A companion to British-Jewish theatre since the 1950s:
The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first g...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London, UK ; New York, NY
Bloomsbury Methuen Drama
2022
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Methuen Drama engage
|
| Schlagworte: | |
| Zusammenfassung: | The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies |
| Beschreibung: | ix, 259 Seiten 22 cm |
| ISBN: | 9781350211957 1350211958 |
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| 245 | 1 | 0 | |a A companion to British-Jewish theatre since the 1950s |c edited by Jeanette R. Malkin, Eckart Voigts abd Sarah Jane Ablett |
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| 505 | 8 | 0 | |t Invisible Otherness: An Introduction to British-Jewish Theatre since the 1950s |r Jeanette R. Malkin |t The Post-War East End Scene: Pinter, Wesker, Berkoff, Kops -- |t The Theatre of Arnold Wesker: Didactic, Utopian, Biblical |r Peter Lawson |t Restaging the Jewish East End: Bernard Kops and Steven Berkoff |r Jeremy Solomons |t The Theatre of Harold Pinter: Staging Indefinable and Divided 'Jewishness' |r Peter Lawson |t A Jew Who Writes: The Shadow of the Holocaust in Harold Pinter's Work |r Mark Taylor-Batty |t Force Fields and Fault Lines: The Holocaust, Antisemitism and the Israel-Palestine Conflict -- |t British Holocaust Memory and Polish Holocaust Commemoration: Eva Hoffman's Play, The Ceremony |r Phyllis Lassner |t Dramatic Responses to the Resurgence of Antisemitism: On Trial -- the Blood Qbel, Arnold Wesker and Steven Berkoff |r Axel Stahler |t Representing the Israel-Palestine Conflict in Contemporary British-Jewish Theatre |r Mike Witcombe |t Contemporary British-Jewish Playwrights and Theatres in Britain: Continuities and Departures -- |t 'Affiliation and Belonging': Contemporary British-Jewish Women Playwrights |r Sarah fane Ablett |t Three Ways of Being a Contemporary British-Jewish Playwright: Tom Stoppard, Patrick Marber, Ryan Craig |r Jeanette R. Malkin |t Staging Jewishness in the Twenty-First Century: Reflections on Key London Venues |r Cyrielle Garson |t Television Drama -- |t British-Jewish Television Drama: Jack Rosenthal to the Present |r Sue Vice |t 'It Was F***ing Biblical, Mate': The Maturing of British Television Drama |r Nathan Abrams |
| 505 | 8 | 0 | |t Interviews with Contemporary British-Jewish Theatre Artists (2017-2018) -- |t Nicholas Hytner -- |t Julia Pascal -- |t Patrick Marber -- |t Ryan Craig -- |t John Nathan |
| 520 | 3 | |a The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies | |
| 653 | 0 | |a Jewish theater / Great Britain / History / 20th century | |
| 653 | 0 | |a Jewish theater / Great Britain / History / 21st century | |
| 653 | 0 | |a Théâtre juif / Grande-Bretagne / Histoire / 20e siècle | |
| 653 | 0 | |a Théâtre juif / Grande-Bretagne / Histoire / 21e siècle | |
| 653 | 0 | |a Jewish theater | |
| 653 | 2 | |a Great Britain / https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 653 | 0 | |a Jewish theater / England / History | |
| 653 | 0 | |a Jews / Great Britain / History / 1945- | |
| 653 | 0 | |a English drama / Jewish authors / History and criticism | |
| 653 | 0 | |a Holocaust, Jewish (1939-1945), in literature | |
| 653 | 0 | |a Antisemitism in literature | |
| 653 | 0 | |a Arab-Israeli conflict / Literature and the conflict | |
| 653 | 4 | |a 1900-2099 | |
| 653 | 6 | |a History | |
| 700 | 1 | |a Voigts, Eckart |d 1964- |e Sonstige |0 (DE-588)114694206 |4 oth | |
| 700 | 1 | |a Ablett, Sarah J. |d 1983- |e Sonstige |0 (DE-588)1136488766 |4 oth | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035207864 | |
Datensatz im Suchindex
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|---|---|
| adam_text | |
| any_adam_object | |
| author | Malkin, Jeanette R. 1951- |
| author_GND | (DE-588)142573159 (DE-588)114694206 (DE-588)1136488766 |
| author_additional | Jeanette R. Malkin Peter Lawson Jeremy Solomons Mark Taylor-Batty Phyllis Lassner Axel Stahler Mike Witcombe Sarah fane Ablett Cyrielle Garson Sue Vice Nathan Abrams |
| author_facet | Malkin, Jeanette R. 1951- |
| author_role | aut |
| author_sort | Malkin, Jeanette R. 1951- |
| author_variant | j r m jr jrm |
| building | Verbundindex |
| bvnumber | BV049868328 |
