Denationalizing Identities: The Politics of Performance in the Chinese Diaspora
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights-Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun-shows the impact of theater on ideas of...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2024]
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 URL des Erstveröffentlichers |
| Zusammenfassung: | Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights-Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun-shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
| Beschreibung: | 1 Online-Ressource (268 Seiten) 5 b&w halftones |
| ISBN: | 9781501774409 |
| DOI: | 10.1515/9781501774409 |
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| 520 | |a Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights-Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun-shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw | ||
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| spelling | Lim, Wah Guan Verfasser aut Denationalizing Identities The Politics of Performance in the Chinese Diaspora Wah Guan Lim Ithaca, NY Cornell University Press [2024] 2024 1 Online-Ressource (268 Seiten) 5 b&w halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights-Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun-shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw In English Asian Studies HISTORY. LITERARY STUDIES. LITERARY CRITICISM / Asian / Chinese bisacsh Chinese diaspora in literature Chinese drama Foreign countries Identity (Philosophical concept) in literature National characteristics in the theater National characteristics, Chinese, in literature Theater and society China Theater and society East Asia Theater East Asia History 20th century https://doi.org/10.1515/9781501774409?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lim, Wah Guan Denationalizing Identities The Politics of Performance in the Chinese Diaspora Asian Studies HISTORY. LITERARY STUDIES. LITERARY CRITICISM / Asian / Chinese bisacsh Chinese diaspora in literature Chinese drama Foreign countries Identity (Philosophical concept) in literature National characteristics in the theater National characteristics, Chinese, in literature Theater and society China Theater and society East Asia Theater East Asia History 20th century |
| title | Denationalizing Identities The Politics of Performance in the Chinese Diaspora |
| title_auth | Denationalizing Identities The Politics of Performance in the Chinese Diaspora |
| title_exact_search | Denationalizing Identities The Politics of Performance in the Chinese Diaspora |
| title_full | Denationalizing Identities The Politics of Performance in the Chinese Diaspora Wah Guan Lim |
| title_fullStr | Denationalizing Identities The Politics of Performance in the Chinese Diaspora Wah Guan Lim |
| title_full_unstemmed | Denationalizing Identities The Politics of Performance in the Chinese Diaspora Wah Guan Lim |
| title_short | Denationalizing Identities |
| title_sort | denationalizing identities the politics of performance in the chinese diaspora |
| title_sub | The Politics of Performance in the Chinese Diaspora |
| topic | Asian Studies HISTORY. LITERARY STUDIES. LITERARY CRITICISM / Asian / Chinese bisacsh Chinese diaspora in literature Chinese drama Foreign countries Identity (Philosophical concept) in literature National characteristics in the theater National characteristics, Chinese, in literature Theater and society China Theater and society East Asia Theater East Asia History 20th century |
| topic_facet | Asian Studies HISTORY. LITERARY STUDIES. LITERARY CRITICISM / Asian / Chinese Chinese diaspora in literature Chinese drama Foreign countries Identity (Philosophical concept) in literature National characteristics in the theater National characteristics, Chinese, in literature Theater and society China Theater and society East Asia Theater East Asia History 20th century |
| url | https://doi.org/10.1515/9781501774409?locatt=mode:legacy |
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