Fictional games: a philosophy of worldbuilding and imaginary play
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2024
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 198 Seiten Illustrationen |
| ISBN: | 9781350277120 |
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Datensatz im Suchindex
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Contents List of Figures vii Foreword ix Acknowledgements xv Introduction Four uses of fictional games 1 2 3 4 1 8 Chapter outlines Glossary 10 13 References 16 On Fictional Games 19 1,1 Playing fictional games? 24 1.2 The unplayability of fictional games 31 1.3 Ground and figure: The gestalt of fictional games 46 References 52 Fictional Games and Ideology 2.1 The representation of virtues and vices in fictional games 59 68 2.2 Play without labour in Quintet 73 2.3 Conclusions 79 References 81 Fictional Games as Utopian Devices 3.1 The game of Azad and indeterminacy 87 95 3.2 Thinking outside the game in The Running Man 102 3.3 Conclusions 110 References 112 Fictional Games as Deceptions and Hallucinations 4.1 Roy: A Life Well Lived (within the Machine) 117 125 4.2 Being played by The Game 4.3 Conclusions 133 141 References 142
Contents vi 5 6 Fictional Games and Transcendence 5.1 Transcendence and technological fatalism in Diamond Dogs 145 152 5.2 Transcendence of the self in eXistenZ 5.3 Conclusions 158 165 References 167 Concluding Thoughts 171 6.1 Meta-referential fictional games and satire 6.2 Directions for future research 174 178 References 180 Appendix: A Compendium of Fictional Games Cited in the Book 183 Index 195
What roles do imaginary games have in storytelling? Why do fiction authors outline the rules of a game that the audience will never play? Combining perspectives from philosophy, literary theory and game studies, this book provides the first-in-depth investigation into the significance of fictional games within fictional worlds. With examples from contemporary cinema and literature, from The Hunger Comes to lain Μ. Banks, Cualeni and Fassone introduce five key functions that imaginary games have in worldbuilding. In doing so, Fictional Games inspires us to consider imaginary games anew: not just as moments of playful reprieve, but as multi-layered expressive devices. STEFANO CUALENI is Associate Professor at the Institute of Digital Games at the University of Malta, Malta. RICCARDO FASSONE is Associate Professor in the Department of Humanities at the University of Turin, Italy. |
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| spellingShingle | Gualeni, Stefano 1978- Fassone, Riccardo Fictional games a philosophy of worldbuilding and imaginary play Science-Fiction-Literatur (DE-588)4054021-2 gnd Spiel Motiv (DE-588)4295927-5 gnd Virtuelle Realität Motiv (DE-588)4824201-9 gnd Virtuelle Realität (DE-588)4399931-1 gnd Imaginärer Schauplatz (DE-588)4161292-9 gnd Roman (DE-588)4050479-7 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Englisch (DE-588)4014777-0 gnd Philosophie (DE-588)4045791-6 gnd |
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| title | Fictional games a philosophy of worldbuilding and imaginary play |
| title_auth | Fictional games a philosophy of worldbuilding and imaginary play |
| title_exact_search | Fictional games a philosophy of worldbuilding and imaginary play |
| title_full | Fictional games a philosophy of worldbuilding and imaginary play Stefano Gualeni and Riccardo Fassone |
| title_fullStr | Fictional games a philosophy of worldbuilding and imaginary play Stefano Gualeni and Riccardo Fassone |
| title_full_unstemmed | Fictional games a philosophy of worldbuilding and imaginary play Stefano Gualeni and Riccardo Fassone |
| title_short | Fictional games |
| title_sort | fictional games a philosophy of worldbuilding and imaginary play |
| title_sub | a philosophy of worldbuilding and imaginary play |
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