| contents | Invisible Otherness: An Introduction to British-Jewish Theatre since the 1950s The Post-War East End Scene: Pinter, Wesker, Berkoff, Kops -- The Theatre of Arnold Wesker: Didactic, Utopian, Biblical Restaging the Jewish East End: Bernard Kops and Steven Berkoff The Theatre of Harold Pinter: Staging Indefinable and Divided 'Jewishness' A Jew Who Writes: The Shadow of the Holocaust in Harold Pinter's Work Force Fields and Fault Lines: The Holocaust, Antisemitism and the Israel-Palestine Conflict -- British Holocaust Memory and Polish Holocaust Commemoration: Eva Hoffman's Play, The Ceremony Dramatic Responses to the Resurgence of Antisemitism: On Trial -- the Blood Qbel, Arnold Wesker and Steven Berkoff Representing the Israel-Palestine Conflict in Contemporary British-Jewish Theatre Contemporary British-Jewish Playwrights and Theatres in Britain: Continuities and Departures -- 'Affiliation and Belonging': Contemporary British-Jewish Women Playwrights Three Ways of Being a Contemporary British-Jewish Playwright: Tom Stoppard, Patrick Marber, Ryan Craig Staging Jewishness in the Twenty-First Century: Reflections on Key London Venues Television Drama -- British-Jewish Television Drama: Jack Rosenthal to the Present 'It Was F***ing Biblical, Mate': The Maturing of British Television Drama Interviews with Contemporary British-Jewish Theatre Artists (2017-2018) -- Nicholas Hytner -- Julia Pascal -- Patrick Marber -- Ryan Craig -- John Nathan |
| ctrlnum | (OCoLC)1286312584 (DE-599)BVBBV049868328 |
| edition | Paperback edition |
| format | Book |
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| id | DE-604.BV049868328 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-16T14:01:58Z |
| institution | BVB |
| isbn | 9781350211957 1350211958 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035207864 |
| oclc_num | 1286312584 |
| open_access_boolean | |
| owner | DE-29 |
| owner_facet | DE-29 |
| physical | ix, 259 Seiten 22 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury Methuen Drama |
| record_format | marc |
| series2 | Methuen Drama engage |
| spelling | Malkin, Jeanette R. 1951- Verfasser (DE-588)142573159 aut A companion to British-Jewish theatre since the 1950s edited by Jeanette R. Malkin, Eckart Voigts abd Sarah Jane Ablett Paperback edition London, UK ; New York, NY Bloomsbury Methuen Drama 2022 ix, 259 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Methuen Drama engage Invisible Otherness: An Introduction to British-Jewish Theatre since the 1950s Jeanette R. Malkin The Post-War East End Scene: Pinter, Wesker, Berkoff, Kops -- The Theatre of Arnold Wesker: Didactic, Utopian, Biblical Peter Lawson Restaging the Jewish East End: Bernard Kops and Steven Berkoff Jeremy Solomons The Theatre of Harold Pinter: Staging Indefinable and Divided 'Jewishness' Peter Lawson A Jew Who Writes: The Shadow of the Holocaust in Harold Pinter's Work Mark Taylor-Batty Force Fields and Fault Lines: The Holocaust, Antisemitism and the Israel-Palestine Conflict -- British Holocaust Memory and Polish Holocaust Commemoration: Eva Hoffman's Play, The Ceremony Phyllis Lassner Dramatic Responses to the Resurgence of Antisemitism: On Trial -- the Blood Qbel, Arnold Wesker and Steven Berkoff Axel Stahler Representing the Israel-Palestine Conflict in Contemporary British-Jewish Theatre Mike Witcombe Contemporary British-Jewish Playwrights and Theatres in Britain: Continuities and Departures -- 'Affiliation and Belonging': Contemporary British-Jewish Women Playwrights Sarah fane Ablett Three Ways of Being a Contemporary British-Jewish Playwright: Tom Stoppard, Patrick Marber, Ryan Craig Jeanette R. Malkin Staging Jewishness in the Twenty-First Century: Reflections on Key London Venues Cyrielle Garson Television Drama -- British-Jewish Television Drama: Jack Rosenthal to the Present Sue Vice 'It Was F***ing Biblical, Mate': The Maturing of British Television Drama Nathan Abrams Interviews with Contemporary British-Jewish Theatre Artists (2017-2018) -- Nicholas Hytner -- Julia Pascal -- Patrick Marber -- Ryan Craig -- John Nathan The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies Jewish theater / Great Britain / History / 20th century Jewish theater / Great Britain / History / 21st century Théâtre juif / Grande-Bretagne / Histoire / 20e siècle Théâtre juif / Grande-Bretagne / Histoire / 21e siècle Jewish theater Great Britain / https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Jewish theater / England / History Jews / Great Britain / History / 1945- English drama / Jewish authors / History and criticism Holocaust, Jewish (1939-1945), in literature Antisemitism in literature Arab-Israeli conflict / Literature and the conflict 1900-2099 History Voigts, Eckart 1964- Sonstige (DE-588)114694206 oth Ablett, Sarah J. 1983- Sonstige (DE-588)1136488766 oth |
