Emerging trends in Nigerian art and music composition and performance:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lagos ; Benin ; Ibadan ; Jos ; Port-Harcourt ; Zaria
Malthouse Press Limited
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxviii, 430 pages Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9789786061795 9786061799 |
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CONTENTS Dedication Acknowledgements Preface Foreword Editor and Contributors PART ONE - MUSIC COMPOSITION CHAPTERS 1. Nigerian Art Music and the Issue of Identity: Indigenous Eclecticism Approach (TEA) to Composition as Panacea? Oghenemudiakevwe Igbi - - -1 • Eclecticism: Theoretical Foundations and Meaning - 2 • The Present State of Nigerian Art Music - 3 • A Case for Indigenous Eclecticism Approach (IEA) To Nigerian Art Music Composition - 7 • Using the African Orchestra in Art Music Compositions: Issues of Identity and Eclecticism - 10 • The Use of Piano as Accompaniment to African Art Music Compositions - 13 • Nationalism in Nigerian Art Music and Issues of Identity - 15 • The Issue of Identity/Impact of Colonialism on Art Music in Nigeria - 16 • Conclusion - 91 2. Trends in African Art Music and Musical Arts: Identity, Pedagogy, Praxis and Composers in the 21st Century - Yemi Akperi------ 27 xviii
• • • • • • • • • Introduction - 27 Identifying African Art Music (AAM) - 28 Western Influence on African Art Music Pedagogy - 31 African Art Music in 21st Century: Some Pedagogical Resources 33 Some Institutional Efforts at Developing AAM Pedagogy - 34 Some Sources of Learning African Musical Arts and Art Music - 36 Some Compositional Techniques Used in African Art Music - 39 Some 21st Century Emergent Nigerian Art Music Composers and Performers - 47 Discussion and Conclusion - 47 3. Structural and Ideological Analysis of A O Ni Ribi Nile Yi (We Forbid Evil in this Land) — A 21st Century Art Music Composition for Piano - Atinuke Adenike Layade — 53 • Introduction - 53 • Objectives of the Study - 56 • Research Questions - 56 • The Use of Melodic/Rhythmic Style and Harmony Innovation in the First Section of A O Ni Ribi Nile Yi- 58 • Tonal Analysis Reflecting the Infrequency of the Piano Piece - 61 • Extract Reflecting the Exceptionality of the Piano Piece - 61 • Explanation on the Piece Depicting the Use of Syncopation - 62 • Investigation of the Essence of Hemiola in the Piece - 63 • Analysis of a Major Leap and Dynamic in the Piece of Music - 65 • The Structural Consideration of Rests Altered Clefs and Accidental Effects - 65 • Examination of Harmonic Blocks in the Piece of Music - 67 • The Projection of the Dominant Theme of the Piano Piece - 68 • Relevance of Variation in the Piece of Music - 69 • Investigation of the Re-Capitulatory Unit of the Piece - 70 • Conclusion - 71 xix
4. Keku Symphony: Art Music Composition as a Research Approach to Documenting Endangered Traditional Music of the Jukun of Northeastern Nigeria - Omotolani Ebenezer Ekpo - - - 80 • Introduction - 80 • Trends in Nigerian Art Music Composition - 82 • African Art Music Composition and the Issue of Identity - 84 • Research Composition and Endangered Musical Cultures - 86 • Safeguarding Keku Dance of the Jukun People - 88 • Overview and Significance of Keku Contemporary Symphony 89 • Pre-Compositional Considerations - 92 • Summary of the Composition - 98 • Listeners’ Feedback on the Significance of Keku - 102 • Conclusion - 104 5. The Composer’s Involvement in Modernity of Traditional Songs: the Annang Example - Isaac E. Udoh----- 108 • • • • • • • • Introduction - 108 Conceptual Framework - 114 Theoretical Framework - 117 Traditional Music - 118 Modernity of Traditional Songs - 120 The Composer’s Involvement - 121 Emerging Trends in Nigerian Art Music - 123 Conclusion - 128 6. Analytical Study of Onyee Nnanna Nwankpa's Art Music Composition, The Reconciliation Symphony - Michael Onochie Ezenibe - - - 135 • Intro duction - 13 5 • Brief Biography of the Composer, Onyee Nnanna Nwankpa 138 • The Composition, the Reconciliation Symphony - 139 XX
