Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s
In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2024]
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice's various rights and roles. In this way, Stutterheim argues that the artist's authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
| Beschreibung: | 1 Online-Ressource (288 Seiten) |
| ISBN: | 9781478059677 |
| DOI: | 10.1515/9781478059677 |
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| 520 | |a In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice's various rights and roles. In this way, Stutterheim argues that the artist's authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship | ||
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Datensatz im Suchindex
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| author | Stutterheim, Sydney |
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| spelling | Stutterheim, Sydney Verfasser aut Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s Sydney Stutterheim Durham Duke University Press [2024] 2024 1 Online-Ressource (288 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice's various rights and roles. In this way, Stutterheim argues that the artist's authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship In English ART / History / Contemporary (1945-) bisacsh Arts and morals Arts and society Audiences in art Authorship https://doi.org/10.1515/9781478059677?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stutterheim, Sydney Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s ART / History / Contemporary (1945-) bisacsh Arts and morals Arts and society Audiences in art Authorship |
| title | Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s |
| title_auth | Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s |
| title_exact_search | Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s |
| title_full | Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s Sydney Stutterheim |
| title_fullStr | Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s Sydney Stutterheim |
| title_full_unstemmed | Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s Sydney Stutterheim |
| title_short | Artist, Audience, Accomplice |
| title_sort | artist audience accomplice ethics and authorship in art of the 1970s and 1980s |
| title_sub | Ethics and Authorship in Art of the 1970s and 1980s |
| topic | ART / History / Contemporary (1945-) bisacsh Arts and morals Arts and society Audiences in art Authorship |
| topic_facet | ART / History / Contemporary (1945-) Arts and morals Arts and society Audiences in art Authorship |
| url | https://doi.org/10.1515/9781478059677?locatt=mode:legacy |
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