| spellingShingle | Malkin, Jeanette R. 1951- A companion to British-Jewish theatre since the 1950s Invisible Otherness: An Introduction to British-Jewish Theatre since the 1950s The Post-War East End Scene: Pinter, Wesker, Berkoff, Kops -- The Theatre of Arnold Wesker: Didactic, Utopian, Biblical Restaging the Jewish East End: Bernard Kops and Steven Berkoff The Theatre of Harold Pinter: Staging Indefinable and Divided 'Jewishness' A Jew Who Writes: The Shadow of the Holocaust in Harold Pinter's Work Force Fields and Fault Lines: The Holocaust, Antisemitism and the Israel-Palestine Conflict -- British Holocaust Memory and Polish Holocaust Commemoration: Eva Hoffman's Play, The Ceremony Dramatic Responses to the Resurgence of Antisemitism: On Trial -- the Blood Qbel, Arnold Wesker and Steven Berkoff Representing the Israel-Palestine Conflict in Contemporary British-Jewish Theatre Contemporary British-Jewish Playwrights and Theatres in Britain: Continuities and Departures -- 'Affiliation and Belonging': Contemporary British-Jewish Women Playwrights Three Ways of Being a Contemporary British-Jewish Playwright: Tom Stoppard, Patrick Marber, Ryan Craig Staging Jewishness in the Twenty-First Century: Reflections on Key London Venues Television Drama -- British-Jewish Television Drama: Jack Rosenthal to the Present 'It Was F***ing Biblical, Mate': The Maturing of British Television Drama Interviews with Contemporary British-Jewish Theatre Artists (2017-2018) -- Nicholas Hytner -- Julia Pascal -- Patrick Marber -- Ryan Craig -- John Nathan |
| title | A companion to British-Jewish theatre since the 1950s |
| title_alt | Invisible Otherness: An Introduction to British-Jewish Theatre since the 1950s The Post-War East End Scene: Pinter, Wesker, Berkoff, Kops -- The Theatre of Arnold Wesker: Didactic, Utopian, Biblical Restaging the Jewish East End: Bernard Kops and Steven Berkoff The Theatre of Harold Pinter: Staging Indefinable and Divided 'Jewishness' A Jew Who Writes: The Shadow of the Holocaust in Harold Pinter's Work Force Fields and Fault Lines: The Holocaust, Antisemitism and the Israel-Palestine Conflict -- British Holocaust Memory and Polish Holocaust Commemoration: Eva Hoffman's Play, The Ceremony Dramatic Responses to the Resurgence of Antisemitism: On Trial -- the Blood Qbel, Arnold Wesker and Steven Berkoff Representing the Israel-Palestine Conflict in Contemporary British-Jewish Theatre Contemporary British-Jewish Playwrights and Theatres in Britain: Continuities and Departures -- 'Affiliation and Belonging': Contemporary British-Jewish Women Playwrights Three Ways of Being a Contemporary British-Jewish Playwright: Tom Stoppard, Patrick Marber, Ryan Craig Staging Jewishness in the Twenty-First Century: Reflections on Key London Venues Television Drama -- British-Jewish Television Drama: Jack Rosenthal to the Present 'It Was F***ing Biblical, Mate': The Maturing of British Television Drama Interviews with Contemporary British-Jewish Theatre Artists (2017-2018) -- Nicholas Hytner -- Julia Pascal -- Patrick Marber -- Ryan Craig -- John Nathan |
| title_auth | A companion to British-Jewish theatre since the 1950s |
| title_exact_search | A companion to British-Jewish theatre since the 1950s |
| title_full | A companion to British-Jewish theatre since the 1950s edited by Jeanette R. Malkin, Eckart Voigts abd Sarah Jane Ablett |
| title_fullStr | A companion to British-Jewish theatre since the 1950s edited by Jeanette R. Malkin, Eckart Voigts abd Sarah Jane Ablett |
| title_full_unstemmed | A companion to British-Jewish theatre since the 1950s edited by Jeanette R. Malkin, Eckart Voigts abd Sarah Jane Ablett |
| title_short | A companion to British-Jewish theatre since the 1950s |
| title_sort | a companion to british jewish theatre since the 1950s |
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