• African Art Music and Twenty First Century Compositional Techniques - 143 • Theoretical Framework - 145 • Method - 148 • Analysis - 145 • African Folk Melody in String Instruments Harmonized in 7th and 9th Chords - 157 • Conclusion - 163 • Recommendations -164 7. Trends in Contemporary Nigerian Art Music Composition: Discourse on the Colonial and Post-Colonial Struggles for Cultural Relevance - Chinedu Nathan Osinigwe — 167 • Introduction - 167 • Method - 169 • Colonialism and Nigerian Art Music (1900-1960) - 170 • Contemporary Nigerian Art Music in the Post-Colonial Era (1960-2000)- 172 • Nigerian Art Music in the Twenty-First Century (2000-2020) 173 • Emerging Trends in the Works of Chinedum Nathan Osinigwe - 178 • Conclusion - 181 8. Appraisal of Ayo Oluranti’s Ingenuity in Art Music Composition as Demonstrated in Bigi Man - Michael Bakare - - 183 • • • Introduction - 183 The Reading of Ayo Oluranti’s Bigi Man - 184 Summary and Conclusion - 196 9. Study on the Impact of African Music Composition on Nigerian Politics, Economy, and Social Development Osarodion Emmanuel Otamere----- 199 • Introduction - 199 xxi
Music as Social Construct - 201 Music as Tool for Social Change - 206 Impact of African Music Composition on Politics - 207 Impact of African Music Composition on the Economy - 208 Impact of African Music Composition on Social Development -209 • Conclusion - 210 • • • • • PART TWO - MUSIC PERFORMANCE 10. Towards Adopting Contemporary African Interpretive Techniques and Performance Practices in Art Music Solo Renditions in Nigeria - Ezinne Igbi — 214 • • • • • • • • • • • Intro duction - 214 The Meaning of Music Performance - 216 Interrogating the Roles of the Performer as the Chief Interpreter of Music - 217 The Human Singing Voice as Means of Communication - 218 Solo Singing in Concert Setting in Nigeria - 220 Adapting Traditional Performance Practices into Art Music Renditions in Nigeria - 222 The Significance and Need for African Interpretive Techniques and Performance Practices - 224 Some Techniques and Performance Practices in Contemporary Music - 225 Appreciation and Preference for Indigenous Art Music in Nigeria by Audiences - 228 Conclusion - 233 Recommendations - 235 11. Evolution of the Music Ministry and Music Performance Trends in Divine Baptist Church, Ogiedi-Elume, Delta State, Nigeria - Emurobome G. Idolor----- 239 • • xxii Introduction - 239 Music Ministry in the Church - 241
• • • • • • • • • • • • • • • • • • In The Beginning - 242 Music in Church Activities - 247 Music in Evangelism/Crusades - 248 Music during Baptism/Lord’s Supper - 248 Music during Annual (Harvest) Thanksgiving - 249 Music during Sunday School - 250 Music during Organizational Meetings - 250 Music in Revival Programmes and Vigil - 251 Music during Church Council and Church in Conference Meetings - 251 Different Choirs in Divine Baptist Church, Ogiedi-Elume 251 Anchors of the Music Ministry - 253 Organists in the Ministry since the 1940s - 255 Music Rehearsal Schedules - 256 Acquisition of Hymnals and Musical Equipment - 257 Music Genres in the Church - 260 Achievements of the Music Ministry - 264 Challenges and Solutions - 267 Conclusion - 269 12. Addressing the Challenge of Constant Special Choral Music Renditions and Performances in Nigerian Baptist Convention Churches’ Regular Services - Udoka P. Ossaiga - - - 272 Introduction - 272 The Challenge of Special Choral Music Renditions in the Nigerian Baptist Convention - 275 • For Special Choral Rendition to Reflect Specialty in the Nigerian Baptist Convention - 278 • Conclusion - 279 • • 13. Impact of Covid-19 Pandemic on Performance-Related Courses in Nigerian Tertiary Institutions: the Music Learners’ Perspective - Deborah Temisan Lawal - - - 282 xxiii
