphasis will be given to the analysis of works of art inspired by contemporary European graphic production. In analyzing these pictorial testimonies, this essay focuses on the symbolic dimension of music-making in order to determine to what extent and from what discursive resources musical iconography contributes to a better understanding of the social and ideological projection of the feminine in New Spain. | |
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| spelling | Roubina, Evguenia Verfasser (DE-588)141620641 aut Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII Evguenia Roubina 2024 Illustrationen txt rdacontent n rdamedia nc rdacarrier The study of female musical creativity in eighteenth-century New Spain has been limited almost exclusively to an examination of the institutions, the ways in which girls were educated, and the presence of music in these spaces. The present essay is devoted to the role of music within the female imaginary as established by the civil and religious powers of the viceroyalty. On the basis of a wide range of sources the ex-voto, the moral or didactic painting, the folding screen and other examples of applied art, the female portrait¬a categorization is proposed according to the social stratum of Novohispanic female musicians (nuns and courtesans, comedians who performed on the public stage, ladies of lineage, Creole or indigenous). Special emphasis will be given to the analysis of works of art inspired by contemporary European graphic production. In analyzing these pictorial testimonies, this essay focuses on the symbolic dimension of music-making in order to determine to what extent and from what discursive resources musical iconography contributes to a better understanding of the social and ideological projection of the feminine in New Spain. Zusammenfassung in englischer Sprache Geschichte 1700-1800 gnd rswk-swf Musikerin Motiv (DE-588)4338654-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Musizieren Motiv (DE-588)4233675-2 gnd rswk-swf Neuspanien (DE-588)4041919-8 gnd rswk-swf Neuspanien (DE-588)4041919-8 g Kunst (DE-588)4114333-4 s Musikerin Motiv (DE-588)4338654-4 s Musizieren Motiv (DE-588)4233675-2 s Geschichte 1700-1800 z DE-604 volume:33 year:2024 pages:65-120 Imago musicae / publ. under the auspices of RIdIM and the International Council for Traditional Music (ICTM) Lucca, 2024 33 (2024), Seite 65-120 (DE-604)BV002599309 0255-8831 (DE-600)622852-5 |
| spellingShingle | Roubina, Evguenia Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII Musikerin Motiv (DE-588)4338654-4 gnd Kunst (DE-588)4114333-4 gnd Musizieren Motiv (DE-588)4233675-2 gnd |
| subject_GND | (DE-588)4338654-4 (DE-588)4114333-4 (DE-588)4233675-2 (DE-588)4041919-8 |
| title | Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII |
| title_auth | Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII |
| title_exact_search | Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII |
| title_full | Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII Evguenia Roubina |
| title_fullStr | Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII Evguenia Roubina |
| title_full_unstemmed | Óptica de virtudes e indecencias iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII Evguenia Roubina |
| title_short | Óptica de virtudes e indecencias |
| title_sort | optica de virtudes e indecencias iconografia musical y la conceptualizacion de lo femenino en el ideario novohispano del siglo xviii |
| title_sub | iconografía musical y la conceptualización de lo femenino en el ideario novohispano del siglo XVIII |
| topic | Musikerin Motiv (DE-588)4338654-4 gnd Kunst (DE-588)4114333-4 gnd Musizieren Motiv (DE-588)4233675-2 gnd |
| topic_facet | Musikerin Motiv Kunst Musizieren Motiv Neuspanien |
| work_keys_str_mv | AT roubinaevguenia opticadevirtudeseindecenciasiconografiamusicalylaconceptualizaciondelofemeninoenelidearionovohispanodelsigloxviii |