Decolonising African theatre:
Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
|
| Schriftenreihe: | Cambridge elements. Elements in theatre, performance and the political
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 21 Mar 2024) |
| Beschreibung: | 1 Online-Ressource (72 Seiten) |
| ISBN: | 9781009271455 |
| DOI: | 10.1017/9781009271455 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049859954 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240909s2024 |||| o||u| ||||||eng d | ||
| 020 | |a 9781009271455 |c Online |9 978-1-009-27145-5 | ||
| 024 | 7 | |a 10.1017/9781009271455 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781009271455 | ||
| 035 | |a (OCoLC)1456123731 | ||
| 035 | |a (DE-599)BVBBV049859954 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 792.096 | |
| 100 | 1 | |a Ravengai, Samuel |e Verfasser |0 (DE-588)1069411760 |4 aut | |
| 245 | 1 | 0 | |a Decolonising African theatre |c Samuel Ravengai |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2024 | |
| 300 | |a 1 Online-Ressource (72 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge elements. Elements in theatre, performance and the political | |
| 500 | |a Title from publisher's bibliographic system (viewed on 21 Mar 2024) | ||
| 520 | |a Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers | ||
| 650 | 4 | |a Theater |x Africa | |
| 650 | 4 | |a African drama |x History and criticism | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-009-50044-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-009-27147-9 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781009271455?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035199696 | |
| 966 | e | |u https://doi.org/10.1017/9781009271455?locatt=mode:legacy |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781009271455?locatt=mode:legacy |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1812974033942085632 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Ravengai, Samuel |
| author_GND | (DE-588)1069411760 |
| author_facet | Ravengai, Samuel |
| author_role | aut |
| author_sort | Ravengai, Samuel |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | BV049859954 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781009271455 (OCoLC)1456123731 (DE-599)BVBBV049859954 |
| dewey-full | 792.096 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.096 |
| dewey-search | 792.096 |
| dewey-sort | 3792.096 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/9781009271455 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049859954</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240909s2024 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009271455</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-009-27145-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009271455</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009271455</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1456123731</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049859954</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.096</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ravengai, Samuel</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1069411760</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Decolonising African theatre</subfield><subfield code="c">Samuel Ravengai</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (72 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge elements. Elements in theatre, performance and the political</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 21 Mar 2024)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield><subfield code="x">Africa</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African drama</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-009-50044-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-009-27147-9</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009271455?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035199696</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009271455?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009271455?locatt=mode:legacy</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049859954 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-15T10:06:12Z |
| institution | BVB |
| isbn | 9781009271455 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035199696 |
| oclc_num | 1456123731 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (72 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge elements. Elements in theatre, performance and the political |
| spelling | Ravengai, Samuel Verfasser (DE-588)1069411760 aut Decolonising African theatre Samuel Ravengai Cambridge Cambridge University Press 2024 1 Online-Ressource (72 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements. Elements in theatre, performance and the political Title from publisher's bibliographic system (viewed on 21 Mar 2024) Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers Theater Africa African drama History and criticism Erscheint auch als Druck-Ausgabe, Hardcover 978-1-009-50044-9 Erscheint auch als Druck-Ausgabe, Paperback 978-1-009-27147-9 https://doi.org/10.1017/9781009271455?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ravengai, Samuel Decolonising African theatre Theater Africa African drama History and criticism |
| title | Decolonising African theatre |
| title_auth | Decolonising African theatre |
| title_exact_search | Decolonising African theatre |
| title_full | Decolonising African theatre Samuel Ravengai |
| title_fullStr | Decolonising African theatre Samuel Ravengai |
| title_full_unstemmed | Decolonising African theatre Samuel Ravengai |
| title_short | Decolonising African theatre |
| title_sort | decolonising african theatre |
| topic | Theater Africa African drama History and criticism |
| topic_facet | Theater Africa African drama History and criticism |
| url | https://doi.org/10.1017/9781009271455?locatt=mode:legacy |
| work_keys_str_mv | AT ravengaisamuel decolonisingafricantheatre |