Ancient Near Eastern iconography and the Bible: Erwin Panofsky and Othmar Keel in dialogue
"Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
T&T Clark
2024
|
Schriftenreihe: | The library of Hebrew Bible. Old Testament studies
697 Bloomsbury collections |
Schlagworte: | |
Online-Zugang: | DE-12 URL des Erstveröffentlichers |
Zusammenfassung: | "Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel. The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel’s three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel’s method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level." |
Beschreibung: | 1 Online-Ressource (344 Seiten) Illustrationen |
ISBN: | 9780567691859 9780567691842 9780567715661 |
DOI: | 10.5040/9780567691859 |
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520 | 3 | |a "Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel. The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel’s three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel’s method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level." | |
653 | 0 | |a Art, Ancient / Middle East / Themes, motives | |
653 | 0 | |a Art / Historiography | |
653 | 1 | |a Panofsky, Erwin / 1892-1968 / Knowledge and learning | |
653 | 1 | |a Keel, Othmar / 1937- / Knowledge and learning | |
653 | 0 | |a Symbolism in art | |
653 | |a Bible / Illustrations | ||
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id | DE-604.BV049866838 |
illustrated | Not Illustrated |
indexdate | 2024-10-15T10:07:18Z |
institution | BVB |
isbn | 9780567691859 9780567691842 9780567715661 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035206400 |
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owner_facet | DE-12 |
physical | 1 Online-Ressource (344 Seiten) Illustrationen |
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series2 | The library of Hebrew Bible. Old Testament studies Bloomsbury collections |
spelling | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue edited by Hans Ulrich Steymans London T&T Clark 2024 1 Online-Ressource (344 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The library of Hebrew Bible. Old Testament studies 697 Bloomsbury collections "Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel. The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel’s three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel’s method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level." Art, Ancient / Middle East / Themes, motives Art / Historiography Panofsky, Erwin / 1892-1968 / Knowledge and learning Keel, Othmar / 1937- / Knowledge and learning Symbolism in art Bible / Illustrations Art / Historiographie Steymans, Hans Ulrich 1961- (DE-588)113983549 edt Panofsky, Erwin 1892-1968 (DE-588)118591568 oth Keel, Othmar 1937- (DE-588)115558241 aui Erscheint auch als Druck-Ausgabe, hbk 978-0-5676-9183-5 https://doi.org/10.5040/9780567691859?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue |
title | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue |
title_auth | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue |
title_exact_search | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue |
title_full | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue edited by Hans Ulrich Steymans |
title_fullStr | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue edited by Hans Ulrich Steymans |
title_full_unstemmed | Ancient Near Eastern iconography and the Bible Erwin Panofsky and Othmar Keel in dialogue edited by Hans Ulrich Steymans |
title_short | Ancient Near Eastern iconography and the Bible |
title_sort | ancient near eastern iconography and the bible erwin panofsky and othmar keel in dialogue |
title_sub | Erwin Panofsky and Othmar Keel in dialogue |
url | https://doi.org/10.5040/9780567691859?locatt=label:secondary_bloomsburyCollections |
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