• • • • • • • Introduction - 282 Research Method - 284 Theoretical Relevance - 285 Learning During COVID-19 Pandemic - 286 Technology-Induced Learning-287 Future Implications and Adaptive Strategies - 288 Conclusion - 288 14. Overview of Church Music, Music Performance Approaches in Okpeland/Warri Metropolis, and Theatrical Production Strategies in a Post-Covid-19 Era in Nigeria Oghenemudiakevwe Igbi Pamela C. Akpomedaye —292 • • • • • • Introduction - 292 Foundations of Church Music in Okpe and Warri Metropolis 294 Overview of Music Performances in Okpe and Warri Metropolis during COVID-19 - 297 The Impact of CO VID-19 on Theatrical Productions in Uyo, Nigeria - 301 Digital Marketing and Social Media - 303 Conclusion - 303 15. De-Colonization or Mixed-Colonization: Study of Fela Anikulapo Kuti’s Musical Performance Narratives - Olufemi Akanji Olaleye - - - 306 • • • • • • xxiv Introduction - 306 Significance of the Study - 309 Theoretical Framework - 309 Method and Materials - 310 Data Presentation and Discussion - 311 Theorising Colonial Knowledge and Decolonisation of Ideas 317
16. Study of Ekobe Indigenous Popular Music of Ibusa, Transmutation and Performance Strategies - Timothy P. U. Nwokolo Ezinne Igbi----- 321 • Introduction - 321 • The Alliance between Culture and Music - 324 • Origin and Historical Background - 326 • Socio-Cultural Affiliations - 327 • Overview of Concepts - 328 • Findings - 338 17. Fostering Entrepreneurial Success through Proactive Collaboration between Nigerian Popular Music Performers lyene-Emi Lawson, Jeremiah Sampson Abu Alfred Gelles Albert - - - 342 • Introduction - 342 • Theoretical Framework - 344 • Concept of Proactive Collaboration - 345 • Holistic Roadmap for Proactive Collaboration - 349 • Proactive Collaborative Strategies for Entrepreneurial Success 350 • Collaborative Efforts of Some Nigerian Popular Music Performers: A Case Study - 352 • Strategic Agenda for Proactive Collaboration to Enhance the Entrepreneurial Success - 357 • Proactive Collaboration as Catalyst for Entrepreneurial Success -359 • Conclusion - 360 PART THREE - GENERAL READINGS IN MUSIC EDUCATION AND AFRICAN MUSICOLOGY 18. A Historical Excursion into Music Education in Nigeria John Ajewole Adetunji Taiwo Adesoji----- 364 • Introduction - 364 • Statement of the Problem - 366 XXV
• Materials and Methods - 366 • Result and Discussion - 367 • Conclusion and Recommendations - 374 19. Emerging Technological Trends as Synaesthesia for Music Education in Contemporary Nigeria - James Esinkuma Amaegbe------ 377 • Introduction - 377 • Music Education - 379 • Music Technology - 3 81 • Technology in the Educational System - 382 • The Relevance of Music Technology to Music Education - 383 • Challenges of Technology-Based Music Education in Nigeria 389 • Conclusion - 395 20. Africa-sensed Music Pedagogy in Bini Traditional Milieu John Aideloje Abolagba John Estes Aibuidefe - - - 400 • Introduction - 400 • Methods of Imparting Music Education in Bini Traditional Milieu - 401 • Africa-Sensed Pedagogic Approach - 403 • Values of Music Education in Bini Tradition - 404 • Music Education as an Integral Aspect of Culture in Bini Tradition - 409 • Conclusion and Recommendations - 410 21. Study on Preservation of Ibibio Folksongs through Transcription and Transliteration - Kufre Udoh — 413 • • • • • XXV i Intro duction - 413 Some Definitions/Meaning of Folksongs - 416 Importance of Folksongs and Song Texts in Ibibio Land - 418 Transcription and Transliteration of Selected Folksongs in Ibibio Land - 419 Summary and Conclusion - 427 |
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| spelling | Emerging trends in Nigerian art and music composition and performance edited by Oghenemudiakevwe Igbi, PhD Lagos ; Benin ; Ibadan ; Jos ; Port-Harcourt ; Zaria Malthouse Press Limited 2024 xxviii, 430 pages Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Musik (DE-588)4040802-4 gnd rswk-swf Trend (DE-588)4138150-6 gnd rswk-swf Performativität Kulturwissenschaften (DE-588)7651115-7 gnd rswk-swf Nigeria (DE-588)4042300-1 gnd rswk-swf Nigeria music performing arts identity colonialism musicology Nigeria (DE-588)4042300-1 g Musik (DE-588)4040802-4 s Performativität Kulturwissenschaften (DE-588)7651115-7 s Trend (DE-588)4138150-6 s DE-604 Igbi, Oghenemudiakevwe edt Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035206119&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Emerging trends in Nigerian art and music composition and performance |
| title_auth | Emerging trends in Nigerian art and music composition and performance |
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