Gina Proenza:
Published on the occasion of her solo exhibition at the Musée Cantonal des Beaux-Arts de Lausanne (MCBA, May-September 2024), this monograph on French-Colombian artist Gina Proenza offers the first occasion to encompass her suggestive and sculptural work which draws from specific narratives that ble...
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| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Geneva
JRP Éditions
[2024]
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| Schlagworte: | |
| Zusammenfassung: | Published on the occasion of her solo exhibition at the Musée Cantonal des Beaux-Arts de Lausanne (MCBA, May-September 2024), this monograph on French-Colombian artist Gina Proenza offers the first occasion to encompass her suggestive and sculptural work which draws from specific narratives that blend anthropological research, ancestral tales and legendsEuropean as well as Caribbeanand literary influences. Through playful forms and installations reminiscent of modernist sculpture and theatrical displays, she activates multiple scenarios, combines micro and macro stories, and proposes a space for dreamlike thinking and alternative knowledge. By mixing different media such as images, texts, and installations, she succeeds in creating a sophisticated and at the same time sensual visual language, where unstable backgrounds, lettering on advertising light boxes, and animal faces with outstretched tongues collide. Her research is also focused on the question and powers of languagescientific and poeticalits transmission and its social profile. Born in 1994 in Bogota, graduated from ECAL Lausanne in 2017, Gina Proenza lives in Lausanne. Her solo exhibitions include Moving Jealously, Kunst Halle Sankt Gallen (2022), Agarra-diablo, Centre dArt, Neuchâtel (2020), and Passe Passe, Swiss Cultural Center (2018). She was awarded the Manor Art Prize 2024 Vaud. Edited and introduced by MCBA curator Nicole Schweizer, the publication includes two essays by Paris-based Finnish art critic Sabrina Tarasoff and Zurichs Cabaret Voltaire Director Salome Hohl, as well as an interview with Fribourgs Friart Kunsthalle Director Nicolas Brulhart. (Verlagsangaben) |
| Beschreibung: | This book is published on the occasion of the exhibition "Gina Proenza. Toi et ta bande", held at the Musée cantonal des Beaux-Arts de Lausanne from May 24 to September 1, 2024 (Impressum) |
| Beschreibung: | 64 Seiten |
| ISBN: | 9783037646144 |
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| 520 | 3 | |a Published on the occasion of her solo exhibition at the Musée Cantonal des Beaux-Arts de Lausanne (MCBA, May-September 2024), this monograph on French-Colombian artist Gina Proenza offers the first occasion to encompass her suggestive and sculptural work which draws from specific narratives that blend anthropological research, ancestral tales and legendsEuropean as well as Caribbeanand literary influences. Through playful forms and installations reminiscent of modernist sculpture and theatrical displays, she activates multiple scenarios, combines micro and macro stories, and proposes a space for dreamlike thinking and alternative knowledge. By mixing different media such as images, texts, and installations, she succeeds in creating a sophisticated and at the same time sensual visual language, where unstable backgrounds, lettering on advertising light boxes, and animal faces with outstretched tongues collide. Her research is also focused on the question and powers of languagescientific and poeticalits transmission and its social profile. Born in 1994 in Bogota, graduated from ECAL Lausanne in 2017, Gina Proenza lives in Lausanne. Her solo exhibitions include Moving Jealously, Kunst Halle Sankt Gallen (2022), Agarra-diablo, Centre dArt, Neuchâtel (2020), and Passe Passe, Swiss Cultural Center (2018). She was awarded the Manor Art Prize 2024 Vaud. Edited and introduced by MCBA curator Nicole Schweizer, the publication includes two essays by Paris-based Finnish art critic Sabrina Tarasoff and Zurichs Cabaret Voltaire Director Salome Hohl, as well as an interview with Fribourgs Friart Kunsthalle Director Nicolas Brulhart. (Verlagsangaben) | |
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| physical | 64 Seiten |
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| spelling | Proenza, Gina 1994- (DE-588)133783162X art Gina Proenza Musée cantonal des Beaux-arts, Lausanne ; editor: Nicole Schweizer Gina Proenza. Toi et ta bande Toi et ta bande Geneva JRP Éditions [2024] 64 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier This book is published on the occasion of the exhibition "Gina Proenza. Toi et ta bande", held at the Musée cantonal des Beaux-Arts de Lausanne from May 24 to September 1, 2024 (Impressum) Published on the occasion of her solo exhibition at the Musée Cantonal des Beaux-Arts de Lausanne (MCBA, May-September 2024), this monograph on French-Colombian artist Gina Proenza offers the first occasion to encompass her suggestive and sculptural work which draws from specific narratives that blend anthropological research, ancestral tales and legendsEuropean as well as Caribbeanand literary influences. Through playful forms and installations reminiscent of modernist sculpture and theatrical displays, she activates multiple scenarios, combines micro and macro stories, and proposes a space for dreamlike thinking and alternative knowledge. By mixing different media such as images, texts, and installations, she succeeds in creating a sophisticated and at the same time sensual visual language, where unstable backgrounds, lettering on advertising light boxes, and animal faces with outstretched tongues collide. Her research is also focused on the question and powers of languagescientific and poeticalits transmission and its social profile. Born in 1994 in Bogota, graduated from ECAL Lausanne in 2017, Gina Proenza lives in Lausanne. Her solo exhibitions include Moving Jealously, Kunst Halle Sankt Gallen (2022), Agarra-diablo, Centre dArt, Neuchâtel (2020), and Passe Passe, Swiss Cultural Center (2018). She was awarded the Manor Art Prize 2024 Vaud. Edited and introduced by MCBA curator Nicole Schweizer, the publication includes two essays by Paris-based Finnish art critic Sabrina Tarasoff and Zurichs Cabaret Voltaire Director Salome Hohl, as well as an interview with Fribourgs Friart Kunsthalle Director Nicolas Brulhart. (Verlagsangaben) Proenza, Gina 1994- (DE-588)133783162X gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Musée cantonal des Beaux-Arts 24.05.2024-01.09.2024 Lausanne gnd-content (DE-588)4145395-5 Bildband gnd-content Proenza, Gina 1994- (DE-588)133783162X p DE-604 Schweizer, Nicole 1980- (DE-588)1137229284 edt wst Musée cantonal des beaux-arts (Lausanne) (DE-588)214584-4 his Parallele Sprachausgabe französisch 978-3-03764-615-1 |
| spellingShingle | Gina Proenza Proenza, Gina 1994- (DE-588)133783162X gnd |
| subject_GND | (DE-588)133783162X (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Gina Proenza |
| title_alt | Gina Proenza. Toi et ta bande Toi et ta bande |
| title_auth | Gina Proenza |
| title_exact_search | Gina Proenza |
| title_full | Gina Proenza Musée cantonal des Beaux-arts, Lausanne ; editor: Nicole Schweizer |
| title_fullStr | Gina Proenza Musée cantonal des Beaux-arts, Lausanne ; editor: Nicole Schweizer |
| title_full_unstemmed | Gina Proenza Musée cantonal des Beaux-arts, Lausanne ; editor: Nicole Schweizer |
| title_short | Gina Proenza |
| title_sort | gina proenza |
| topic | Proenza, Gina 1994- (DE-588)133783162X gnd |
| topic_facet | Proenza, Gina 1994- Ausstellungskatalog Musée cantonal des Beaux-Arts 24.05.2024-01.09.2024 Lausanne Bildband |
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